With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Richard E. Grant
Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are "The Friends and Enemies of Carlotta." Searching for answers, Rigby encounters assorted low-lifes: dangerous men and women who were the hallmarks of the classic detective movies of the 40's and 50's. Filming in black and white allows scenes from old movies to be cut into this film. It is through this process that Rigby's assistant is none other than Philip Marlowe himself. Written by
Tony Fontana <email@example.com>, Ed. by Peter Victor <firstname.lastname@example.org>
The picture was predominantly shot on the sound stages of Culver City's Laird International Studios which had hosted a number of classic Old Hollywood movies on its lot, many from the era that this collage film homaged. Such pictures included Suspicion (1941) (which featured some of its footage in this film), Rebecca (1940), Spellbound (1945), Duel in the Sun (1946), and Gone with the Wind (1939). See more »
In the scene with the pigeons after Juliet leaves, Rigby says "after a half bottle of bourbon..." and Jack Daniel's Tennessee Whiskey is pictured. Jack Daniel's is not bourbon - it never has been and never will be. See more »
Hello, Marlowe. Dammit. You didn't do what I told ya. I hate that dumb way of wearing your shirt buttoned with no tie. Let me get you a tie.
[grabs a tie]
Here. This one's blue, but you can wear it with brown.
You annoy me.
I annoy you? You come in here with no tie... Are you drunk? How many have you had?
See more »
There is a spelling mistake with the Composer. In the credits at the beginning he is spelled: Miklos Rosza. In the credits after the end he is spelled correct: Miklos Rozsa. See more »
An incredible achievement. My mind boggles at the amount of thought, time and effort that must have gone into this superb film. The plot is brilliantly and hilariously convoluted, with screen legends from the 1940s making appearances in amazingly edited scenes, and Steve Martin's trademark absurd humour is present almost all the way. Steve and Rachel Ward have remarkable chemistry, and each of their performances are highly impressive. If it weren't for the bundles of humour employed, one would almost think at times that this actually is a film noir from the 1940s, so legitimate and believable is the 'feel' or the atmosphere of the film.
I cannot believe that some people who commented on this film have said that the plot is merely an excuse to hang old movie clips onto, and not much use at all; and the person who claims that Steve Martin overacts in this movie mustn't realise that this is regarded as one of Steve's more restrained, deadpan comedic performances (the 'cleaning woman!' device turns out to be an important part of the plot and also seems to be a way of using the strangling scene that is taken from the Bette Davis movie - it is also a chance for Steve to get in a very tiny element of his 'wild and crazy guy' persona, which he substituted with a more suitable [for parody] 'straight' performance).
A rousing and side-splittingly funny success - they don't make 'em like this anymore!
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