After a tragic car accident that killed his wife, a man discovers he can communicate with the dead to con people but when a demonic spirit appears, he may be the only one who can stop it from killing the living and the dead.
Michael J. Fox,
Roger Cobb is a Vietnam vet whose career as a horror novelist has taken a turn for the worse when his son Jimmy mysteriously disappears while visiting his aunt's house. Roger's search for ... See full summary »
Five tales of terror are presented. The first deals with a demented old man returning from the grave to get the Father's Day cake his murdering daughter never gave him. The second is about a not-too-bright farmer discovering a meteor that turns everything into plant-life. The third is about a vengeful husband burying his wife and her lover up to their necks on the beach. The fourth is about a creature that resides in a crate under the steps of a college. The final story is about an ultra-rich businessman who gets his comeuppance from cockroaches. Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
The prop 10-cent "CREEPSHOW" comic book featured in the film was drawn and inked by veteran artist Jack Kamen, one of the artists for the original E.C. crime and horror comics of the 1950's. Creepshow was a tribute to these comic books. Jack Kamen also created the comic book-style poster for the film, which was also featured on the front of the Plume "Creepshow" comic book adaptation (which Bernie Wrightson, another prolific horror comic artist, drew and inked the interiors for). Originally, (Stephen King wanted Graham Ingels, another EC artist (famous for his work on the title "The Haunt of Fear") to do the artwork for the film's poster, but he refused. It was head of EC comics William M. Gaines who then suggested Jack Kamen do the assignment. Kamen accepted. See more »
In the segment "Father's Day" - which purportedly takes place on Father's Day (which is in June) - it is already completely dark outside by 7pm. By this time in June it wouldn't be completely dark outside until much later in the evening. See more »
[beginning of a flashback sequence]
Where's... my cake? I... want... my... cake! Where's my cake, Bedelia? Where's my Father's Day cake? I want my cake you dirty BITCH! I'm going to have it!
[Nathan clacking his cane, bellowing]
BEDELIA! It's Father's Day! Where's my cake? You promised me my cake! Bedelia, I'm your father and you're supposed to be taking care of me!
[distressed, almost driven to the point of madness]
I DON'T HEAR YOU! I SAID I DON'T HEAR YOU!
BEDELIA, YOU BITCH! What do you think ...
[...] See more »
During the end of the credits, we hear "the old creep" laugh See more »
I think it's pretty clear that the amount of enjoyment you get out of this movie is directly related to how sick your sense of humor is. Those people with a fairly low tolerance for sick humor, such as myself, won't particularly like it, but people who thoroughly enjoy horror cheese like "Tales From the Crypt" should LOVE this.
Now, even though I personally don't like this movie, I have to admit it is very well made. Everything is perfectly over-the-top: the music, the gaudy colors, the makeup--it's all done to the point where it is totally ridiculous, which is what King and Romero want. And I must admit I did like the segment "The Crate." How can you NOT love a giant ape-monster running around tearing people to bits? Sick, sick stuff, but enjoyable all the same.
If you like gruesome black humor, this is the movie for you. "Creepshow" is shock schlock at its very best. And as an added bonus, it is not very well known today, so it can have a wonderful "What the hell are you WATCHING!?" effect on other people.
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