| Photos (See all 19 | slideshow) |
Directed by | |||
| Ingmar Bergman | |||
Writing credits | ||
| Ingmar Bergman | (written by) | |
Produced by | |||
| Jörn Donner | .... | producer | |
| Renzo Rossellini | .... | co-producer (uncredited) | |
| Daniel Toscan du Plantier | .... | producer (uncredited) | |
Original Music by | |||
| Daniel Bell | |||
Cinematography by | |||
| Sven Nykvist | |||
Film Editing by | |||
| Sylvia Ingemarsson | |||
Art Direction by | |||
| Anna Asp | |||
Set Decoration by | |||
| Susanne Lingheim | |||
Costume Design by | |||
| Marik Vos-Lundh | (as Marik Vos) | ||
Makeup Department | |||
| Cecilia Drott | .... | wig maker | |
| Kjell Gustavsson | .... | wig maker | |
| Barbro Haugen | .... | makeup artist (as Barbro H Haugen) | |
| Anna-Lena Melin | .... | makeup artist | |
| Leif Qviström | .... | makeup artist | |
| Mariann Virdestam | .... | wig maker | |
Production Management | |||
| Katinka Faragó | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Peter Schildt | .... | assistant director | |
Sound Department | |||
| Björn Gunnarsson | .... | sound mixer | |
| Björn Gunnarsson | .... | sound | |
| Lars Liljeholm | .... | sound mixer | |
| Lars Liljeholm | .... | sound | |
| Bo Persson | .... | sound mixer | |
| Bo Persson | .... | sound | |
| Owe Svensson | .... | sound mixer | |
| Owe Svensson | .... | sound | |
Special Effects by | |||
| Bengt Lundgren | .... | special effects | |
Stunts | |||
| Johan Thorén | .... | stunts (as Johan Torén) | |
Costume and Wardrobe Department | |||
| Ingabritt Adrianson-Ejenstam | .... | costume assistant (as Ingabritt Adriansson) | |
| Anne-Marie Broms | .... | costume assistant (as Anne Marie Broms) | |
| Wiveca Dahlström | .... | tailor | |
| Ann Katrin Edmark | .... | tailor | |
| Görel Engstrand | .... | costume assistant | |
| Solveig Eriksson | .... | tailor | |
| Rosemarie Karlsson | .... | tailor | |
| Maria Lindmark | .... | costume assistant | |
| Elsie-Britt Lindström | .... | costume producer | |
| Ann-Christin Lobråten | .... | costume assistant (as Annchristin Lobråten-Hjelm) | |
| Kristina Makroff | .... | costume producer | |
| Robert Nordlund | .... | costume producer | |
| Lena Persson | .... | tailor | |
| Kjell Sundqvist | .... | costume producer | |
| Niclas Svartengren | .... | tailor | |
| Caroline Von Rosen | .... | tailor | |
| Lenamari Wallström | .... | costume assistant | |
Editorial Department | |||
| Mikael Lönndahl | .... | assistant editor (uncredited) | |
Music Department | |||
| Frans Helmerson | .... | musician | |
| Marianne Jacobs | .... | musician | |
| Per Lyng | .... | conductor | |
Transportation Department | |||
| Åke Dahlbom | .... | driver | |
Other crew | |||
| Ingrid Bergman | .... | administrator | |
| Mildred Brandt | .... | hostess | |
| Lars-Owe Carlberg | .... | administrator | |
| Kerstin Eriksdotter | .... | script supervisor | |
| Berit Gullberg | .... | press officer | |
| Arne Högsander | .... | dolls | |
| Hellen Igler | .... | accountant | |
| Eva Ivarsson | .... | location manager | |
| Benita Lundqvist | .... | production secretary | |
| Nils Melander | .... | laboratory technician | |
| Marie Rechlin | .... | teacher | |
| Fredrik Von Rosen | .... | administrator | |
| Brita Werkmäster | .... | location manager | |
| Christian Wirsén | .... | laterna magica | |
| Mercedes Björlin | .... | choreographer (uncredited) | |
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| Fellini Satyricon | The House of the Spirits | Don't Tell | Sunshine | 1900 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Sweden section |
You could call this my opinion of Bergman's Fanny and Alexander...as opposed to a review. I really don't feel the need in describing or summarizing this film. Any review, as I see it, would be pointless. Words just can't convey what makes a truly great movie as good as it is. The best "review" I could give Fanny and Alexander is to just see the damned thing. If you can't sit through it, so be it. But, those who are willing to give it their attention, I promise, will be rewarded continuously through the film's duration. Anyone who sits through the entire film, especially the full-length version, I think, will find it difficult to say that they were bored. More than likely, they will find it easy to say, "That was a damned good movie." I, myself, was surprised. Previous to seeing F&A, I had never seen a film quite this long. I'm glad I did. I'll also throw this in: most film buffs, I think it's safe to say, will always consider Bergman to be the master of gloom. This may be true, but I think Fanny and Alexander proves beyond any doubt that his ability to express the joy that exists in life is every bit as great, and truly refreshing.