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Fanny and Alexander (1982)
"Fanny och Alexander" (original title)

R  |   |  Drama  |  17 December 1982 (Sweden)
8.2
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Ratings: 8.2/10 from 37,365 users   Metascore: 100/100
Reviews: 103 user | 78 critic | 8 from Metacritic.com

Two young Swedish children experience the many comedies and tragedies of their family, the Ekdahls.

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Top 250 #203 | Won 4 Oscars. Another 21 wins & 8 nominations. See more awards »
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Cast

Cast overview, first billed only:
Kristina Adolphson ...
Siri - Ekdahlska huset
Börje Ahlstedt ...
Carl Ekdahl - Ekdahlska huset
Pernilla Allwin ...
Fanny Ekdahl - Ekdahlska huset
Kristian Almgren ...
Putte Ekdahl - Ekdahlska huset
Carl Billquist ...
Police Superintendent Jespersson - Ekdahlska huset
Axel Düberg ...
Witness to Bishop's Death - Ekdahlska huset
Allan Edwall ...
Oscar Ekdahl - Ekdahlska huset
Siv Ericks ...
Alida - Ekdahlska huset
Ewa Fröling ...
Emilie Ekdahl - Ekdahlska huset
Patricia Gélin ...
Statue - Ekdahlska huset (as Patricia Gelin)
Majlis Granlund ...
Miss Vega - Ekdahlska huset
Maria Granlund ...
Petra Ekdahl - Ekdahlska huset
Bertil Guve ...
Alexander Ekdahl - Ekdahlska huset
Eva von Hanno ...
Berta - Ekdahlska huset
Sonya Hedenbratt ...
Aunt Emma - Ekdahlska huset
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Storyline

It's the early twentieth century Sweden. Adolescent siblings Alexander and Fanny Ekdahl lead a relatively joyous and exuberant life with their well-off extended paternal family, led by the family matriarch, their grandmother, Helena Ekdahl. The openness of the family culture is exemplified by Helena's now deceased husband ending up becoming best friends with one of her lovers, a Jewish puppet maker named Isak Jacobi, and their Uncle Gustav Adolf's open liaison with one of the family maids, Maj, who everyone in the family adores, even Gustav Adolf's wife, Alma. Between the siblings, Alexander in particular has inherited the family's love of storytelling, his parents and his grandmother who are actors and who manage their own theater. Things change for Alexander and Fanny when their father, Oscar, dies shortly after Christmas 1907. Although she truly does believe she loves him, the children's mother, Emilie, decides to marry Bishop Edvard Vergérus, who she first met as the officiate at ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

En film av Ingmar Bergman

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| | |

Release Date:

17 December 1982 (Sweden)  »

Also Known As:

Fanny and Alexander  »

Box Office

Gross:

SEK 21,041,492 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

At the time, the largest film ever made in Sweden (with 60 speaking parts and over 1200 extras) and the most expensive, with a budget of $6 million. See more »

Goofs

When Gustav Adolph and the maid are in bed together and the bed breaks, a string used to pull down the headboard onto them is visible. See more »

Quotes

Ekdahlska huset - Gustav Adolf Ekdahl: The world is a den of thieves and night is falling. Evil breaks its chains and runs through the world like a mad dog.
See more »

Connections

Featured in The Making of Fanny and Alexander (1986) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Triumphant
25 October 2001 | by See all my reviews

This film could never have been made in the United States. I realize when it was made Bergman had been around for a long time and had his own clout but it still has too much of a philosophical slant to be mainstream here. This film is amazing. The first hour moves at a slow pace but it really sets up the rest of the movie well and then it really picks up. The cinematography is breathtaking and while this story makes you think a lot you don't feel ambivalent towards the characters through the rest of the first film after having been slowly introduced to all the characters you have a certain identifcation that is purely emotional and blends wonderfully with the other aspects of the film. It's truly great and should be considered one of Bergman's best works.


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