Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a "sure thing" race horse that Paulie has inside information on. The aftermath of the robbery gets them ... See full summary »
Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ... See full summary »
Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
Johnny Walker is a cowboy and a boxer. He is very shy and a bit of a fool. He is in love with Ruby, but he cannot tell her. He is also a bit old to keep on boxing, but its the only thing he... See full summary »
Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
Henry Chinaski never cared for the American dream, the thought of needing to become 'something' and fit into the system disgusts him. He believes that life is free and yours to live like ... See full summary »
This pilot for the TV version of the critically acclaimed feature Diner (1982) focused on the complaints of the wives, Elyse and Beth, that their husbands were spending too much time hanging at the diner with their friends.
Early twenty-something Baltimoreans Eddie, Shrevie, Boogie, Billy, Fenwick and Modell have been friends since they were kids, where the center of their lives has been and still is the Fells Point Diner. It's the last week of 1959. Baltimore Colts fanatic Eddie is scheduled to get married to Elyse on New Year's Eve, but may call off the wedding if Elyse doesn't pass his Colts quiz which he will hold two days before the scheduled wedding. Inexperienced Eddie turns to the only other married one among the bunch, electronics salesman and music aficionado Shrevie, for advice, he who may not be the best person from who to ask advice on marriage since he doesn't yet realize that he probably got married to his wife Beth for the wrong reasons. Indeed, Beth, who has lost her sense of identity, is unhappy in their marriage, and contemplates having an affair with someone who provides what she believes is a sympathetic shoulder. Hairdresser and law school student Boogie is the player of the bunch, ... Written by
First of two movies that actor Kevin Bacon has made with director Barry Levinson. The second and final movie [to date, August 2013] was 1996's Sleepers (1996). According to the TCMDb, "In a 1990s interview with TCM about the picture, Kevin Bacon said he always wanted to work with [Barry] Levinson after Diner (1982) but that he thought he was too identified as Fenwick in the director's mind to ever get another shot at a role. He did, however...". See more »
The grip Mrs. Simmons has on the knife when she is chasing Eddie around the kitchen table. See more »
Terrific coming of age story that catapulted several actors to stardom
"Diner" is, as several other reviewers have noted, a thinking man's version of "American Graffiti". Its a more substantial and intelligent coming of age tale than that pop culture favorite. Despite being a huge critical hit when originally released, "Diner" seems to become more and more underrated with each passing year. Thats a shame, because its really a terrifically entertaining and well written film. Sure, there's not much of a plot to be had ultimately, but with characters and dialog this fantastic, thats more than acceptable. The film details a group of college buddies moving onto adulthood during the Christmas season in 1959 in Baltimore. It shows that, despite their aging, many of the characters still have a good amount of emotional maturing to do.
Its odd to see so many big stars in this film and realize they were all relatively unknown. Its no big surprise that they all became major Hollywood plays subsequently on the strength of this film, with many of them continuing to be big stars up to this day (Kevin Bacon, Ellen Barkin) and others unfortunately having their career dwindle (Steve Guttenberg and Mickey Rourke until his recent comeback). All of the actors give possibly their best performances in this film. The dialog about seemingly nothing was a big influence on many 90s productions as well, from Tarantino's films to "Seinfeld". Barry Levinson's direction is very good as well, keeping this at a quick pace. The only minor flaw is Mickey Rourke. Rourke is a great actor and does a good job here, but I disliked his sleazy character, and didn't find him sympathetic like the rest of the protagonists. Still, this is a truly great film. Anyone interested in getting into screen writing really needs to see this. (9/10)
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