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Dead Men Don't Wear Plaid (1982)

PG | | Comedy, Crime, Mystery | 21 May 1982 (USA)
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Film noir parody with a detective uncovering a sinister plot. Characters from real noirs appear as scenes from various films are intercut.

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Cast

Cast overview, first billed only:
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...
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The Exterminator (archive footage)
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Field Marshall VonKluck
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Leona Hastings-Forrest (archive footage)
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Kitty Collins (archive footage)
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Swede Anderson (archive footage)
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Phillip Marlowe (archive footage)
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'Handsome' (in 'Suspicion') (archive footage)
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F.X. Huberman (archive footage)
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Monica Stillpond (archive footage)
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Doris Davermont (archive footage)
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Jimmi-Sue Altfeld (archive footage)
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Altfeld (archive footage)
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Storyline

Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are "The Friends and Enemies of Carlotta." Searching for answers, Rigby encounters assorted low-lifes: dangerous men and women who were the hallmarks of the classic detective movies of the 40's and 50's. Filming in black and white allows scenes from old movies to be cut into this film. It is through this process that Rigby's assistant is none other than Philip Marlowe himself. Written by Tony Fontana <tony.fontana@spacebbs.com>, Ed. by Peter Victor <thevictor99@yahoo.com>

Plot Summary | Add Synopsis

Taglines:

Laugh... or I'll blow your lips off!


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 May 1982 (USA)  »

Also Known As:

Dead Men Wear No Plaid  »

Filming Locations:

 »

Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend:

$4,289,601 (USA) (21 May 1982)

Gross:

$16,959,911 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Rigby Reardon (the character played by Steve Martin) finds the "Top Secret" Nazi packet labeled "Final Instructions", the date on the packet is 14 August 1946. Steve Martin's actual birth date is 14 August 1945. See more »

Goofs

The newspaper in the opening scene has a large headline saying "Dodgers Lose Again." But that wouldn't have been a big deal for a Los Angeles paper in the 1940s -- the Dodgers didn't move there from Brooklyn until 1958. See more »

Quotes

Field Marshall Von Kluck: [to his Nazi minions] Cowards! Fools! I'll do it myself!
[He runs over to throw the lever that will launch the cheese mold bombs on America]
Rigby Reardon: Sorry, pal, you're through!
[He fires his gun and shoots Von Kluck in the arm]
Field Marshall Von Kluck: Not quite!
[He throws one of the five levers and runs to the map of the United States which is spread out on the table. Reardon throws an object at the lever and reverses it, as Von Kluck collapses over the map, part of which is beginning to dissolve]
Field Marshall Von Kluck: At least ve got Terre Haute, ...
[...]
See more »

Crazy Credits

There is a spelling mistake with the Composer. In the credits at the beginning he is spelled: Miklos Rosza. In the credits after the end he is spelled correct: Miklos Rozsa. See more »

Connections

Edited from I Walk Alone (1948) See more »

Soundtracks

Dead Men's Bolero
Music by Miklós Rózsa
Lyrics by Steve Goodman
See more »

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User Reviews

 
Along with "The Jerk," one of Steve Martin's top two finest films
19 July 2005 | by See all my reviews

I remember reading reviews in The New York Times and elsewhere in 1983 fawning over Woody Allen's brilliant and wholly original idea of inserting himself into old film footage in "Zelig." They'd not noted, of course, that everyone from Ernie Kovacs to John Zacherle had already done that "brilliant and wholly original idea" on television -- and, most notably, Steve Martin did it in a feature film, "Dead Men Don't Wear Plaid," one year prior to "Zelig." While "Zelig" has its moments, it is ultimately tedious, running about twice as long as it's one-note gag treatment can sustain. In sharp contrast is the far more clever, inspired, fully developed, insightful and witty DMDWP, which, as noted. came out one year earlier. As often happens with groundbreakers set somewhere outside the norm, DMDWP was not exactly a box office hit -- a key reason why no sequels were ever made. That's unfortunate, as Martin's character was one of his finest creations and could have sustained more installments in the series. (Steve was never better on film than he is here.) It's good that the people behind "Police Squad" did not give up on it after it failed to fit within the confines of standard TV concepts around the same time. Reborn as "The Naked Gun" series of feature films, the "Police Squad" concept turned into three of the greatest comedy motion pictures of all time. DMDWP deserved a lot better than it got in 1982 as well, and I'm glad to see that it has finally found respect and its audience through television exposure (much like a previous box office bomb, "It's A Wonderful Life"). The kind of creativity Martin, Carl Reiner and the rest of the DMDWP crew put into their project needs to be strongly encouraged -- as it represents excellent comic film-making, as opposed to the witless parade of routine crudities that Hollywood ordinarily churns out.


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