The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
While visiting the Earth at Night, a group of alien botanists is discovered and disturbed by an approaching human task force. Because of the more than hasty take-off, one of the visitors is left behind. The little alien finds himself all alone on a very strange planet. Fortunately, the extra-terrestrial soon finds a friend and emotional companion in 10-year-old Elliot, a lonely boy whose parents have separated. While E.T. slowly gets acquainted with Elliot's older brother Michael, his sister Gertie and the customs of Earth, members of the task force work day and night to track down the whereabouts of Earth's first visitor from outer space. The wish to go home again is strong in E.T., and after being able to communicate with Elliot and the others, E.T. starts building an improvised device to send a message home for his people to come and pick him up. But before long, E.T. gets seriously sick, and because of his special connection to Elliot, the young boy suffers, too. The situation ... Written by
Julian Reischl <firstname.lastname@example.org>
The "Laird International Studios" site has been home to other well-known classic Motion Pictures in it's lifetime. The studios has operated under a number of names, Ince Studio (second; 1918-1925) , De Mille Studios (1925-28), Pathe and RKO-Pathe Studios (1928-35), Selznick International (1935-56), Desilu-Culver Studios (1956-70), Culver City Studios (1970-77) and Laird International Studios (1977-86), then GTG Entertainment, then it was owned by Sony Pictures, Studio City Los Angeles, and in 2014 Hackman Capital Partners. In 2015 the Studios site is still known as The Culver Studios. See more »
When E.T. is walking outside during Halloween, the eye holes on his sheet are far apart and only one is matched up to his eyes. However, the shots of what E.T. is seeing through his sheet show the two eye holes lined up close together. See more »
E.T. is one of my all time favorite movies. This movie blew me out of my seat as a kid, and still kills me every time I watch it. Only four or five movies have made me cry, much less sob uncontrollably. When I returned from seeing E.T. for the first time, I couldn't talk for the rest of the day. I laid in my bed and cried for about five hours.
The movie still makes tears well up in my eyes and gives me a lump in my throat. I still find it profoundly moving. It's heart-breakingly sad, yet phenomenally uplifting at the same time. I had no idea a movie could be so powerful when I saw this in the movies for the first time when I was eleven.
What I think makes E.T. so powerful for me now is the heart-wrenching way it has of making me long to be a kid again. I refuse to ever completely grow up, and my memories are my own, but man does this movie make me wish I was eleven again, when riding my bike was a pleasure, Matchbox cars were the greatest thing in the world, Halloween was a night of mystery and creepy fun I looked forward to all year, going to the movies was an adventure, and looking up at the stars could be a mind-blowing experience.
E.T. keeps those feeling alive for me. So do a lot of other things, but E.T. is the champ. As much as my cynical adult side may want to slap Steven Spielberg around sometimes, I would happily give him a hug for his timeless gift to the world, E.T. THE EXTRA TERRESTRIAL.
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