Hank Marshall is a tough, square-jawed, straitlaced Army engineer and nuclear science expert, assigned to help conduct weapons-testing in 1950's America. Hank has become a thorn in the side... See full summary »
Tommy Lee Jones,
Three sisters with quite different personalities and lives reunite when the youngest of them, Babe, has just shot her husband. The oldest sister, Lenny, takes care of their grandfather and ... See full summary »
Oregon, 1980: Jane, Elaine and Louise are all feeling the effects of inflation and cannot afford, as the title states, the high cost of living. Jane cannot afford a babysitter or get ... See full summary »
Susan Saint James,
Everyone has a talent, and dreams do come true. Stacy Lancaster has an incredible knack for Blackjack. Once she joins up with daring Will Bonner the two young gamblers are on a non-stop ... See full summary »
The film's closing credits declare that: "In exchange for the use of certain facilities and per agreement with the California Department of Mental Health, the producers have agreed to the following disclaimer: "Since the 1940s there have been major advances in the care and treatment of the mentally ill. The reprehensible conditions experienced by Frances Farmer are not typical of mental health treatment today"." See more »
Among the framed portraits of actresses under contract to Paramount Pictures hanging on Mr. Bebe's office walls is one of Joan Crawford. But Crawford was an MGM contract player at the time portrayed in the scene and never worked for Paramount. See more »
When you get well, you're going to thank me.
No, you are not talking now! You listen. Now you can send me away and pretend I'm crazy and you can pretend I'm still your little girl who can't take care of herself. But Lillian, there is one thing that you cannot pretend any more and that is that I love you. Because I don't. I can't. Not after what you've done to me. Because I am still me. I've been trying real hard all this time to be me. And you, little sister - you haven't been any help at all.
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Jessica Lange and Kim Stanley give remarkable performances in "Frances," but if you are looking for anything resembling the truth about this gifted actress, this is *not* the film to see--in fact, unfortunately, no factual account of Frances' life has yet been presented on either the movie or TV screen, with the possible exception of A&E's excellent Biography episode about her.
The film completely fictionalizes and sensationalizes several aspects of Frances' life, inventing characters out of whole-cloth and completely misrepresenting her institutionalization, including spuriously alleging she was lobotomized. There is ample documentary evidence proving Frances never underwent this horrible procedure; you can read the facts in my web article "Shedding Light on Shadowland," which is linked under the miscellaneous sites section on IMDb's Frances Farmer page (or do a Google for "Shedding Light on Shadowland").
In the recent DVD release, director Graeme Clifford can be heard commenting, in what is surely the understatement of the decade, "We didn't want to be nickel and diming the audience to death with facts." The *real* story of Frances Farmer is far more fascinating than this sad exercise in Hollywood "fictionalizing."
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