6.1/10
15,974
115 user 135 critic

Cat People (1982)

A young woman's sexual awakening brings horror when she discovers her urges transform her into a monstrous black leopard.

Director:

Writers:

(story), (screenplay)
Reviews
Popularity
3,712 ( 438)

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ON DISC
Nominated for 2 Golden Globes. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Irena Gallier (as Nastassia Kinski)
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...
...
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Detective Brandt
Ron Diamond ...
Detective Ron Diamond
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Ruthie
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Bronte Judson
Tessa Richarde ...
Billie
Patricia Perkins ...
Taxi Driver
...
Sandra
Fausto Barajas ...
Otis
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Storyline

The Cat People originated way back in time, when humans sacrificed their women to leopards, who mated with them. Cat People look similar to humans, but must mate with other Cat People before they transform into panthers. Irene Gallier was raised by adoptive parents and meets her older brother Paul for the first time since childhood. We follow brother and sister - who seem to be the only ones of their kind left. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

They are something more than lovers who are about to become something less than human. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 April 1982 (USA)  »

Also Known As:

La marca de la pantera  »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$1,617,636, 4 April 1982, Wide Release

Gross USA:

$7,000,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (TV)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Annette O'Toole (Alice) discussed the fact that they used cougars that were dyed black because leopards are impossible to train. See more »

Goofs

Obvious Product Placement: 30 seconds after seeing Paul taking a picture of Billie using a Nikon camera whose name was clearly visible, we see Oliver taking Irena's picture using a camera with gaffer's tape obviously covering the brand name of Oliver's camera. See more »

Quotes

Paul Gallier: I didn't think you were ready, but you are. I knew it when I saw you with HIM.
Irena Gallier: Who? Oliver?
Paul Gallier: You want to fuck him, don't you? You dream about fucking him! Your whole body burns, it burns all along your nerves, in your mouth, your breasts... you go wet between your legs.
Irena Gallier: Stop it!
Paul Gallier: Every time it happens... you tell yourself it's love. But it isn't. It's blood. And death. You can't escape your nightmare without me, and I can't escape my nightmare without you. I've waited a long time for you.
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Connections

Featured in Siskel & Ebert: Hidden Horror (1988) See more »

Soundtracks

What's New Pussycat?
(uncredited)
Written by Burt Bacharach and Hal David
Sung by Ed Begley Jr.
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User Reviews

 
a highly charged, visual, erotic feast that transcends the horror genre
27 August 2003 | by See all my reviews

With "Cat People," Nastassja Kinski indelibly seared her erotic image into the American male psyche. There is no American actress today who would dare take her role in this film. "Cat People" is a landmark film that has never been equaled. Paul Schrader, the director, made this movie his own, turning the original movie upside down. That effort has withstood the test of time that is nearing twenty years and still counting. The film has a visual style that is stunning. Without Nastassja, this film fails. Beginning with a demure, vulnerable character in Irena Gallier, Nastassja transforms herself into a smoldering film presence that spontaneously erupts and torches the screen. With the lone exception of Ruby Dee, none of the supporting cast is capable of withstanding Nastassja's considerable presence, meaning that their character portrayals are quickly forgotten - an effect that separates her from most actresses and is an all too real hazard for most actors appearing in her films. Notorious? Infamous? However one puts it, Nastassja redefined eroticism on screen with not one of today's actresses ever coming close. It is a legendary performance that knows no peer within its genre.


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