Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come ... See full summary »
Buddy Van Horn
Philo Beddoe is an easy-going trucker and a great fist-fighter. With two friends - Orville, who promotes prize-fights for him, and Clyde, the orangutan he won on a bet - he roams the San ... See full summary »
Breezy is a teen-aged hippy with a big heart. After taking a ride with a man who only wants her for sex, Breezy manages to escape. She runs to hide on a secluded property where stands the ... See full summary »
The Soviets have developed a revolutionary new jet fighter, called "Firefox". Naturally, the British are worried that the jet will be used as a first-strike weapon, as rumours say that the jet is indetectable on radar. They send ex-Vietnam War pilot Mitchell Gant on a covert mission into the Soviet Union to steal Firefox. Written by
Murray Chapman <firstname.lastname@example.org>
The story is loosely based on an actual event in which a Soviet fighter pilot (Viktor Belenko) defected to Japan on September 6, 1976. Belenko was stationed in Chuguyekva, Primorsky Krai, RSFSR (Soviet Russia) where he flew a MiG-25 to Hakodate, Japan - during his defection he brought the pilot's manual where the USAF where American personnel evaluated and tested the aircraft. The USAF determined that the MiG-25 was more of an interceptor rather than a fighter-bomber (which the F-15 Eagle had a superior edge, later demonstrated by the Israeli Air Force where it was used in combat against Syrian MiGs (they also operated the MiG-25) with no losses). The captured MiG was later dismantled by the Japanese technicians and returned to the Soviet Union. See more »
When the submarine goes up to break through the ice, you can see an antenna or periscope sticking out above the submarine. When seconds later it's broken through the ice and at the surface no antenna or periscope is visible. See more »
Don't you Jews ever get tired of fighting City Hall?
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There are no opening credits after the title has been shown. This has since become a trademark of all Eastwood-directed films. See more »
Suppose a specially trained Soviet pilot sneaked into this country illegally during the Cold War and, with the help of Communist spy rings, managed to impersonate an American officer, insinuate his way into Edwards AFB or Area 51, was responsible for the deaths of several American enlisted men, stole a top-secret American fighter which topped anything the Soviets could put in the air, and flew it to the USSR.
That's the plot, only vice versa. If you enjoyed the old black-and-white propaganda films about the success of the underground resistance in Nazi-occupied Europe, you'll probably like this one. Instead of Nazis we have the Russians. Instead of the Gestapo we have Soviet officers but the only difference is the uniform. The Soviets are grim, beady-eyed, humorless, and ruthless. They torture prisoners and are annoyed when the prisoner happens to die. They sacrifice their own people without blinking an eye.
Instead of the heroic French or Norwegian or Czech resistance fighters we have Jewish dissidents who help the hero. They sacrifice their lives for the cause. When trapped, they shoot themselves rather than take a chance of being beaten into giving away secret information.
Instead of Errol Flynn we have -- well -- we have Clint Eastwood in one of his lesser efforts. (Flynn would have been an improvement in the role.) Clint is a top ex-pilot suffering from PTS syndrome but projecting fear is not his forte. He projects it by closing his eyes and breathing a little harder than usual. When he's shocked at something, he registers the emotion by raising his brows and opening his eyes a little wider without changing his grim, determined expression.
Nobody else in the movie really counts, but I loved Freddie Jones in the part of the British operative who explains the plan to Clint. Jones is a burly, florid man with a bush of frizzly hair like the older Dylan Thomas (a fellow Welshman) crowning his occiput. He overacts outrageously, not only chewing the furniture, but ravishing it before swallowing it. He makes Charles Laughton look like the Sphynx. His bobbing head and mellifluous irony make up for what Clint forgot to bring to the party.
The arctic scenes are nice, but the special effects are pretty clumsy. They're so bad that whenever you try to get into the plot while the plane is airborn, the cheesiness jolts you back into the realization that you're just watching a movie.
The airplane, by the way, is SO advanced that it reads minds when it carries out orders. You want it to fire a missile? Just think, "Fire a missile." But -- get this -- the equipment can only read minds that THINK IN Russian. This raises a number of interesting questions about the equipment. How about if you have a Muscovite accent? Suppose you think more like a Ukrainean than an ethnic Russian? If you simply visualize the missile being fired (or whatever) in your right cerebral hemisphere, will the thing still go? Will it go if you think in the conditional -- "If I were to think that the missile should go, then it will go"? If a missile is fired and you think, "Go, Missile, Go!", does it fire a second missile? Suppose you happen to be fixing your makeup in the rear-view mirror when you think the missile should fire -- does it blow you up? Would it fly backwards for a dyslexic pilot? If you think, "Hey, I was only kidding!", does the missile abort?
This film certainly does.
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