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Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a "sure thing" race horse that Paulie has inside information on. The aftermath of the robbery gets them ... See full summary »
Johnny Walker is a cowboy and a boxer. He is very shy and a bit of a fool. He is in love with Ruby, but he cannot tell her. He is also a bit old to keep on boxing, but its the only thing he... See full summary »
Johnny Handsome is a deformed gangster who plans a successful robbery with a friend of his, Mikey Chalmette, and another couple (Sunny Boid and Rafe Garrett). During the heist, Johnny and ... See full summary »
Martin Fallon is an IRA bomber who tries to blow up a troop truck but instead kills a bus load of school children. He loses heart and quits the movement and goes to London trying to leave ... See full summary »
Early twenty-something Baltimoreans Eddie, Shrevie, Boogie, Billy, Fenwick and Modell have been friends since they were kids, where the center of their lives has been and still is the Fells Point Diner. It's the last week of 1959. Baltimore Colts fanatic Eddie is scheduled to get married to Elyse on New Year's Eve, but may call off the wedding if Elyse doesn't pass his Colts quiz which he will hold two days before the scheduled wedding. Inexperienced Eddie turns to the only other married one among the bunch, electronics salesman and music aficionado Shrevie, for advice, he who may not be the best person from who to ask advice on marriage since he doesn't yet realize that he probably got married to his wife Beth for the wrong reasons. Indeed, Beth, who has lost her sense of identity, is unhappy in their marriage, and contemplates having an affair with someone who provides what she believes is a sympathetic shoulder. Hairdresser and law school student Boogie is the player of the bunch, ... Written by
In the wedding scene at the end, which is New Year's eve 1959-60, the bass player in the band is playing a black Fender Jazz Bass. The Fender Jazz Bass was not produced until later in 1960, and was not available in the black color shown in the movie and formally named the "Jazz Bass" until 1962. See more »
Terrific coming of age story that catapulted several actors to stardom
"Diner" is, as several other reviewers have noted, a thinking man's version of "American Graffiti". Its a more substantial and intelligent coming of age tale than that pop culture favorite. Despite being a huge critical hit when originally released, "Diner" seems to become more and more underrated with each passing year. Thats a shame, because its really a terrifically entertaining and well written film. Sure, there's not much of a plot to be had ultimately, but with characters and dialog this fantastic, thats more than acceptable. The film details a group of college buddies moving onto adulthood during the Christmas season in 1959 in Baltimore. It shows that, despite their aging, many of the characters still have a good amount of emotional maturing to do.
Its odd to see so many big stars in this film and realize they were all relatively unknown. Its no big surprise that they all became major Hollywood plays subsequently on the strength of this film, with many of them continuing to be big stars up to this day (Kevin Bacon, Ellen Barkin) and others unfortunately having their career dwindle (Steve Guttenberg and Mickey Rourke until his recent comeback). All of the actors give possibly their best performances in this film. The dialog about seemingly nothing was a big influence on many 90s productions as well, from Tarantino's films to "Seinfeld". Barry Levinson's direction is very good as well, keeping this at a quick pace. The only minor flaw is Mickey Rourke. Rourke is a great actor and does a good job here, but I disliked his sleazy character, and didn't find him sympathetic like the rest of the protagonists. Still, this is a truly great film. Anyone interested in getting into screen writing really needs to see this. (9/10)
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