Mick Travis is a reporter who is about to shoot a documentary on Britannia Hospital, an institution which mirrors the downsides of British Society. It's the day when Her Royal Highness is ... See full summary »
An impassive young girl is taken from her suicidal London life, back to her home in North England on a bizarre bus trip. Seen through the poetic eye of the camera, this is a commentary of doomed British morbidity. In HD.
Summer people in Maine: things are changing. Whales no longer pass close to the shore as they did during the youth of two elderly widowed sisters who have a seaside home where they've ... See full summary »
Bruce Pritchard is paralysed in a soccer game and is confined to a wheelchair in a convalescence home. But this doesn't slow his lust for life. Then he meets Jill and has to think about the... See full summary »
This sprawling, surrealist musical serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in Europe. Many actors play multiple roles, giving the film a stagy tone.
In the near future, where Earth has been devastated by natural disasters, and giant winds rule the planet, bounty hunter Matt kidnaps a murderer out of the hands of two police officers, ... See full summary »
In World War II Germany, two young men--one an ardent Nazi and the other a secret anti-Nazi--are in love with the same woman, the daughter of a wealthy banker. The two join the army, and ... See full summary »
Mick Travis is a reporter who is about to shoot a documentary on Britannia Hospital, an institution which mirrors the downsides of British Society. It's the day when Her Royal Highness is to visit the hospital to inaugurate a new wing, where advanced (and sinister) scientific experiments led by Prof. Millar will take place. Everybody in the hospital, from the cooks who refuse to cook, to the painters who couldn't care less to get their job done, to an African cannibalistic dictator (a la Amin Dada) whom demonstrators want expelled from the hospital and tried, will contribute to making HRH's visit (and Mick Travis's life) a true nightmare. Written by
Dragomir R. Radev <firstname.lastname@example.org>
Upon seeing it, Derek Jarman predicted that the film "would finish Lindsay in the British film industry". It was a fairly accurate prediction as the remainder of Lindsay Anderson's career was spent in the United States. Anderson later wrote a letter to Malcolm McDowell in which he wrote "I've been in London - how long? - about three or four weeks... Time is rather featureless at the moment. I'm sure you'll understand when I say it's a dispiriting place to return to. The dark waters have closed over 'Britannia Hospital'." See more »
At 48:09, the cameraman goes from looking at the officials at the table to looking at Millar between shots. See more »
Friends! Fellow Members of the Human Race! We are gathered here for a purpose. Let us look together at Mankind. What do we see? We see Mastery. What wonders Mankind can perform. He can cross the oceans and continents today, as easily as our grandfathers crossed the street. Tomorrow he will as easily cross the vast territories of space. He can make deserts FERTILE and plant cabbages on the Moon. And what does man CHOOSE? Alone among the creatures of this world, the Human Race CHOOSES to ...
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This is the last entry in The Mick Travis Trilogy (also comprising IF....  and O LUCKY MAN! , all directed by Anderson, written by David Sherwin and starring Malcolm McDowell as Travis) and the only one I hadn't watched before; ironically, the film made it to DVD before the others which are still M.I.A. (being owned by the majors, Paramount and Warners respectively) though both have been rumored as being "in preparation" for what seems like forever!! As with HELL IS A CITY (1960) and THE CRIMINAL (1960), I had my eyes on the Anchor Bay DVD of this title for the longest time but only now have I finally taken the plunge to acquire it - though, in its case, this had more to do with the fact that the film was largely considered a failure, certainly in comparison with its more highly-regarded predecessors!
Actually, it comes off as quite underrated and its satire on British society at large - with the titular hospital serving more or less as a microcosm of all that was not well with the country during the early 80s - is just as harsh, if admittedly somewhat hit-and-miss (the "Frankenstein" scenes, for instance, and the fact that royal representatives are played by a midget and a man in drag are more tasteless than anything else!). The thing is, however, that the film became part of the trilogy by accident and, in fact, McDowell isn't really the lead character - so that it's not quite as focused as IF.... and O LUCKY MAN!, and even borrows elements from both of them (the revolutionary aspect from the former and the bizarre experiments, mentioned above, from the latter) which aren't as successful this time around!
Still, it's very funny - for those who can take its unbridled savagery
along the way and the cast is brimming with talented character actors
(Leonard Rossiter, Graham Crowden, Joan Plowright, Jill Bennett, Peter Jeffrey, Brian Pettifer, Dandy Nichols, Richard Griffiths, Brian Glover, Robbie Coltrane, uncredited bits by Alan Bates and Arthur Lowe, and even unlikely appearances - in fairly important roles - by Robin Askwith and Mark Hamill!), many of whom had already appeared in the two earlier Mick Travis films. Unfortunately, the score by Alan Price (ex-member of The Animals) - whose O LUCKY MAN! soundtrack, including a number of songs, had been one of its major assets - is underwhelming and, typical of old British films, the dialogue is hard to grasp sometimes due to the limited sound recording and the actors' heavy accents!
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