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La boum 2 (1982)

Two years after the first "Boum", Vic - now 15 and a half years old - has a very calm love life, actually no boyfriend at all. Her parents are happily together again, Grandma Poupette ... See full summary »

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1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
François Beretton
...
Françoise Beretton
...
...
Félix Maréchal
Pierre Cosso ...
Philippe Berthier
Alexandre Sterling ...
Mathieu
Sheila O'Connor ...
Pénélope Fontanet
Alexandra Gonin ...
Samantha Fontanet
Jean-Philippe Léonard ...
Stéphane
Jean Leuvrais ...
Portal
Claudia Morin ...
Mme Fontanet
Daniel Russo ...
Etienne
...
Catherine (as Zabou)
Denise Grey ...
Poupette
Philippe Aussant
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Storyline

Two years after the first "Boum", Vic - now 15 and a half years old - has a very calm love life, actually no boyfriend at all. Her parents are happily together again, Grandma Poupette thinks about finally marring her long-term boyfriend. But then Vic meets Philippe and is overcome by his charm. She's in heaven again and considers going all the way this time - a step, that her girlfriend Penelope already has taken. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

8 December 1982 (France)  »

Also Known As:

La Boum 2  »

Company Credits

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Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Connections

References Sweet Charity (1969) See more »

Soundtracks

Reality
Performed by Richard Sanderson
Composed by Vladimir Cosma
Lyrics by Jeff Jordan
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User Reviews

 
Longing for Vic back in the day
23 May 2005 | by See all my reviews

After over 20 years, I can say that I do miss this type of coming of age film (Breaking Away, My Bodyguard, 400 Blows) done before the modern age of jaded irony & cynicism. It's for those old enough to miss the young subjects of Truffaut, only without the melancholy. Even the cheesy but sprightly tunes invite nostalgia. Like Bardot before Marceau, her precocious innocence here holds up against French frankness. Sophie has yet to recapture the same appeal even after limited exposure to her more grown-up international efforts (Braveheart, 007), even Lambert Wilson's mature exposure (Matrix Reloaded, Catwoman) come off now as well, ironic & cynical.


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