Young Cheryl moves into her estranged aunt Martha's rundown King Edward Hotel. One of its offbeat residents, disturbed photographer George, takes special interest in her. Cheryl begins suspecting that a resident was murdered.
When a Paul enters his apartment to find Mary fighting off a swinger who has gotten into the wrong apartement (and thinks that Mary is just playing hard to get) he hits the man with a frying pan, killing him. Their dreams of running a small resturant seem to be in jeopardy until they decide to dispose of the body, keep the wallet, and to advertise for other sexually oriented visitors who are summarily killed, bagged, robbed and disposed of. This goes along quite well until one night a burglar named Raoul breaks in and cuts himself in for a piece of the action. Written by
John Vogel <email@example.com>
"Eating Raoul" should be the "gold standard" for black comedy ....10.0
No other black comedy, except perhaps "War of the Roses" comes close to the originality and cleverness of "Eating Raoul". It is totally outrageous, and that is what elevates the film to greatness. Paul Bartel and Mary Woronov play the "Blands" to perfection, and the unbelievable supporting cast is icing on the cake. The movie is so quotable, "Do you realize we just made $500? Yea, just by killing people", it's amazing. Check the numerous quotes on IMDb and you will see what I mean. Each viewing uncovers something new and hilarious about "Eating Raoul", strong testimony for it deserving the title "gold standard" of black comedy. - MERK
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