Two estranged sisters, Ester and Anna, and Anna's 10-year-old son travel to the Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka.
Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ... See full summary »
It's the early twentieth century Sweden. Adolescent siblings Alexander and Fanny Ekdahl lead a relatively joyous and exuberant life with their well-off extended paternal family, led by the family matriarch, their grandmother, Helena Ekdahl. The openness of the family culture is exemplified by Helena's now deceased husband ending up becoming best friends with one of her lovers, a Jewish puppet maker named Isak Jacobi, and their Uncle Gustav Adolf's open liaison with one of the family maids, Maj, who everyone in the family adores, even Gustav Adolf's wife, Alma. Between the siblings, Alexander in particular has inherited the family's love of storytelling, his parents and his grandmother who are actors and who manage their own theater. Things change for Alexander and Fanny when their father, Oscar, dies shortly after Christmas 1907. Although she truly does believe she loves him, the children's mother, Emilie, decides to marry Bishop Edvard Vergérus, who she first met as the officiate at ... Written by
The problem with any great artist is that it becomes easy to rest on one's laurels, become self-indulgent, or settle for mediocrity. After all, the fans will always stick by you.
Fanny and Alexander, Bergman's farewell to the cinema (in more ways than one since it was made for television) is a problematic film - it is a well crafted work, but undistinguished, not nearly as great as some of his past achievements. Can one blame him? Not really - nobody hits a home run every time at bat.
Fanny and Alexander is a long (over 3 hours) Dickensian period piece that lacks much of the trademark Bergman touches. It's well made, but not significantly different from many historical melodramas and made-for-TV mini-series' that were the hallmark of U.S. broadcast television in the 1980s. The story primarily deals with two young siblings and their trials and tribulations following the death of their father. Really it's mostly about the boy, Alexander, as his sister, Fanny is pretty much an ominpresent non-entity in the proceedings. There are also a lot of dead-end subplots featuring the children's aunts, uncles, and other relatives. And, save for a few detours into the metaphysical (mostly in the last 10 minutes), there is little to distinguish it from a run-of-the-mill Victorian soap opera.
The cast - all of them - turn in fine performances, and while I can't really recommend this film whole-heartedly, I really can't knock it either. Perhaps a good time-passer if you are bedridden and need a 3 hour diversion.
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