The feared bandit Cobra Verde (Klaus Kinski) is hired by a plantation owner to supervise his slaves. After the owner suspects Cobra Verde of consorting with his young daughters, the owner ... See full summary »
Fitzcarraldo is an obsessed opera lover who wants to build an opera in the jungle. To accomplish this he first has to make a fortune in the rubber business, and his cunning plan involves hauling an enormous river boat across a small mountain with aid from the local Indians. Written by
Rune Sandnes <firstname.lastname@example.org>
Klaus Kinski was a major source of tension on set, as he fought virulently with the crew and raged over trivial matters. The natives where very upset about his behavior. Herzog has claimed that it went so far that one of the chieftains offered, in all seriousness, to murder Kinski for Herzog. See more »
During one of the boat drifting scenes, crew members can be seen at the top of the boat, including a man wearing jeans who tries to avoid being spotted by the camera. See more »
Opera on board
from "I Puritani" by Vincenzo Bellini
Orquesta Sinfonica del Repertorio, Lima
Conducted by Maestro Manuel Cuadros Barr
Chorus Camerata Vocale "Orfeo"
Soli: Dona Elvira: Isabel Jiminez de Cisneros
Arturo: Liberio Simonella
Giorgio: Jesus Goiri
Walton: Christiam Mantilla
Music: Popul Vuh
Original recordings Enrico Caruso (1902/06) by RCA Victor Richard Strauss from "Tod und Verklaerung" See more »
This film was a real labour of love for Werner Herzog (he said at the time of making it: "I live my life or end my life with this film"). The movie tells the story of an entrepreneaur (Klaus Kinski) who is obssessed with the idea of building a Grand Opera house in the Peruvian jungle. To get the money to do this however, he has to set off on a long and dangerous journey to open up new trade routes for a previously inaccessible part of the jungle, rich in valuable rubber trees.
The most famous image in the film is the hauling of a large steam-boat up the side of a mountain (a feat which was achieved by the film-makers without the aid of special effects). Visually, the film is spectacular and everything is beautifully photographed. Kinski is superb as the crazed adventurer.
On the minus side, however, some viewers might be put off by the slow pace of the film.
This film stands as one of Herzog's best, and most accessible works, and is a must-see for anyone.
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