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An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The... See full summary »
Rejected by Hollywood and facing pressure to return to Stalinist Russia, filmmaker Sergei Eisenstein travels to Mexico to shoot a new film. Chaperoned by his guide Palomino, he experiences the ties between Eros and Thanatos, happy to create their effects in cinema, troubled to suffer them in life.
Mr. Neville, a cocksure young artist, is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends much further than either the purse or the sketchpad. The sketches themselves prove of an even greater significance than supposed upon the discovery of the body of Mr. Herbert. Written by
Paul Kevin Harm <email@example.com>
The film is set in the 17th century in the year of 1694 at the end of the reign of the English co-regency monarchy of William and Mary who reigned during the period between the years of 1689 and 1694 until Mary died in the latter year. See more »
The cooing of a collared dove is not a sound that would have fallen on Jacobean ears, as the species was unknown in Britain until 1955. See more »
Mr. Chandos was a man who spent more time with his gardener than his wife. They discussed plum trees - ad nauseam. He gave his family and his tennants cause to dread September, for they were regaled with plums till their guts rumbled like thunder and their backsides ached from overuse. He built the chapel at Fouvant, where the pew seats are made of plumwood, so the tennants still have cause to remember Chandos through their backsides - on account of the splinters.
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Guess I really like this sort of period movies, about the British upper-class in the 17th century. The movies have an own unique kind of style and atmosphere over them. This especially really goes for this unique little film.
it's a very witty movie and halve way through it also becomes obvious exactly how intelligently the movie is written and constructed. At first it doesn't look like the movie is heading anywhere and it's merely a good and enjoyable movie filled with some slightly subtle eccentric and quirky characters. But about halve way through it becomes clear that the intentions within the story and the intentions of the characters have way more in to them, when the movie becomes more of a murder-mystery and layered and the character's motivations all start to take form and become clear. It makes the movie surprisingly and delightful. It's a really well constructed and visually crafted movie from Peter Greenaway.
The movie doesn't have the Jane Austen kind of story and approach but more like "Barry Lyndon" with the same certain quirkiness in it, if I need to compare it to anything else. The movie has a sort of a surreal kind of atmosphere over it, which gets strengthened all the more by the outrageous costumes and wigs, thick accents and extremely difficult but beautiful to listen to- dialog and of course the special kind of characters that are in the movie. It's also a very sexy and sort of erotic movie to watch at, with almost always a sort of sexual tension in the atmosphere during the entire movie, despite not having any real nudity or explicit nude scene's in it.
The whole movie is almost entire filmed in a stage-play kind of approach, with no moving camera's and long sequences filled with dialog. Really the sort of stuff you normally experience during a stage-play. It all adds up to the reasons why this movie is a quite unique and delightful little movie to watch.
This movie is a great watch, as long as you're capable of handling the long and difficult dialog and the more stage-play kind of storytelling.
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