6.8/10
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Dead Men Don't Wear Plaid (1982)

PG | | Comedy, Crime, Mystery | 21 May 1982 (USA)
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Film noir parody with a detective uncovering a sinister plot. Characters from real noirs appear as scenes from various films are intercut.

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Cast

Cast overview, first billed only:
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The Exterminator (archive footage)
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Field Marshall VonKluck
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Leona Hastings-Forrest (archive footage)
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Kitty Collins (archive footage)
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Swede Anderson (archive footage)
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Phillip Marlowe (archive footage)
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'Handsome' (in 'Suspicion') (archive footage)
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F.X. Huberman (archive footage)
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Monica Stillpond (archive footage)
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Doris Davermont (archive footage)
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Jimmi-Sue Altfeld (archive footage)
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Altfeld (archive footage)
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Storyline

Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are "The Friends and Enemies of Carlotta." Searching for answers, Rigby encounters assorted low-lifes: dangerous men and women who were the hallmarks of the classic detective movies of the 40's and 50's. Filming in black and white allows scenes from old movies to be cut into this film. It is through this process that Rigby's assistant is none other than Philip Marlowe himself. Written by Tony Fontana <tony.fontana@spacebbs.com>, Ed. by Peter Victor <thevictor99@yahoo.com>

Plot Summary | Add Synopsis

Taglines:

Laugh... or I'll blow your lips off!


Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

21 May 1982 (USA)  »

Also Known As:

Dead Men Wear No Plaid  »

Filming Locations:

 »

Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend:

$4,289,601 (USA) (21 May 1982)

Gross:

$16,959,911 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Second consecutive back-to-back movie which referenced the Golden Age of Hollywood for actor Steve Martin whose previous picture, Pennies from Heaven (1981), was an MGM musical in the style of that studio's Old Hollywood musicals. See more »

Goofs

In the scene with the pigeons after Juliet leaves, Rigby says "after a half bottle of bourbon..." and Jack Daniel's Tennessee Whiskey is pictured. Jack Daniel's is not bourbon - it never has been and never will be. See more »

Quotes

Rigby Reardon: And I brought you a puppy, something you never had as a boy.
Jimmie Sue's Father: Now get out!
Rigby Reardon: [lifts the dog] Come on, Ramon.
[to Altfeld]
Rigby Reardon: You don't deserve a puppy.
Jimmie Sue's Father: Wait! Pick that up.
Rigby Reardon: But it's all soft and steamy.
Jimmie Sue's Father: Pick that up!
Rigby Reardon: You're a sick man, Altfeld. You can make me pick up dog dirt, but you can't stop me from seeing Jimmi Sue.
See more »

Crazy Credits

There is a spelling mistake with the Composer. In the credits at the beginning he is spelled: Miklos Rosza. In the credits after the end he is spelled correct: Miklos Rozsa. See more »

Connections

References Double Indemnity (1944) See more »

Soundtracks

Dead Men's Bolero
Music by Miklós Rózsa
Lyrics by Steve Goodman
See more »

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User Reviews

 
So they don't
20 July 2001 | by (Belfast, Northern Ireland) – See all my reviews

An incredible achievement. My mind boggles at the amount of thought, time and effort that must have gone into this superb film. The plot is brilliantly and hilariously convoluted, with screen legends from the 1940s making appearances in amazingly edited scenes, and Steve Martin's trademark absurd humour is present almost all the way. Steve and Rachel Ward have remarkable chemistry, and each of their performances are highly impressive. If it weren't for the bundles of humour employed, one would almost think at times that this actually is a film noir from the 1940s, so legitimate and believable is the 'feel' or the atmosphere of the film.

I cannot believe that some people who commented on this film have said that the plot is merely an excuse to hang old movie clips onto, and not much use at all; and the person who claims that Steve Martin overacts in this movie mustn't realise that this is regarded as one of Steve's more restrained, deadpan comedic performances (the 'cleaning woman!' device turns out to be an important part of the plot and also seems to be a way of using the strangling scene that is taken from the Bette Davis movie - it is also a chance for Steve to get in a very tiny element of his 'wild and crazy guy' persona, which he substituted with a more suitable [for parody] 'straight' performance).

A rousing and side-splittingly funny success - they don't make 'em like this anymore!


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