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Walking, Walking (1983)
"Camminacammina" (original title)

 -  Drama  -  12 May 1983 (Italy)
7.1
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Ratings: 7.1/10 from 85 users  
Reviews: 1 user | 3 critic

The assuming of responsibility by individuals, the use of science for man and not against him, the duty of truth to increase the stature of people, all together: these are the important ... See full summary »

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Title: Walking, Walking (1983)

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Cast

Cast overview, first billed only:
Alberto Fumagalli ...
Mel
Antonio Cucciarrè ...
Rupo
Eligio Martellucci ...
Kaipaco
Renzo Samminiatesi ...
Shepher
Marco Bartolini ...
Cushi
Lucia Peccianti
Guido Del Testa
Tersilio Ghelardini
Adolfo Fanucci
Fernando Guarguaglini ...
Arupa
Anna Vanni ...
Arupa's partner
Giulio Paradisi ...
Astioge
Rosanna Cuffaro
Simone Migliorini ...
Eramo
Stefano Ghelardini
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Storyline

The assuming of responsibility by individuals, the use of science for man and not against him, the duty of truth to increase the stature of people, all together: these are the important themes this movie debates in allegorical form. Roles are performed by non professional actors and actresses. Written by Adalberto Fornario

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Genres:

Drama

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Details

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Release Date:

12 May 1983 (Italy)  »

Also Known As:

Keep Walking (Cammina Cammina)  »

Filming Locations:


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Did You Know?

Trivia

Ermanno Olmi edited a 5-hour version of the movie for the RAI (Italian public television) and subsequently shortened it to 255 minutes. This version was never aired and is now lost. See more »

Connections

Referenced in Personaggi fortemente sospettabili (1983) See more »

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User Reviews

No better Christmas card.
10 August 2001 | by (United States) – See all my reviews

In CAMMINA CAMMINA ("Keep on Walking") Ermanno Olmi has recreated the journey of the Magi as it might have been enacted by a village full of Italian peasants. Some refuse to make the trip; some drop out grumbling along the way; some persevere in search of a miracle - and all for the best of reasons. Olmi knows the strengths and limitations of the human spirit, ancient or contemporary, and fills his sublime and haunting pageant with suspense, gentle comedy, and ironic climax. This is a biblical story for our time, etched in a visual style as clear and mysterious as faith itself. What a tragedy that this towering film is virtually unknown in the United States except for presentations at a few international film festivals.


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