A newcomer to a Catholic prep high school falls in with a trio of outcast teenage girls who practice witchcraft and they all soon conjure up various spells and curses against those who even slightly anger them.
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Anna is becoming lost in the loneliness of her own world when she discovers she can visit another, a house she has drawn herself and occupied by a young disabled boy. But as she discovers ... See full summary »
The Cat People originated way back in time, when humans sacrificed their women to leopards, who mated with them. Cat People look similar to humans, but must mate with other Cat People before they transform into panthers. Irene Gallier was raised by adoptive parents and meets her older brother Paul for the first time since childhood. We follow brother and sister - who seem to be the only ones of their kind left. Written by
Colin Tinto <email@example.com>
During the leopard autopsy scene, when Oliver is moving the "dead" cat from the wheeled cart to the autopsy table, he lets the cat's head bump down a little hard onto the metal table. Off camera you can hear someone say, "Easy!" as an admonishment to be more careful with the cat. This is most apparent in the DVD version. See more »
I didn't think you were ready, but you are. I knew it when I saw you with HIM.
You want to fuck him, don't you? You dream about fucking him! Your whole body burns, it burns all along your nerves, in your mouth, your breasts... you go wet between your legs.
Every time it happens... you tell yourself it's love. But it isn't. It's blood. And death. You can't escape your nightmare without me, and I can't escape my nightmare without you. I've waited a long time for you.
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Sex, Violence, Silliness, and an Emerging Cult Favorite
In general terms, the basic premise of both original 1942 CAT PEOPLE and the 1982 Paul Schrader remake are the same: an exotic European beauty is given to transforming into a black panther when sexually aroused. But Schrader unravels this fantasy concept in some very overtly Freudian directions, setting his version in against the decadent charm of New Orleans, introducing a theme of incest, and ramping up the original with a lot of nudity, a lot of sex, and some of the most graphic violence around. The result is an American blood-and-gore horror film with a hypnotic European sensibility that equates both sexual frustration and orgasm with violent death.
The story line concerns two orphaned siblings (Natasha Kinski and Malcom McDowell) who are reunited in New Orleans as adults--but they are, unbeknownst to the sister, the descendants of a mutant race who can only mate with their own kind without transforming into ravening beasts who must then kill to regain their human form. When sister Natasha rejects her brother's advances and then falls in love with a hunky zoo director all hell breaks loose.
In some respects the film is extremely, extremely frustrating, often sliding over the edge from a sexually provocative shocker into moments of annoying silliness--but on the whole it works extremely well as a both a sexual fantasy and a semi-camp statement in gratuitous sex and violence. Kinski is ideally cast as the sexy but virginal Irena; you can literally see the "cat" side of her nature emerge more and more as the film progresses. McDowell is equally interesting as her mad brother, and John Heard, Annette O'Toole, and particularly Ruby Dee offer excellent performances in the supporting cast. The New Orleans backdrop is extremely effective, and (speaking as one who has been there) the darker side of the city is perfectly captured; the Moroder score--which includes some sultry vocals by David Bowie--is also extremely good.
A great many people will loathe CAT PEOPLE, and the reasons will be diverse. The film is extremely bloody, often to a can-you-stand-to-look-at-the-screen degree; there is tremendous nudity and considerably sexual activity; and the combination of sex and violence into a sadomasochistic eroticism is quite disturbing. Beyond this, more critically inclined viewers may find themselves annoyed by the script's silliness and the fact that it does not always go as far over the top as it leads you to expect, and certainly the film's very literal depiction of fantasy elements will not be to every taste. But if you have a hunger to walk on the wild side, CAT PEOPLE (which is rapidly gaining status as a cult film) will suit your need as guilty pleasure.
Gary F. Taylor, aka GFT, Amazon Reviewer
48 of 60 people found this review helpful.
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