| Cast overview, first billed only: | |||
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Kristina Adolphson | ... |
Siri - Ekdahlska huset
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Börje Ahlstedt | ... |
Carl Ekdahl - Ekdahlska huset
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Pernilla Allwin | ... |
Fanny Ekdahl - Ekdahlska huset
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Kristian Almgren | ... |
Putte Ekdahl - Ekdahlska huset
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Carl Billquist | ... |
Police Superintendent Jespersson - Ekdahlska huset
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Axel Düberg | ... |
Witness to Bishop's Death - Ekdahlska huset
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| Allan Edwall | ... |
Oscar Ekdahl - Ekdahlska huset
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Siv Ericks | ... |
Alida - Ekdahlska huset
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Ewa Fröling | ... |
Emilie Ekdahl - Ekdahlska huset
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Patricia Gélin | ... |
Statue - Ekdahlska huset
(as Patricia Gelin)
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Majlis Granlund | ... |
Miss Vega - Ekdahlska huset
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Maria Granlund | ... |
Petra Ekdahl - Ekdahlska huset
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| Bertil Guve | ... |
Alexander Ekdahl - Ekdahlska huset
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Eva von Hanno | ... |
Berta - Ekdahlska huset
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Sonya Hedenbratt | ... |
Aunt Emma - Ekdahlska huset
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It's the early twentieth century Sweden. Adolescent siblings Alexander and Fanny Ekdahl lead a relatively joyous and exuberant life with their well-off extended paternal family, led by the family matriarch, their grandmother, Helena Ekdahl. The openness of the family culture is exemplified by Helena's now deceased husband ending up becoming best friends with one of her lovers, a Jewish puppet maker named Isak Jacobi, and their Uncle Gustav Adolf's open liaison with one of the family maids, Maj, who everyone in the family adores, even Gustav Adolf's wife, Alma. Between the siblings, Alexander in particular has inherited the family's love of storytelling, his parents and his grandmother who are actors and who manage their own theater. Things change for Alexander and Fanny when their father, Oscar, dies shortly after Christmas 1907. Although she truly does believe she loves him, the children's mother, Emilie, decides to marry Bishop Edvard Vergérus, who she first met as the officiate at ... Written by Huggo
This film could never have been made in the United States. I realize when it was made Bergman had been around for a long time and had his own clout but it still has too much of a philosophical slant to be mainstream here. This film is amazing. The first hour moves at a slow pace but it really sets up the rest of the movie well and then it really picks up. The cinematography is breathtaking and while this story makes you think a lot you don't feel ambivalent towards the characters through the rest of the first film after having been slowly introduced to all the characters you have a certain identifcation that is purely emotional and blends wonderfully with the other aspects of the film. It's truly great and should be considered one of Bergman's best works.