To make Sidney's slump all the more painful, Clifford Anderson, a student of one of Sidney's writing seminars, has recently sent his mentor a copy of his first attempt at playwrighting for Sidney's review and advice. The play, "Deathtrap," is a five character, two act thriller so perfect in its construction that, as Sidney says, "A gifted director couldn't even hurt it." Using his penchant for plot, and out of his desperate desire to once again be the toast of Broadway, Sidney, along with Myra, cook up an almost unthinkable scheme: They'll lure the would-be playwright to the Bruhl home, kill him, and market the sure-fire script as Sidney's own. But shortly after Clifford arrives, it's clear that things are not what they seem! Indeed, even Helga Ten Dorp, a nosey psychic from next door, and Porter Milgram, Sidney's observant attorney, can only speculate where the line between truth and deception lies. Written by
Craig C. Bailey
Join us for an evening of lively fun...and deadly games. [UK Theatrical]
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Did You Know?
According to Sidney Lumet
, "A melodrama like 'Deathtrap' requires a different set of movie muscles. You shoot, write, act, and edit for story. The object is to have fun and, if you take yourself seriously, you're dead. The line between good mystery and good comedy is very thin, a knife edge. Both take delicate timing, and when an audience is really scared, their natural reaction is to laugh." See more
When Sidney has the Deathtrap script and threatens to throw it into the fireplace, the fire isn't lit. See more
[the actor on stage delivers an unintelligible line
First Audience Member
It's the worst play I've ever seen.
Second Audience Member
I can't believe Sidney Bruhl wrote it.
Murderous weapons by Eoin Sprott. See more
References Tomorrow Coast to Coast