A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusion from their leader.
Five tales of terror are presented. The first deals with a demented old man returning from the grave to get the Father's Day cake his murdering daughter never gave him. The second is about a not-too-bright farmer discovering a meteor that turns everything into plant-life. The third is about a vengeful husband burying his wife and her lover up to their necks on the beach. The fourth is about a creature that resides in a crate under the steps of a college. The final story is about an ultra-rich businessman who gets his comeuppance from cockroaches. Written by
Todd A. Bobenrieth <TAB146@PSUVM.EDU>
Contrary to what Richard says in "Father's Day", Nathan Grantham wasn't "about 184" years old when he died, but, according to the Roman numerals on his tomb obelisk, he was 94 (born MDCCCLXXVIII , died MCMLXXII , 1972 - 1878 = 94). See more »
During "The Crate", when Wilma is making a fool of herself at the luncheon, she says the line "Whoever that etiquette crotch is." Not only does the line barely match the movement of her lips, the line is said in a voice that doesn't quite match Adrienne Barbeau's. Internet research reveals the original line was "Whoever that etiquette c**t is," but was changed in post-production at the request of Warner Bros. See more »
What a fun movie! Stephen King as Jordy Verril was surprisingly good(considering he sucks at acting in almost everything he's ever done), Leslie Nielson and Ted Danson killing each other were brilliant (you've come a long way, Becker), and the rest of the cast is just fabulous. As for the writing, it mas simply masterful, and we would expect nothing less from King. Five original, striking vignettes of people killing each other, getting killed, going crazy, and getting the crap scared out of them. Best of all was the directing, easily. Romero did a great job creating the pulp comic feel, with comic book panel segues, goofy dream sequences and flashbacks, and best of all, the jarring zooms with the red and blue lighting. It sounds stupid, but it works superbly. Everything came together on this film, and it shows. 8/10
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