Frances (1982) 7.2
The true story of Frances Farmer's meteoric rise to fame in Hollywood and the tragic turn her life took when she was blacklisted. Director:Graeme Clifford |
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Frances (1982) 7.2
The true story of Frances Farmer's meteoric rise to fame in Hollywood and the tragic turn her life took when she was blacklisted. Director:Graeme Clifford |
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| Cast overview, first billed only: | |||
| Jessica Lange | ... | ||
| Kim Stanley | ... | ||
| Sam Shepard | ... |
Harry York
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Bart Burns | ... | |
| Jonathan Banks | ... |
Hitchhiker
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| Bonnie Bartlett | ... |
Studio Stylist
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James Brodhead | ... |
Desk Sergeant
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Jane Jenkins | ... |
Lady at Roosevelt Hotel
(as J.J. Chaback)
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Jordan Charney | ... |
Harold Clurman
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Rod Colbin | ... |
Sentencing Judge
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Daniel Chodos | ... |
'No Escape' director
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Donald Craig | ... |
Ralph Edwards
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Sarah Cunningham | ... |
Alma Styles
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| Lee de Broux | ... |
'Flowing Gold' Director
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| Jeffrey DeMunn | ... | ||
The true story of Frances Farmer's meteoric rise to fame in Hollywood and the tragic turn her life took when she was blacklisted.
Jessica Lange and Kim Stanley give remarkable performances in "Frances," but if you are looking for anything resembling the truth about this gifted actress, this is *not* the film to see--in fact, unfortunately, no factual account of Frances' life has yet been presented on either the movie or TV screen, with the possible exception of A&E's excellent Biography episode about her.
The film completely fictionalizes and sensationalizes several aspects of Frances' life, inventing characters out of whole-cloth and completely misrepresenting her institutionalization, including spuriously alleging she was lobotomized. There is ample documentary evidence proving Frances never underwent this horrible procedure; you can read the facts in my web article "Shedding Light on Shadowland," which is linked under the miscellaneous sites section on IMDb's Frances Farmer page (or do a Google for "Shedding Light on Shadowland").
In the recent DVD release, director Graeme Clifford can be heard commenting, in what is surely the understatement of the decade, "We didn't want to be nickel and diming the audience to death with facts." The *real* story of Frances Farmer is far more fascinating than this sad exercise in Hollywood "fictionalizing."