The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
While visiting the Earth at Night, a group of alien botanists is discovered and disturbed by an approaching human task force. Because of the more than hasty take-off, one of the visitors is left behind. The little alien finds himself all alone on a very strange planet. Fortunately, the extra-terrestrial soon finds a friend and emotional companion in 10-year-old Elliot, a lonely boy whose parents have separated. While E.T. slowly gets acquainted with Elliot's older brother Michael, his sister Gertie and the customs of Earth, members of the task force work day and night to track down the whereabouts of Earth's first visitor from outer space. The wish to go home again is strong in E.T., and after being able to communicate with Elliot and the others, E.T. starts building an improvised device to send a message home for his people to come and pick him up. But before long, E.T. gets seriously sick, and because of his special connection to Elliot, the young boy suffers, too. The situation ... Written by
Julian Reischl <email@example.com>
Steven Spielberg worked simultaneously on both this film and Poltergeist (1982) in 1982 (which was directed by Tobe Hooper but produced by Spielberg), and both were made to complement each other. "E.T." represented suburban dreams, and "Poltergeist" represented suburban nightmares. See more »
As Michael leads Mary into the bathroom where Elliot and E.T. lay sick, the camera dollies backwards, brushing past and visibly disturbing an indoor bamboo tree. See more »
Spielberg's powerful and remarkable film about a boy and his unusual befriendment of an extra terrestrial. Possibly his finest film, E.T. captures a piece of childhood, and reminds the rest of us of a time long since past. It excites a story adults often forget, and a powerful remembrance of a childhood friendship during difficult periods of development. Adult criticism of the movie loses its youthful bond, and fails to appreciate growing up in the 80's. This is the pinnacle of Spielberg's childhood movies. Few other films capture as powerful a message of childhood emotion. Other films which attempt to do so dive so deep into childhood memories they lose their connection with adults, and degrade to brief interludes of "dumb" comic relief to keep grown ups from falling asleep. The closest runner up is likely Goonies (a film written by Spielberg). A very personal film for Spielberg; as he explores atypical friendships after the separation of his father; he should be commended for achieving such a remarkable success and for sharing it with the rest of us. I was five when I first saw the movie, and although it frightened me at the time, it still makes me cry. An unparalleled film in its class, it is easy to see why it remains the fourth all time grossing film (adjusted for inflation, third otherwise) seventeen years after its release. Cheers to Spielberg for not ruining the movie by attempting a sequel.
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