A spoof of the late 80s and early 90s suspense thrillers and murder mysteries, including Basic Instinct, Sleeping With The Enemy, Cape Fear and others. A cop/attorney (yes he's both) is ... See full summary »
Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are "The Friends and Enemies of Carlotta." Searching for answers, Rigby encounters assorted low-lifes: dangerous men and women who were the hallmarks of the classic detective movies of the 40's and 50's. Filming in black and white allows scenes from old movies to be cut into this film. It is through this process that Rigby's assistant is none other than Philip Marlowe himself. Written by
Tony Fontana <email@example.com>, Ed. by Peter Victor <firstname.lastname@example.org>
The studio number breakdown of the nineteen movies that this film used for footage to edit into this movie from was as follows: both Warner Brothers and Universal Pictures provided five films, four were used from MGM (Metro-Goldwyn-Mayer), Paramount Pictures and RKO Radio Pictures both supplied two titles each and one came from Columbia Pictures. No titles were sourced from the United Artists or 20th Century Fox studios, the only two majors from the eight Golden Age of Hollywood movie studios not to have a film used for this picture. See more »
Rolodex card file wasn't marketed until 1958, yet appears on a desk in scene set in Forties. See more »
Steve Martin's Affectionate Parody of 1940's Thrillers
Rigby Reardon, private eye, runs the gauntlet of hoods, femmes fatales and crazed Nazis as he investigates the death of beautiful Juliet Forrest's father. Who are the mysterious "Friends of Carlotta"? And why does Rigby keep dressing in women's clothes? And where did Juliet learn to do that trick with her lips? This celebration of the black and white movies of the 1940's and 50's is a very clever and very amusing film. Extracts from celluloid classics are skilfully spliced into the action (check out the architectural detail on the doorframe in the Alan Ladd sequence). The film is a vehicle for Martin's comic talent and he carries it off beautifully. Rachel Ward as Juliet is terrific: she can hold her own with the screen goddesses who so liberally populate the film (Bergman, Davis, Turner and Crawford all make inserted appearances). A project like this could easily have come a cropper, but thanks to the brisk direction of Carl Reiner (who has a great cameo) and Steve Martin's ability to dominate the screen, the movie is a resounding success. It's also very funny.
48 of 49 people found this review helpful.
Was this review helpful to you?