To make Sidney's slump all the more painful, Clifford Anderson, a student of one of Sidney's writing seminars, has recently sent his mentor a copy of his first attempt at playwrighting for Sidney's review and advice. The play, "Deathtrap," is a five character, two act thriller so perfect in its construction that, as Sidney says, "A gifted director couldn't even hurt it." Using his penchant for plot, and out of his desperate desire to once again be the toast of Broadway, Sidney, along with Myra, cook up an almost unthinkable scheme: They'll lure the would-be playwright to the Bruhl home, kill him, and market the sure-fire script as Sidney's own. But shortly after Clifford arrives, it's clear that things are not what they seem! Indeed, even Helga Ten Dorp, a nosey psychic from next door, and Porter Milgram, Sidney's observant attorney, can only speculate where the line between truth and deception lies. Written by
Craig C. Bailey
The trap is set... for a wickedly funny who'll-do-it.
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Did You Know?
once said of this movie: "We all swore an oath in blood - well, perhaps it was chablis - not to spoil the fun by running off at the mouth. This thing has more twists than the Grand Corniche. And there is nothing worse than seeing a mystery after some twit has told you the butler did it. That's hypothetical, of course. There's no butler in 'Deathtrap'. We're very democratic that way." See more
When Sidney has the Deathtrap script and threatens to throw it into the fireplace, the fire isn't lit. See more
[the actor on stage delivers an unintelligible line
First Audience Member
It's the worst play I've ever seen.
Second Audience Member
I can't believe Sidney Bruhl wrote it.
Murderous weapons by Eoin Sprott. See more
Spoofed in In the Can