The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
After a gentle alien becomes stranded on Earth, the being is discovered and befriended by a young boy named Elliott. Bringing the extraterrestrial into his suburban California house, Elliott introduces E.T., as the alien is dubbed, to his brother and his little sister, Gertie, and the children decide to keep its existence a secret. Soon, however, E.T. falls ill, resulting in government intervention and a dire situation for both Elliott and the alien. Written by
World-renowned Indian director Satyajit Ray claimed that this film plagiarized a script he wrote in 1967 entitled "The Alien." After Ray wrote the script, he sought the help of science fiction author Arthur C. Clarke in having the script produce in the United States. Clarke introduced Ray to his friend Mike Wilson, who helped promote the film to Columbia Pictures. Columbia signed on to the project and sought to cast Marlon Brando and Peter Sellers in the lead roles. However, a series of events led to the project being canceled. First, when Ray went to copyright his script, he was surprised to find that the script had already been copyrighted by Wilson as a co-written work, the authors being officially credited as "Mike Wilson and Satyajit Ray," in that order. According to Ray, Wilson's only contribution to the script was his suggestion of the word "broad" instead of "chick" at one place in the script. Later, Brando dropped out of the project and, although an attempt was made to bring James Coburn in his place, Ray said he was disillusioned with Hollywood machinations and returned to Calcutta. The project was abandoned at that time and, although Columbia was interested in reviving the project in the 1970s and 1980s, nothing came of it. When "E.T.: The Extra-Terrestrial" was released in 1982, many, including Arthur C. Clarke, saw striking similarities in the film to Ray's earlier script. Ray said that Steven Spielberg's movie "would not have been possible without my script of 'The Alien' being available throughout America in mimeographed copies." Spielberg denied this by saying, "I was a kid in high school when this script was circulating in Hollywood." (Spielberg actually graduated high school in 1965 and released his first film in 1968.) See more »
The silhouette of the mime wearing the E.T. gloves can be seen through the railing when Elliot is luring E.T. with the Reese's Pieces. See more »
There are those times when all the forces at work come together and you have a masterpiece. This, of course, is a kids' movie. Obviously, it is so much more. It is a story of love and heart and character. To begin with, as a middle school teacher, I can attest to the wonderful casting and writing. It doesn't insult us. It shows us how a person who knows the heart of humanity (and that extends to the alien nation) can transcend cliché and put forth a beautiful story--but not a lightweight one by any means. The adults make up the periphery. The childlike quality of the lovable alien could only be appreciated and cared for by those who have not become as jaded as they. As soon as those adult figures show up, everyone is in trouble. Yet, for the most part, they have good intentions. The government agents are another issue. They bring force and death.
Who hasn't seen this. There are series of episodes that have become part of our cultural landscape. Words have been brought into our language. We speak along with Elliot and ET. Halloween, phoning home, frogs all over the lab, hiding in the closet among the stuffed animals, the bike ride where the bikes suddenly leave the ground, the touching of the finger and the heart. It's just magical. Sometimes when one sees a movie, one begins to say, "If only they had done this or that." I can't think of anything in this film. Why write this review. Just to include my two cents' worth.
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