Cymbeline, the King of Britain, is angry that his daughter Imogen has chosen a poor (but worthy) man for her husband. So he banishes Posthumus, who goes to fight for Rome. Imogen (dressed ...
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Housewife Annie Marsh suspects her husband might be The Hawk, a brutal serial killer. Complicating matters is the fact that she once was incarcerated in a psychiatric hospital. When she ... See full summary »
The original play by Christopher Hampton, was adapted into this made-for-TV movie and it offers witty dialogue in the midst of remarkable conflict among its privileged characters. Philip, ... See full summary »
Beaty is a prostitute working out of a high-class London cabaret where Emory is a technician. They begin an affair encumbered by her job, his lack of money, and their pasts: Beaty has a ... See full summary »
Robert Hardy and Helen Mirren star as Benito Mussolini and his lover Claretta Petacci in this dramatization of their last night together, locked in a small peasant cottage. Having admired ... See full summary »
Vic Mathews teaches a remedial class at the Blessed Edith Semple School in Scotland. Some at the school are trying to discover the two more miracles that would promote the late Edith Semple... See full summary »
Based on the true story of the 1981 hunger strike in a British prison, in which IRA prisoner Bobby Sands led a protest against the treatment of IRA prisoners as criminals rather than as ... See full summary »
Cymbeline, the King of Britain, is angry that his daughter Imogen has chosen a poor (but worthy) man for her husband. So he banishes Posthumus, who goes to fight for Rome. Imogen (dressed as a boy) goes in search of her husband, who meanwhile has boasted to his pal Iachimo that Imogen would never betray him. And Iachimo's determined to prove him wrong. Written by
From this episode on, BBC Shakespeare featured no unique theme music; the opening titles were scored with music composed specifically for the episode; although the new title sequence introduced by Jonathan Miller at the start of season three continued to be used. See more »
The BBC's intention is to put Shakespeare's plays on the screen, not to 'improve' them. Certainly I could argue that a little adaptation here or there, a few edits impossible on stage, and armies fighting out battles in outside locations would make the thing more enjoyable, but it really would be wrong for the BBC to have done this, even if they could afford to. What we have here is what Shakespeare wrote and we see it as he intended, with the limitations but also the opportunities for imaginative descriptions for an actor to get his teeth into. 'Cymbaline' is too long a play and relies as often is the case in Shakespeare on luck, mix-ups and quickness to mistrust. Unfortunately it does it rather lumberingly at times. And how anyone could mistake Helen Mirren for a boy, let alone her own father not recognise her is dodgy enough; the BBC could at least have disguised her a little more! Overall the production was good, with the performances of Mirren and Gough and Jesson particularly working for me. I thought Lindsay good enough, but Pennington sadly subdued on all but a few occasions. In short, a play I'm not fond of was done almost as well as I could imagine it being done.
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