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Cat People (1982)

 -  Drama | Fantasy | Horror  -  2 April 1982 (USA)
6.0
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Ratings: 6.0/10 from 12,410 users  
Reviews: 102 user | 104 critic

A young woman's sexual awakening brings horror when she discovers her urges transform her into a monstrous black leopard.

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(story), (screenplay), 1 more credit »
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Title: Cat People (1982)

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Nominated for 2 Golden Globes. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Irena Gallier (as Nastassia Kinski)
...
...
...
...
Female
...
Joe Creigh
...
Bill Searle
...
Ron Diamond ...
Detective Ron Diamond
...
Ruthie
...
Bronte Judson
Tessa Richarde ...
Billie
Patricia Perkins ...
Taxi Driver
Berry Berenson ...
Sandra
Fausto Barajas ...
Otis
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Storyline

The Cat People originated way back in time, when humans sacrificed their women to leopards, who mated with them. Cat People look similar to humans, but must mate with other Cat People before they transform into panthers. Irene Gallier was raised by adoptive parents and meets her older brother Paul for the first time since childhood. We follow brother and sister - who seem to be the only ones of their kind left. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

An erotic fantasy for the animal in us all. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 April 1982 (USA)  »

Also Known As:

La marca de la pantera  »

Box Office

Budget:

$18,000,000 (estimated)

Gross:

SEK 6,305,881 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The director liked Frankie Faison's performance as "Det. Brandt" but in editing didn't feel his voice worked, so it was dubbed by that of African American actor Albert Hall. See more »

Goofs

When Irena and Alice are in the bar, the ice in their drinks does not float, nor is there any condensation on the glasses, which probably indicates that "prop ice" is being used. See more »

Quotes

Paul Gallier: I didn't think you were ready, but you are. I knew it when I saw you with HIM.
Irena Gallier: Who? Oliver?
Paul Gallier: You want to fuck him, don't you? You dream about fucking him! Your whole body burns, it burns all along your nerves, in your mouth, your breasts... you go wet between your legs.
Irena Gallier: Stop it!
Paul Gallier: Every time it happens... you tell yourself it's love. But it isn't. It's blood. And death. You can't escape your nightmare without me, and I can't escape my nightmare without you. I've waited a long time for you.
See more »

Connections

Referenced in Big Wolf on Campus: Cat Woman (1999) See more »

Soundtracks

Putting Out the Fire
(Theme from Cat People)
Music Written by Giorgio Moroder
Lyrics Written and Performed by David Bowie
See more »

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User Reviews

 
on its own terms it's 'moody', creepy, and also campy
7 July 2009 | by (United States) – See all my reviews

What made Paul Schrader tackle this production I'm not sure. In a year when John Carpenter was doing his rendition of the short story, not even entirely so much the film, of The Thing, Schrader and his screenwriter decided to go back to the source of one of those stories no one really reads but pretends they have when in reality it's the original film everyone remembers. But this is an opposite case of Carpenters: where the original The Thing was, arguably, not really the masterpiece everyone remembers (albeit influential), the remake truly was. Jacques Tourner and Val Lewton crafted one of those quintessential horror films that scares precisely because how little we see of the actual panther on camera, while Schrader's film, actually, isn't a masterpiece of horror, not quite close at all really. And it's not even because Schrader decided to show the cat on screen, many times over (maybe it's a leopard, they look similar but it's closer to panther to me).

No, it's a different film due to permissiveness of the time period (it's the 80s vs the 40s, so this time we get plenty of nudity, "bad" language, and the Giorgio Moroder musical accompaniment which has dated pretty terribly), and with its subject matter being far more based on the romantic than in the original film. It's a strange effort this Cat People, where incest even comes into question (or rather it's right out in the open, at least between the two parties), the look and feel of New Orleans and the Bayou becomes another character, and the characterizations become enhanced by the mere presence of Malcolm McDowell's inimitable face and Nastassja Kinski's irrepressible sexual charisma on camera. Not to say she can't act, since she can hold her own very well even when she's seemingly doing not much except walking naked through a field at night or, um, walking naked in a room or, you know, not naked in a swimming pool.

How much is actually taken from the original Tourner film or the short story I really can't say for certain. The pool scene is the only one I can recall specifically lifted from the original (and, not too sorry to say, 42 for the win on that one). But comparisons can get too petty in this instance, perhaps, since Schrader's goal is to analyze the characters in this setting, what sex and desire and the psychology of a were-cat does to a person, or to people who realize what they're capable of, as opposed to just simple horror. Schrader's direction has some genuine moments of thrill, or just plain artistic satisfaction, like a not-so simple composition of a tracking shot of one of the hookers walking along on a street at night at her foot level. I'm even reminded of De Palma, whom Schrader worked with once before.

But at the same time, for all of the versatility of the actors, and the occasional moments of surreal imagination, there's also much camp as well (Ed Begley's character's fate for example) and a few really cheesy parts or just scenes that don't work or, perhaps, are too saddled with a need to push the button of sex on film. It's a hot number that works well, more or less, and would take a deeper analysis to dissect than I can give it right now. It's respectable, at the least.


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