| Photos (See all 16 | slideshow) |
| Klaus Kinski | ... | Brian Sweeney Fitzgerald - 'Fitzcarraldo' | |
| Claudia Cardinale | ... | Molly | |
| José Lewgoy | ... | Don Aquilino | |
| Miguel Ángel Fuentes | ... | Cholo | |
| Paul Hittscher | ... | Captain (Orinoco Paul) | |
| Huerequeque Enrique Bohorquez | ... | Huerequeque (The Cook) (as Huerequeque Enrique Bohórquez) | |
| Grande Otelo | ... | Station master (as Grande Othelo) | |
| Peter Berling | ... | Opera Manager | |
| David Pérez Espinosa | ... | Chief of Campa Indians | |
| Milton Nascimento | ... | Blackman At Opera House | |
| Ruy Polanah | ... | Rubber Baron | |
| Salvador Godínez | ... | Old Missionary | |
| Dieter Milz | ... | Young Missionary | |
| William Rose | ... | Notary (as Bill Rose) | |
| Leoncio Bueno | |||
| rest of cast listed alphabetically: | |||
| Isabel Jimines de Cisneros | ... | Opera Singer (uncredited) | |
| Jean-Claude Dreyfus | ... | Opera Singer (uncredited) | |
| Jesús Goiri | ... | Opera Singer (uncredited) | |
| Veriano Luchetti | ... | Opera Singer (uncredited) | |
| Lourdes Magalhaes | ... | Opera Singer (uncredited) | |
| Christian Mantilla | ... | Opera Singer (uncredited) | |
| Costante Moret | ... | Opera Singer (uncredited) | |
| Dimiter Petkov | ... | Opera Singer (uncredited) | |
| Mietta Sighele | ... | Opera Singer (uncredited) | |
| Liborio Simonella | ... | Opera Singer (uncredited) | |
Directed by | |||
| Werner Herzog | |||
Writing credits(in alphabetical order) | ||
| Werner Herzog | ||
Produced by | |||
| Werner Herzog | .... | producer | |
| Renzo Rossellini | .... | associate producer | |
| Walter Saxer | .... | executive producer | |
| Willi Segler | .... | producer | |
| Lucki Stipetic | .... | producer | |
Original Music by | |||
| Popol Vuh | |||
Cinematography by | |||
| Thomas Mauch | |||
Film Editing by | |||
| Beate Mainka-Jellinghaus | |||
Production Design by | |||
| Ulrich Bergfelder | |||
| Henning von Gierke | |||
Costume Design by | |||
| Gisela Storch | |||
Makeup Department | |||
| Gloria Fava | .... | hair stylist | |
| Gloria Fava | .... | makeup artist | |
| Stefano Fava | .... | hair stylist | |
| Stefano Fava | .... | makeup artist | |
| Jaque Monteiro | .... | assistant makeup artist | |
| Carlos Prieto | .... | assistant makeup artist | |
Production Management | |||
| Gustavo Cerff Abulu | .... | production manager: Peru (as Gustavo Cerff Arbulú) | |
| George Sluizer | .... | production manager: Brazil | |
Second Unit Director or Assistant Director | |||
| Fred Confalonieri | .... | assistant director: Brazil (as Frederico Confalonieri) | |
| Jorge Vignati | .... | assistant director | |
Art Department | |||
| César Vivanco Luna | .... | construction: Camp Rio Camisea | |
| Jaíme Mourõa Rios | .... | construction: Indin camp | |
| Victor Trigoso | .... | construction: Camp Rio Camisea | |
Sound Department | |||
| Juarez Dagoberto Costa | .... | sound (as Juarez Dagoberto) | |
| Zezé d'Alice | .... | sound (as Zezé D'Alice) | |
Special Effects by | |||
| Miguel Vázquez | .... | special effects | |
Camera and Electrical Department | |||
| Rainer Klausmann | .... | second camera | |
| Beat Presser | .... | assistant camera | |
| Beat Presser | .... | still photographer | |
| Hans-Peter Vogt | .... | lighting technician | |
| Raimund Wirner | .... | lighting technician | |
Costume and Wardrobe Department | |||
| Franz Blumauer | .... | assistant costume designer | |
| Elisabeth Irmer | .... | assistant costume designer | |
| Rosemary Kaye | .... | assistant costume designer | |
Editorial Department | |||
| Linda Kuusisto | .... | assistant editor | |
| Carola Mai | .... | assistant editor | |
Transportation Department | |||
| Tercero Efraín Panaifo Indama | .... | tractorist | |
Other crew | |||
| Pedro Natorce Ahuanari | .... | boat crew | |
| Tomás Parraga Aliaga | .... | medical staff (as Dr. Tomás Parraga Aliaga) | |
| Walter Pinedo Alvarez | .... | boat crew | |
| Claire André | .... | production secretary: Peru | |
| Eglington Ayarza Boulloza | .... | technical advisor | |
| Pedro Padilla Chota | .... | boat crew | |
| Guardamino Benigno Paucar | .... | technical advisor | |
| Victor Tello Pinedo | .... | medical staff | |
| Nancy Rios | .... | production secretary: Peru | |
| William Rose | .... | dialogue director (as William L. Rose) | |
| Anja Schmidt-Zäringer | .... | script | |
| Werner Schroeter | .... | opera director: stage scene | |
| El Tigre Carlos Calvo Soria | .... | forest worker | |
| René Baneo Vazquez | .... | boat crew | |
| Rachel Griffiths | .... | script supervisor (uncredited) | |
Thanks | |||
| Les Blank | .... | special thanks | |
| Miguel Camateiri Fernandez | .... | thanks | |
| Nicolás Camateiri Fernandez | .... | thanks | |
| Pascual Camateiri Fernandez | .... | thanks | |
| Peter Matthiessen | .... | special thanks | |
| Joseph D. Peckerman | .... | special thanks | |
| David Pérez Espinosa | .... | thanks | |
| Sam Shepard | .... | special thanks | |
| José Koechlin von Stein | .... | special thanks: idea | |
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| Aguirre: The Wrath of God | Mountains of the Moon | Into the Wild | The New World | As Far As My Feet Will Carry Me |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb West Germany section |
Full of bravura and inspiring sequences the bizarre epic "Fitzcarraldo" won Werner Herzog the best director award at Cannes Festival in 1982. This is the film that keeps reminding us the words of Oscar Wilde, "We are all in the gutter but some of us look at the stars". Even fewer try to reach the stars and Werner Herzog and his longtime collaborator and frequent adversary Klaus Kinski were certainly the men who have reached them. Brian Sweeney Fitzgerald (or Fitzcaralado the local Indians' name for Fitzgerald) was a visionary, a man with a beautiful obsession who dreamed of a building an opera house in the Peruvian rain forests and bringing the great singer Enrico Caruso there. Fitzcaralado's plan involved dragging a huge steamship over a small mountain to avoid traveling upstream through rapids. This plan was duplicated by Herzog during the production and involved the real Indians actually hauling the boat over the mountain. The image of the boat floating in the clouds and the small figure of Fitzcarraldo dressed in the white suit looking with his crazy wild eyes at the boat is one of the most beautiful and breathtaking visions at the screen ever. This film is not as perfect as Herzog's and Kinski's previous project, the stunning "Aguirre, The Wrath of God" but it is a magnificent and fascinating tale that could only be told by its matchless team of creators.