| Vladimir Brajovic | ... | Claudius | |
| Betty Roland | ... | Messalina | |
| Françoise Blanchard | ... | Agrippina | |
| Raul Cabrera | |||
| Gino Turini | ... | Caligula (as John Turner) | |
| Angelo Arquilla | |||
| Piotr Stanislas | |||
| Vincent Lo Monaco | |||
| Fanny Magier | |||
| Laurence Lovall | |||
| Antonio Passalia | (as Anthony Pass) | ||
| Dominique Irissou | |||
| Marie-Noëlle Arnoult | |||
| Silvie Dezabauneix | |||
| Kathy Sadik | ... | Merope | |
| Jean-Pierre Lemaire | |||
| Florence Guérin | |||
| Nathalie Berreby | |||
| rest of cast listed alphabetically: | |||
| Salvatore Baccaro | ... | (uncredited) | |
| Eolo Capritti | ... | The Torturer (uncredited) | |
| Jimmy il Fenomeno | ... | (uncredited) | |
| Sylvi Sorent | ... | (uncredited) | |
Directed by | |||
| Bruno Mattei | (as Vincent Dawn) | ||
| Antonio Passalia | (as Anthony Pass) | ||
| Jean-Jacques Renon | (co-director) | ||
Writing credits(in alphabetical order) | ||
| Antonio Passalia | (as Anthony Pass) | |
Produced by | |||
| Pierre Hanin | .... | producer | |
Original Music by | |||
| Giacomo Dell'Orso | |||
| Gianni Dell'Orso | |||
Cinematography by | |||
| Luigi Ciccarese | |||
| Jean-Jacques Renon | (as J.J. Renaun) | ||
Film Editing by | |||
| Michel Patient | |||
Production Design by | |||
| Robert Luchaire | |||
| Amedeo Mellone | |||
Costume Design by | |||
| Elda Chinellato | |||
Makeup Department | |||
| Maria Teresa Carrera | .... | hair stylist | |
| Giuseppe Ferranti | .... | makeup artist | |
Production Management | |||
| Silvio Colecchia | .... | production supervisor | |
| Sergio Cortona | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jean-Jacques Renon | .... | assistant director (as Jean-Jacques Renaun) | |
| Jean-François Villemer | .... | assistant director | |
Sound Department | |||
| Robert Deradee | .... | sound recordist | |
Camera and Electrical Department | |||
| Roberto Benvenuti | .... | assistant camera | |
| Frédéric Bécognée | .... | assistant camera | |
| Francesco Campanile | .... | camera operator | |
| Philippe Margue | .... | camera operator | |
Costume and Wardrobe Department | |||
| Elda Chinellato | .... | seamstress | |
Music Department | |||
| Albert Minski | .... | composer: theme music | |
| Ted Scotto | .... | composer: theme music | |
Other crew | |||
| Muriel Abramovici | .... | continuity | |
| Nino Lembo | .... | jeweler | |
| Massimo Lioeredi | .... | production secretary | |
| Graziella Marsetti | .... | continuity | |
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| Emanuelle fuga dall'inferno | Scarlet Diva | Identification of a Woman | Bilitis | Le journal érotique d'une Thailandaise |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Italy section |
If there was a possible scientific way i could travel to the past it would be in the roman times.
This is because the life expectancy was trivial and usually 25-30.
The women still had big bushes of hair on their vagina and men could walk around being rich doing what they wished watching gladiators fight and being a political snide bastard using words and power to corrupt and felicitate your enemy's while being able to get away with anything because of the lack of government control in the peoples way.
I Love USA, But i want to live in 420 B.C ^_^
Also i see this move about Caligula factually correct which means more to me then any of my dreams.