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Dead Men Don't Wear Plaid (1982)

 -  Comedy | Crime | Mystery  -  21 May 1982 (USA)
6.8
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Ratings: 6.8/10 from 14,762 users  
Reviews: 102 user | 30 critic

Film noir parody with a detective uncovering a sinister plot. Characters from real noirs appear as scenes from various films are intercut.

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Title: Dead Men Don't Wear Plaid (1982)

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Cast

Cast overview, first billed only:
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The Exterminator (archive footage)
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Field Marshall VonKluck
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Leona Hastings-Forrest (archive footage)
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Sam Hastings (archive footage)
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Kitty Collins (archive footage)
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Swede Anderson (archive footage)
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Phillip Marlowe (archive footage)
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(in "Suspicion") (archive footage)
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F.X. Huberman (archive footage)
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Monica Stillpond (archive footage)
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Doris Davermont (archive footage)
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Jimmi-Sue Altfeld (archive footage)
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Altfeld (archive footage)
Edit

Storyline

Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are "The Friends and Enemies of Carlotta." Searching for answers, Rigby encounters assorted low-lifes: dangerous men and women who were the hallmarks of the classic detective movies of the 40's and 50's. Filming in black and white allows scenes from old movies to be cut into this film. It is through this process that Rigby's assistant is none other than Philip Marlowe himself. Written by Tony Fontana <tony.fontana@spacebbs.com>, Ed. by Peter Victor <thevictor99@yahoo.com>

Plot Summary | Add Synopsis

Taglines:

Laugh... or I'll blow your lips off!


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 May 1982 (USA)  »

Also Known As:

Dead Men Wear No Plaid  »

Box Office

Opening Weekend:

$4,289,601 (USA) (21 May 1982)

Gross:

$4,289,601 (USA) (21 May 1982)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The studio number breakdown of the nineteen movies that this film used for footage to edit into this movie from was as follows: both Warner Brothers and Universal Pictures provided five films, four were used from MGM (Metro-Goldwyn-Mayer), Paramount Pictures and RKO Radio Pictures both supplied two titles each and one came from Columbia Pictures. No titles were sourced from the United Artists or 20th Century Fox studios, the only two majors from the eight Golden Age of Hollywood movie studios not to have a film used for this picture. See more »

Goofs

Rolodex card file wasn't marketed until 1958, yet appears on a desk in scene set in Forties. See more »

Quotes

Captain Carlos Rodriguez: Where are you staying?
Rigby Reardon: Hotel Guano.
See more »

Crazy Credits

There is a spelling mistake with the Composer. In the credits at the beginning he is spelled: Miklos Rosza. In the credits after the end he is spelled correct: Miklos Rozsa. See more »

Connections

Edited from This Gun for Hire (1942) See more »

Soundtracks

Dead Men's Bolero
Music by Miklós Rózsa (as Miklos Rozsa)
Lyrics by Steve Goodman
See more »

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User Reviews

 
Steve Martin's Affectionate Parody of 1940's Thrillers
11 December 1998 | by (London, England) – See all my reviews

Rigby Reardon, private eye, runs the gauntlet of hoods, femmes fatales and crazed Nazis as he investigates the death of beautiful Juliet Forrest's father. Who are the mysterious "Friends of Carlotta"? And why does Rigby keep dressing in women's clothes? And where did Juliet learn to do that trick with her lips? This celebration of the black and white movies of the 1940's and 50's is a very clever and very amusing film. Extracts from celluloid classics are skilfully spliced into the action (check out the architectural detail on the doorframe in the Alan Ladd sequence). The film is a vehicle for Martin's comic talent and he carries it off beautifully. Rachel Ward as Juliet is terrific: she can hold her own with the screen goddesses who so liberally populate the film (Bergman, Davis, Turner and Crawford all make inserted appearances). A project like this could easily have come a cropper, but thanks to the brisk direction of Carl Reiner (who has a great cameo) and Steve Martin's ability to dominate the screen, the movie is a resounding success. It's also very funny.


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