| Werner Herzog | ... | Himself | |
| Klaus Kinski | ... | Fitzcarraldo / Himself | |
| Claudia Cardinale | ... | Molly / Herself | |
| Jason Robards | ... | Fitzcarraldo | |
| Mick Jagger | ... | Wilbur | |
| Alfredo De Rio Tambo | ... | Himself (as Alfredo de Rio Tambo) | |
| Ángela Reina | ... | Herself (as Angela Reine) | |
| Carmen Correa | ... | Herself | |
| Elia De Rio Ene | ... | Himself (as Elia de Rio Ene) | |
| David Pérez Espinosa | ... | Himself (as David Perez Espinosa) | |
| Miguel Ángel Fuentes | ... | Himself (as Miguel Angel Fuentes) | |
| Mariano Gagnon | ... | Himself (as Father Mariano Gagnon) | |
| Paul Hittscher | ... | Himself | |
| Huerequeque Enrique Bohorquez | ... | Himself (as Huerequeque Bohoroquez) | |
| Evaristo Nunkuag Ikanan | ... | Himself | |
| José Lewgoy | ... | Himself | |
| Laplace Martins | ... | Himself | |
| Thomas Mauch | ... | Himself | |
| Nelson De Rio Cenepa | ... | Himself (as Nelson de Rio Cenepa) | |
| Walter Saxer | ... | Himself | |
| Jorge Vignati | ... | Himself | |
| Candace Laughlin | ... | Narrator (voice) |
Directed by | |||
| Les Blank | |||
Writing credits | ||
| Michael Goodwin | (narration) | |
Produced by | |||
| Les Blank | .... | producer | |
| Kathy Kline | .... | coordinating producer | |
| David R. Loxton | .... | executive producer | |
Cinematography by | |||
| Les Blank | (photographed by) | ||
Film Editing by | |||
| Maureen Gosling | |||
Sound Department | |||
| Mark Berger | .... | re-recording | |
| Michael Goodwin | .... | assistant sound | |
| Maureen Gosling | .... | sound recordist | |
Camera and Electrical Department | |||
| Patricia Buchanan | .... | title photographer | |
| Michael Goodwin | .... | assistant camera | |
| Pacho Lane | .... | camera assistant (as Bruce 'Pacho' Lane) | |
Editorial Department | |||
| Joe Orr | .... | negative cutter | |
| Chris Simon | .... | assistant editor | |
| Andrea Sohn | .... | assistant editor | |
Other crew | |||
| Richard Becker | .... | translator | |
| Andy Freeberg | .... | photos/artwork | |
| Michael Goodwin | .... | interviewer | |
| Volker Hinz | .... | photos/artwork | |
| Pacho Lane | .... | interpreter (as Bruce 'Pacho' Lane) | |
| Pacho Lane | .... | interviewer (as Bruce 'Pacho' Lane) | |
| John Lumsdaine | .... | researcher | |
| Christian Piper | .... | photos/artwork | |
| Inez Reider | .... | translator | |
| Sarah Satterlee | .... | title typography | |
| Chris Simon | .... | office manager | |
| Chris Simon | .... | researcher | |
| Andrea Sohn | .... | office manager | |
| Juan Manuel Ugarte | .... | murals: Iquitos Airport | |
| Francisca Wentworth | .... | translator | |
Thanks | |||
| Walter Saxer | .... | grateful acknowledgment | |
| Lucki Stipetic | .... | grateful acknowledgment | |
| Recent Posts (updated daily) | User |
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| different from my best fiend? | gunknifebattleyo |
| Sprockets | andrewsk8s |
| Fitzcarraldo | johnbensonwillkickyouras |
| Great Movie | pjbrubak |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
I saw this enjoyable documentary film in 1983 and have recently seen it again (2001) at the National Film Theatre in London, together with "Fitzcarraldo" and "Werner Herzog Eats His Shoe" - sore bum!
In 1983 I thought it was brilliant and it was immensely valuable to get an insight into the tortured making of the film "Fitzcarraldo". Seeing it again, almost two decades later, I feel the film skims the surface as Les Blank seems to have little interest in drawing out what went on. He just observes and accepts the events at face value. Only Herzog is interviewed at any length and the burden of his dream(s) does become apparent as the film progresses, however there is virtually no comment from Kinski or the other actors. Les Blank might argue that the film is about Herzog's state of mind and his attitude to the production of Fitzcarraldo. In this, I think it is largely a success. To look for more from the film is perhaps to unfairly employ the benefit of hindsight.
I suspect my disappointment (relative) at seeing this again is the release of "My Best Fiend" in the interim. I find my memory conflating the two films, the piece about Kinski's "hate hate" relationship with the jungle (and almost everything else!) would seem more appropriate to "Burdens" but is in "Fiend".
"Burden of Dreams" and "My Best Fiend" would make a good double bill, giving a much more rounded impression of the context of the production of Fitzcarraldo and the relationship between Herzog and Kinski. If you are interested, try to see them both.