Fanny and Alexander (1982) - News Poster


Fantastic Fest 2017 Review: Rabbit Confidently Subverts Expectations at Every Turn

  • DailyDead
As a longtime fan of Australian cinema, I will be the first to admit that as I watched the opening scene of Luke Shanahan’s Rabbit, I thought I could put my finger precisely on the type of cinematic experience that was coming my way. And boy, was I wrong. My favorite types of films are the ones that keep me guessing, or give me something I haven’t seen before, and Rabbit delivers that in spades. Much more than just a psychological horror movie, Shanahan’s latest is a beautiful celebration of Euro cinema from the ’70s, yet it still feels wholly steeped in this twisted modern reality where nothing is as it seems, and the horrors awaiting viewers go much deeper than just jump scares and gore.

With its booming opening credits and a hauntingly effective score drenched in gravitas, Rabbit immediately sets out to rattle those watching,
See full article at DailyDead »

Telluride: ‘Wonderstruck’ Lenser Ed Lachman Reflects on His Career

Telluride: ‘Wonderstruck’ Lenser Ed Lachman Reflects on His Career
The Telluride Film Festival has held tributes for but a handful cinematographers over the last 44 years. The names are titans of the form: Karl Struss (“Sunrise,” “The Great Dictator”), Sven Nykvist (“Cries & Whispers,” “Fanny and Alexander”), John Alton (“An American in Paris,” “Elmer Gantry”), Vittorio Storaro (“Apocalypse Now,” “The Last Emperor”). This year, on the heels of a lifetime achievement prize from the American Society of Cinematographers earlier this year, Ed Lachman joins their ranks.

Oscar-nominated for “Far From Heaven” and “Carol,” Lachman is a frequent collaborator of director Todd Haynes. This year’s celebration of his work is pegged to their latest, “Wonderstruck,” which is part of the festival’s main program. But Lachman’s career outstretches those three movies alone, from working with icons of pop (Madonna) and humanitarianism (Mother Teresa), to collaborations with artists at the beginning (Sofia Coppola) and end (Robert Altman) of their careers.

Lachman spoke to Variety about his career to
See full article at Variety - Film News »

Annabelle: Creation: Anthony Lapaglia and Miranda Otto Talk About Entering The Horror Universe

The Mullins created Annabelle. Now they can’t control her.

The prequel Annabelle: Creation looks at the origin story of the demonic-possessed doll. The story ventures back in the 1940s where a dollmaker and his wife created a vessel for an unknown spirit after the tragic death of their daughter.

The film stars Stephanie SIgman, Miranda Otto, Lulu Wilson, Anthony Lapaglia, Talitha Bateman and Alicia Vela-Bailey. It is directed by David F. Sandberg (Lights Out).

Lrm participated in a roundtable interview with actors Anthony Lapaglia and Miranda Otto, who played the dollmaker and wife. In a joke-cracking interview, they talked about the attraction to the horror genre, the set, David F. Sandberg and trying to keep souvenirs from movie sets.

Annabelle: Creation will be playing in theaters nationwide this Friday, August 11.

Read the conversation transcript below:

To start, could you talk about on what attracted you to Annabelle: Creation? Who are you playing?
See full article at LRM Online »

Bergman's Spell

Mubi is showing the retrospective The Inner Demons of Ingmar Bergman from June 8 - August 28, 2017 in the United Kingdom.I've told this brief story of how I fell under the spell of cinema so many times I've become brazen to it. At eighteen years, in February 1993, I found Ingmar Bergman's Cries and Whispers (dubbed) at the video store. As Woody Allen spoke of the Swede in hushed tones, I decided I should try a film. Ninety minutes later I sat stunned and spellbound, not sure what to do or think, but surely sure I must be onto something. Cinematic rapture still has a psychical aspect for me, the torque the sedentary body goes through while coping with the images before it. I can always tell how good a film is if my armpits smell after. The body doesn't lie. Ingmar Bergman is an easy crush—one writer I know
See full article at MUBI »

Always in Style – The Forgotten Roles of Michael Caine

  • HeyUGuys
Author: Zehra Phelan

“You’re were only supposed to blow the bloody doors off” is and will always be Michael Caine’s most iconic line of all time, uttered in the 1969 British Caper The Italian Job. With a career spanning a hefty 64 years between 1953 and 2017, Caine hits our screens yet again this week starring opposite Morgan Freeman and Alan Arkin in Going in Style, a remake of the 1979 heist comedy directed by Zach Braff. It tells the story of a trio of retirees who plan to rob a bank after their pensions are cancelled, proving he isn’t quite ready to hang up his acting shoes to start drawing his own pension.

At the tender age of 84 the man previously known as Maurice Joseph Micklewhite, now known as Sir Michael Caine after being knighted by the queen in 2000, has starred in a staggering 125 films in his career to date. His
See full article at HeyUGuys »

Oscars 2017: Which Country Nominated For Best Foreign Language Film Has the Best Track Record of Winning?

‘The Salesman’ (Courtesy: Amazon Studios and Cohen Media Group)

By: Carson Blackwelder

Managing Editor

The one chance for the entire world to get involved with the Academy Awards has always been the best foreign language film category. Since any country can submit a film each year, though, that means the competition is intense. Let’s take a look at the countries that have snagged nominations this year and see how they’ve performed in the past in the hopes of shedding some light on what might happen come February 26.

This year the five nominees for best foreign language film are Land of Mine from Denmark, A Man Called Ove from Sweden, The Salesman from Iran, Tanna from Australia, and Toni Erdmann from Germany. The Hollywood Reporter’s Scott Feinberg lists The Salesman as the frontrunner in this category — obviously due to the film’s merits and also potentially due to its director,
See full article at Scott Feinberg »

Witness the Evolution of Cinematography with Compilation of Oscar Winners

This past weekend, the American Society of Cinematographers awarded Greig Fraser for his contribution to Lion as last year’s greatest accomplishment in the field. Of course, his achievement was just a small sampling of the fantastic work from directors of photography, but it did give us a stronger hint at what may be the winner on Oscar night. Ahead of the ceremony, we have a new video compilation that honors all the past winners in the category at the Academy Awards

Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by
See full article at The Film Stage »

‘Moonlight’ Director Barry Jenkins Takes Home an ‘Embarassing’ Haul From The Criterion Closet — Watch

‘Moonlight’ Director Barry Jenkins Takes Home an ‘Embarassing’ Haul From The Criterion Closet — Watch
Earlier this January, Barry Jenkins’ “Moonlight” won Best Picture — Drama at the 74th Golden Globes after racking up widespread critical acclaim since its world premiere at Telluride last September. The film has recently racked up eight Oscar nominations, including Best Picture and Best Director. In honor of his new film and all the recent accolade, the Criterion Collection invited Barry Jenkins to check out the famed Criterion Closet and pick out some films to take home. Watch the video below.

Read More: National Society of Film Critics Names ‘Moonlight’ Best Picture of 2016

Jenkins picks out a host of films from the closet that have special significance for him. Some of these films include the “John Cassavetes: Five Films” box set, which Jenkins describes as “foundational”; Krzysztof Kieślowski’s ten-hour long “Dekalog,” a film Jenkins once bought on Ebay because he “felt like he had to see it”; Mathieu Kassovitz’s “La Haine,
See full article at Indiewire »

Mia Hansen-Løve’s 10 Favorite Films

She’s only been making feature films for less than a decade — and truly only gained international recognition this decade — but it seems as if the talents of Mia Hansen-Løve as a writer-director are already fully formed. This isn’t to discount room for certain growth in her relatively young career, but with Goodbye First Love, Eden, and now Things to Come, her ruminations on life are expressed as if conveyed by an elder master director. Looking at her eclectic list of all-time favorite films — provided for the latest Sight & Sound poll — one can get a glimpse at her impeccable taste and where her formative influences come from.

“All of my films are my versions of Heat,” she recently told us, speaking about one of her picks. “Because Heat is actually a film about melancholy, about action, and it’s action vs. melancholy and self-destruction — action becoming self-destruction. It’s a couple.
See full article at The Film Stage »

Directors Who Found Success in Both the Best Picture and Best Foreign Language Film Categories

Pablo Larraín (Courtesy: Andrew Cowie/Afp)

By: Carson Blackwelder

Managing Editor

There’s one director this year that has a chance at being a major crossover success by having two separate films nominated in both the best picture and best foreign language film categories: Pablo Larraín. This filmmaker has Jackie as well as Neruda and could join an elite group of directors who been able to have films — or even one film — in both of these major categories.

Jackie, which stars Natalie Portman as Jacqueline Kennedy Onassis, is considered a frontrunner in the Oscars race this year by this site’s namesake, The Hollywood Reporter’s Scott Feinberg. Neruda, which follows an inspector who hunts down Nobel Prize-winning Chilean poet Pablo Neruda, is Chile’s submission for best foreign language film this year and is considered a major threat in that contest. This would be a great feat — especially for someone who,
See full article at Scott Feinberg »

Academy Award Submission for Nomination Best Foreign Language Film: Cuba: ‘The Companion’ Interview…

Academy Award Submission for Nomination Best Foreign Language Film: Cuba: ‘The Companion’ Interview with Pavel Giroud1988, Cuba, those infected with HIV or suffering from AIDS were given free room, board and medical treatment at a beautiful facility called “Los Cocos”. Except for the criminals who shared prison cells, the patients shared apartments with other patients. These apartments were so comfortable that some healthy people wanted to have AIDS so they could live in such conditions. But the patients were also treated as prisoners, living under military guard. One day a week they were allowed a day of freedom when they could leave the facility, but they had to have a companion assigned to be with them at all times.

“The Companion”/ “El acompañante” is a very Cuban film because the government’s treatment and control over the spread of AIDS was very particular to Cuba. The story is based on
See full article at Sydney's Buzz »

Unknown Ingmar Bergman Script to Be Made Into Film by Swedish Director Suzanne Osten

Unknown Ingmar Bergman Script to Be Made Into Film by Swedish Director Suzanne Osten
The late Ingmar Bergman is best known for films such as “Fanny and Alexander,” “Smiles Of A Summer Night” and “Wild Strawberries,” among many others. With a career spanning over 60 years, he’s recognized as one of the most accomplished and influential auteurs of all time.

Many cinephiles know about his work and films, but there’s one in particular that was unknown to many, until now.

According to Reuters, a previously unknown script written by Bergman for a collaboration with Akira Kurosawa and Federico Fellini, titled “Sixty-Four Minutes With Rebecka,” will be turned into a movie by Swedish director Suzanne Osten.

Read More: The Essentials: The 15 Greatest Ingmar Bergman Films

The screenplay, written in 1969, was shelved after the project fell through and later found in the early 2000s when Bergman donated his collections to set up what would be the Ingmar Bergman Foundation. The “highly intense” story revolves
See full article at Indiewire »

Sweden submits 'A Man Called Ove' for Oscar race

  • ScreenDaily
Sweden submits 'A Man Called Ove' for Oscar race
Hannes Holm’s comedy-drama won three Guldbagges, Sweden’s top local film prize.

Sweden has selected Hannes Holm’s A Man Called Ove as its submission for this year’s foreign-language Oscar race.

The film, adapted from Fredrik Backman’s bestseller, has been a record-breaking box-office success in Sweden.

The heartfelt comedy-drama is about a cantankerous old man, Ove (Rolf Lassgård), whose very ordered world is shaken when he has to interact with his new neighbours.

“That A Man Called Ove would be selected as the Swedish contribution to the Oscars feels like a fairytale that never ends. It’s just fantastic and such an honour,” commented Annica Bellander Rune, who produced alongside Nicklas Wikström Nicastro.

Music Box Films has North American rights and will release on Sept 30.

TrustNordisk handles sales and other key distributors are Paradis for France, September for Benelux, Telemunchen for Germany, Silver Box/Russian Report for Russia, Medallion For Japan
See full article at ScreenDaily »

Norwegian Fest Honors Pernilla August as Doc ‘Magnus’ Takes Top Prize

Norwegian Fest Honors Pernilla August as Doc ‘Magnus’ Takes Top Prize
The Norwegian Intl. Film Festival handed out its prizes Aug. 25, with Norwegian director Benjamin Ree’s documentary “Magnus” nabbing the Ray of Sunshine prize from the the Norwegian Exhibitors’ Assn. A hit at several international festivals, “Magnus” tells the story of 26-year-old Norwegian chess champion Magnus Carlsen’s rise to the top.

For the first time the International Film Critics Assn. presented its Fipresci prize at Haugesund, with Danish director Jesper W. Nielsen’s “The Day Will Come” taking the honors. The Norwegian Film Critics’ favorite was Maren Ade’s Cannes hit and German B.O. hit, “Toni Erdmann,” while “Perfect Strangers,” from Italy’s Paolo Genovese, took the Audience Award.

Swedish actress-writer-director Pernilla August was presented at the Norwegian Intl. Film Festival Aug. 24 with Ullmann Award, named after the legendary actress-director Liv Ullmann and presented to August by the trophy’s namesake, for “her significant contribution to film art,
See full article at Variety - Film News »

20-Minute Video Essay On The Brilliant Cinematography Of Sven Nykvist

No one manipulated light like Sven Nykvist. Perhaps the greatest cinematographer of our time, the Swedish-born, two time Oscar-winner (“Cries and Whispers,” “Fanny and Alexander“) saw something in people and their surroundings that most of us can hardly fathom. He was a true master, working with notable directors such as Roman Polanski (“The Tenant“), Louis Malle (“Black Moon,” “Pretty Baby“), Philip Kaufman […]

The post 20-Minute Video Essay On The Brilliant Cinematography Of Sven Nykvist appeared first on The Playlist.
See full article at The Playlist »

‘A Bigger Splash’ Director Luca Guadagnino’s 10 Favorite Films

Now in limited release is one of the summer’s must-see films, Luca Guadagnino‘s I Am Love follow-up A Bigger Splash, which we called “a sweaty, kinetic, dangerously unpredictable ride of a film” back at Venice last year. To celebrate its arrival, today we’re highlighting the Italian director’s 10 favorite films, which he submitted for the last Sight & Sound poll.

An eclectic batch of titles from all over the world, they include an underrated Brian De Palma thriller, Nagisa Oshima‘s controversial erotic drama, an 8-part project from Jean-Luc Godard, an Italian staple from Roberto Rossellini, and more. Expanding upon one of his picks, he told The Guardian, “I am a Hitchcockian – I still believe that Psycho sets the standard for mother/ son relations.”

Speaking about another one of his choices, Fanny and Alexander, he recently discussed the behind-the-scenes documentary available on Criterion’s excellent box set. “You see the master at work.
See full article at The Film Stage »

Arnaud Desplechin Talks ‘My Golden Days,’ the Philosophies of Editing, Philip Roth & More

If I had to select the contemporary filmmaker who’s most attuned to the relationship between thought and action — more specifically, the contemporary filmmaker who can best articulate the gap between these modes through cinema’s tools of expression — Arnaud Desplechin might be my strongest answer. Deeply empathetic toward its wounded characters, formally energized to the point of a viewer’s (appreciated) exhaustion, and often marked by a wicked sense of humor, they’re so alive because a writer and director of total ingenuity is branding them with his sensibilities.

His newest picture, My Golden Days — a prequel to 1996’s My Sex Life… or How I Got Into an Argument, which you should see in the first place but don’t have to see in order to understand this effort, because such is the nature of prequels — jumps between decades, countries, and states of mind via protagonist Paul Dedalus, played
See full article at The Film Stage »

Berlin Film Review: ‘A Serious Game’

Berlin Film Review: ‘A Serious Game’
For a classic novel whose fans insist that Hjalmar Soderberg’s 1912 romance not only holds up but reads with fresh relevance today, “A Serious Game” yields a drearily old-fashioned costume drama — one that’s mired less by its turn-of-the-century setting than an unfortunate early-1980s directorial style, when such productions had a regular home on the small screen. Around that time, actress-turned-helmer Pernilla August herself appeared in Ingmar Bergman’s “Fanny and Alexander,” which might have been a fine model, had not her every creative choice — from the fusty Euro-tv acting to an almost-square Academy aspect ratio — made this Lone Scherfig-scripted adaptation feel so airlessly uncinematic.

Funny how a two-hour film can sometimes feel longer than a six-hour miniseries, if only because it fails to supply the qualities that might bring its characters to life. Perhaps those already familiar with Soderberg’s “The Serious Game” (source material beloved in Sweden,
See full article at Variety - Film News »

Disc Deals: 50% Off Criterion Blu-rays at Amazon

The Barnes & Noble sale may have ended a couple of weeks ago, but that doesn’t mean that you can’t still buy some Criterion Collection releases for 50% off. Best Buy is currently having a 50% off sale on a number of Criterion releases, and Amazon has begun to match their prices.

Thanks to everyone for supporting our site by buying through our affiliate links.

A note on Amazon deals, for those curious: sometimes third party sellers will suddenly appear as the main purchasing option on a product page, even though Amazon will sell it directly from themselves for the sale price that we have listed. If the sale price doesn’t show up, click on the “new” options, and look for Amazon’s listing.

I’ll keep this list updated throughout the week, as new deals are found, and others expire. If you find something that’s wrong, a broken link or price difference,
See full article at CriterionCast »

In praise of Christina Lindberg, goddess of Swedish sexploitation

It all started with Exposed. I’m not sure what brought this 1971 Swedish sexploitation film to the suggestion portion of my Netflix account (presumably the roster of Jess Franco films recently added), but after reading the description, I figured it was worth a shot: “A pretty young teen finds her innocence lost when an unguarded night of revelry yields shameful secrets, and a stack of nude pictures that could ruin her life. But to get her hands on the negatives, she’ll have to expose herself even further.” That is indeed the basic plot of the film, which plays out exactly as one would expect for such fare. But what was unexpected while watching Exposed (also known as the much less enticing Diary of a Rape), was the 21-year-old star of the film. Her name is Christina Lindberg.

Exposed, for lack of a better phrase, is what it is. It
See full article at SoundOnSight »
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