| Photos (See all 98 | slideshow) | Videos (see all 5) |
Directed by | |||
| Ridley Scott | |||
Writing credits | ||
| Hampton Fancher | (screenplay) and | |
| David Webb Peoples | (screenplay) (as David Peoples) | |
| Philip K. Dick | (novel "Do Androids Dream of Electric Sheep?") | |
Produced by | |||
| Charles de Lauzirika | .... | producer (2007 Final Cut version) | |
| Michael Deeley | .... | producer | |
| Hampton Fancher | .... | executive producer | |
| Brian Kelly | .... | executive producer | |
| Ivor Powell | .... | associate producer | |
| Paul Prischman | .... | associate producer (2007 Final Cut version) | |
| Jerry Perenchio | .... | co-executive producer (uncredited) | |
| Ridley Scott | .... | co-producer (uncredited) | |
| Run Run Shaw | .... | co-executive producer (uncredited) | |
| Bud Yorkin | .... | co-executive producer (uncredited) | |
Original Music by | |||
| Vangelis | |||
Cinematography by | |||
| Jordan Cronenweth | (director of photography) | ||
Film Editing by | |||
| Marsha Nakashima | |||
| Terry Rawlings | (supervising editor) | ||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Marci Liroff | (uncredited) | ||
Production Design by | |||
| Lawrence G. Paull | |||
Art Direction by | |||
| David L. Snyder | (as David Snyder) | ||
Set Decoration by | |||
| Linda DeScenna | |||
| Leslie McCarthy-Frankenheimer | (as Leslie Frankenheimer) | ||
| Thomas L. Roysden | (as Tom Roysden) | ||
| Peg Cummings | (uncredited) | ||
Costume Design by | |||
| Michael Kaplan | |||
| Charles Knode | |||
Makeup Department | |||
| Shirley Padgett | .... | hair stylist (as Shirley L. Padgett) | |
| Marvin G. Westmore | .... | makeup artist | |
| John Chambers | .... | prosthetic makeups (uncredited) | |
| Bridget O'Neill | .... | makeup artist: Joanna Cassidy (2007 Final Cut version) (uncredited) | |
Production Management | |||
| Alan Collis | .... | production manager | |
| C.O. Erickson | .... | executive in charge of production | |
| John W. Rogers | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director (as Newton Arnold) | |
| Morris Chapnick | .... | second assistant director | |
| Peter Cornberg | .... | first assistant director | |
| Donald Hauer | .... | second assistant director (as Don Hauer) | |
| Victoria E. Rhodes | .... | dga trainee (as Victoria Rhodes) | |
| Richard Peter Schroer | .... | second assistant director (as Richard Schroer) | |
Sound Department | |||
| Bud Alper | .... | sound mixer | |
| Gene Ashbrook | .... | boom operator (as Eugene Byron Ashbrook) | |
| Christopher Assells | .... | sound effects editor (2007 Final Cut version) | |
| Brydon Baker III | .... | cable person (as Beau Baker) | |
| Karen Baker Landers | .... | supervising sound editor (2007 Final Cut version) | |
| Peter Baldock | .... | assistant dialogue editor | |
| Ron Bartlett | .... | sound re-recording mixer (2007 Final Cut version) | |
| Dino Dimuro | .... | sound effects editor (2007 Final Cut version) (as Dino R. Dimuro) | |
| Joe Gallagher | .... | assistant sound editor | |
| Per Hallberg | .... | supervising sound editor (2007 Final Cut version) | |
| Graham V. Hartstone | .... | chief dubbing mixer | |
| Doug Hemphill | .... | sound re-recording mixer (2007 Final Cut version) (as D.M. Hemphill) | |
| Mike Hopkins | .... | dialogue editor (as Michael Hopkins) | |
| Gerry Humphreys | .... | chief dubbing mixer | |
| Mary Jo Lang | .... | foley mixer (2007 Final Cut version) (as Maryjo Lang) | |
| Alyson Dee Moore | .... | foley artist (2007 Final Cut version) (as Alyson Moore) | |
| Scott Morgan | .... | foley recordist (2007 Final Cut version) | |
| Philip D. Morrill | .... | assistant sound editor (2007 Final Cut version) | |
| Tony Negrete | .... | assistant sound editor (2007 Final Cut version) (as Tony R. Negrete) | |
| Peter Pennell | .... | sound editor | |
| John Roesch | .... | foley artist (2007 Final Cut version) | |
| Jon Title | .... | sound effects editor (2007 Final Cut version) | |
| Matt Vowles | .... | sound re-recording mixer: foreign language versions (foreign language versions) | |
| Joel Fein | .... | sound recording mixer (uncredited) | |
| John Hayward | .... | sound re-recording mixer (uncredited) | |
| Nicolas Le Messurier | .... | sound re-recording mixer (uncredited) | |
| Gordon K. McCallum | .... | sound mixer (uncredited) | |
Special Effects by | |||
| Greg Curtis | .... | special effects technician (as William G. Curtis) | |
| Logan Frazee | .... | special effects technician | |
| Terry D. Frazee | .... | special floor effects supervisor (as Terry Frazee) | |
| Steve Galich | .... | special effects technician | |
| Donald Myers | .... | special effects technician | |
| Robert Cole | .... | special effects action property foreman (uncredited) | |
| Robert DeVine | .... | special effects (uncredited) | |
| Ken Estes | .... | special effects foreman (uncredited) | |
| Scott Forbes | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Tim Angulo | .... | additional green screen photography: New Deal Studios (2007 Final Cut version) (as Timothy E. Angulo) | |
| Michael Backauskas | .... | assistant effects editor: EEG (as Michael Bakauskas) | |
| Robert D. Bailey | .... | matte photography: EEG (as Robert Bailey) | |
| Don Baker | .... | camera operator: EEG | |
| Philip Barberio | .... | optical line-up: EEG | |
| Jill Bogdanowicz | .... | digital restoration: Technicolor Digital Intermediates (2007 Final Cut version) | |
| Christian Boudman | .... | visual effects enhancement: SPI (2007 Final Cut version) | |
| Tom Burton | .... | digital restoration: Technicolor Digital Intermediates (2007 Final Cut version) | |
| Diane Caliva | .... | visual effects enhancement: The Orphanage (2007 Final Cut version) | |
| Charles Cowles | .... | camera operator: EEG | |
| Tom Cranham | .... | effects illustrator: EEG | |
| Lisa Deaner | .... | visual effects enhancement: SPI (2007 Final Cut version) | |
| Debbie Denise | .... | visual effects enhancement: SPI (2007 Final Cut version) | |
| David Dryer | .... | special photographic effects supervisor | |
| Syd Dutton | .... | visual effects enhancement: Illusion Arts (2007 Final Cut version) | |
| Bud Elam | .... | special engineering consultant: EEG | |
| Michael L. Fink | .... | action prop supervisor (as Mike Fink) | |
| Linda Fleisher | .... | action prop consultant | |
| Collin Fowler | .... | visual effects enhancement: Illusion Arts (2007 Final Cut version) | |
| Joyce Goldberg | .... | production office manager: EEG | |
| David Grafton | .... | special engineering consultant: EEG | |
| Robert Hall | .... | optical photography supervisor: EEG | |
| David R. Hardberger | .... | camera operator: EEG (as David Hardberger) | |
| Alan Harding | .... | special camera technician: EEG | |
| Jack Hinkle | .... | film coordinator: EEG | |
| Richard E. Hollander | .... | computer engineering: EEG (as Richard Hollander) | |
| Richard R. Hoover | .... | visual effects enhancement: SPI (2007 Final Cut version) | |
| Karen Krause | .... | digital restoration: Technicolor Digital Intermediates (2007 Final Cut version) | |
| Ronald Longo | .... | camera operator: EEG | |
| Fumi Mashimo | .... | visual effects enhancement: Illusion Arts (2007 Final Cut version) | |
| Tim McHugh | .... | camera operator: EEG (as Timothy McHugh) | |
| Kelvin McIlwain | .... | visual effects enhancement: Illusion Arts (2007 Final Cut version) | |
| Gregory L. McMurry | .... | electronic engineering: EEG (as Greg McMurray) | |
| Virgil Mirano | .... | still lab: EEG | |
| Thomas Nittmann | .... | visual effects enhancement: Lola Visual Effects (2007 Final Cut version) | |
| Luke O'Byrne | .... | visual effects enhancement: The Orphanage (2007 Final Cut version) | |
| Joshua Pines | .... | digital restoration: Technicolor Digital Intermediates (2007 Final Cut version) | |
| Thomas R. Polizzi | .... | digital restoration: Technicolor Digital Intermediates (2007 Final Cut version) (as Thom Polizzi) | |
| George Polkinghorne | .... | cinetechnician: EEG | |
| Gary Randall | .... | gaffer: EEG | |
| Richard Rippel | .... | optical line-up: EEG (as Richard Ripple) | |
| Jonathan Rothbart | .... | visual effects enhancement: The Orphanage (2007 Final Cut version) | |
| David Sanger | .... | additional green screen photography: New Deal Studios (2007 Final Cut version) | |
| Georgia Scheele | .... | visual effects coordinator (2007 Final Cut version) | |
| John Scheele | .... | visual effects supervisor (2007 Final Cut version) | |
| Robert Spurlock | .... | miniature technician: EEG (as Bob Spurlock) | |
| Mark Stetson | .... | chief model maker: EEG | |
| David K. Stewart | .... | director of photography: EEG (as Dave Stewart) | |
| Diana Stulic | .... | visual effects enhancement: SPI (2007 Final Cut version) (as Diana Stulic Ibanez) | |
| Catherine Sudolcan | .... | visual effects enhancement: Illusion Arts (2007 Final Cut version) | |
| Tama Takahashi | .... | matte photography: EEG | |
| David Takayama | .... | visual effects enhancement: SPI (2007 Final Cut version) | |
| Bill Taylor | .... | visual effects enhancement: Illusion Arts (2007 Final Cut version) | |
| Douglas Trumbull | .... | special photographic effects supervisor | |
| Patrick Van Auken | .... | key grip: EEG (as Pat Van Auken) | |
| James Warren | .... | digital restoration: Technicolor Digital Intermediates (2007 Final Cut version) | |
| John C. Wash | .... | animation and graphics: EEG (as John Wash) | |
| Evans Wetmore | .... | electronic and mechanical design: EEG | |
| Edson Williams | .... | visual effects enhancement: Lola Visual Effects (2007 Final Cut version) | |
| Matthew Yuricich | .... | matte artist: EEG | |
| Richard Yuricich | .... | special photographic effects supervisor | |
| Ryan Zuttermeister | .... | visual effects enhancement: Lola Visual Effects (2007 Final Cut version) | |
| Daphne Apellanes-Ackerson | .... | rotoscope artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| Thomas Baker | .... | motion control camera (uncredited) | |
| Dana Basinger | .... | film I/O coordinator: The Orphanage (2007 Final Cut version) (uncredited) | |
| Jerry Castro | .... | editorial supervisor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Craig Chandler | .... | optical effects (uncredited) | |
| Steve Cho | .... | lead compositor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Trent Claus | .... | digital compositor (2007 Final Cut version) (uncredited) | |
| Joe C. D'Amato | .... | resource manager: The Orphanage (2007 Final Cut version) (uncredited) | |
| Tim Dobbert | .... | matchmove supervisor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Rama Dunayevich | .... | public relations: The Orphanage (2007 Final Cut version) (uncredited) | |
| Leslie Ekker | .... | model maker (uncredited) | |
| Bill George | .... | miniature design and construction (uncredited) | |
| Rocco Gioffre | .... | matte artist (uncredited) | |
| Julieta Gleiser | .... | digital production manager: The Orphanage (2007 Final Cut version) (uncredited) | |
| Daniel Gloates | .... | senior staff: The Orphanage (2007 Final Cut version) (uncredited) | |
| Joanna Goldfarb | .... | post production supervisor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Monique Gougeon | .... | human resources: The Orphanage (2007 Final Cut version) (uncredited) | |
| Rich Grande | .... | rotoscope artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| Timothy Gross | .... | systems administration: The Orphanage (2007 Final Cut version) (uncredited) | |
| Martyn Hall | .... | visual effects (uncredited) | |
| Sunghwan Hong | .... | rotoscope artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| Jeffrey Jasper | .... | digital artist: New Deal Studios (2007 Final Cut version) (uncredited) | |
| Michelle Kater | .... | rotoscope artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| Bill Kent | .... | camera operator: special photographic effects (uncredited) | |
| Benjamin Kutsko | .... | Flame artist (2007 Final Cut version) (uncredited) | |
| Ivan Landau | .... | visual effects editor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Diana K. Lee | .... | roto/matchmove coordinator: The Orphanage (2007 Final Cut version) (uncredited) | |
| Soyoun Lee | .... | rotoscope artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| Stuart T. Maschwitz | .... | senior staff: The Orphanage (2007 Final Cut version) (uncredited) | |
| Michael McMillen | .... | model maker (uncredited) | |
| Dan McNamara | .... | senior staff: The Orphanage (2007 Final Cut version) (uncredited) | |
| Michele Moen | .... | matte artist: EEG (uncredited) | |
| Jarrod Nesbit | .... | visual effects coordinator: SPI (2007 Final Cut version) (uncredited) | |
| Brian Nugent | .... | Flame artist (2007 Final Cut version) (uncredited) | |
| Tom Pahk | .... | model maker (uncredited) | |
| Christine Peterson | .... | roto/paint artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| Aaron Rhodes | .... | compositing supervisor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Christopher S. Ross | .... | miniature design and construction (uncredited) | |
| Marc Sadeghi | .... | executive visual effects producer: The Orphanage (2007 Final Cut version) (uncredited) | |
| Jonathan Seay | .... | visual effects camera (uncredited) | |
| Scott Squires | .... | visual displays: DQI (uncredited) | |
| Scott Stewart | .... | senior staff: The Orphanage (2007 Final Cut version) (uncredited) | |
| Carsten Sørensen | .... | senior staff: The Orphanage (2007 Final Cut version) (uncredited) | |
| Bee Jin Tan | .... | rotoscope artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| George Trimmer | .... | model maker (uncredited) | |
| Ryan Tudhope | .... | compositor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Sean Wallitsch | .... | Flame artist (2007 Final Cut version) (uncredited) | |
| Tiffany Wu | .... | roto/matchmove coordinator: The Orphanage (2007 Final Cut version) (uncredited) | |
| Hoyt Yeatman | .... | visual displays: DQI (uncredited) | |
| Gene Young | .... | model construction (uncredited) | |
Costume and Wardrobe Department | |||
| Winnie D. Brown | .... | costumer: women (as Winnie Brown) | |
| Bob E. Horn | .... | costumer: men (as Bobby E. Horn) | |
| James Lapidus | .... | costumer: men | |
| Linda Matthews | .... | costumer: women (as Linda A. Matthews) | |
| Jan Ferris | .... | designer/sculptor: jewelry and metalwork for costumes (uncredited) | |
| Jerry Herrin | .... | costumer supervisor: day crew (uncredited) | |
Editorial Department | |||
| Les Healey | .... | first assistant editor | |
| Gillian L. Hutshing | .... | editor (2007 final cut version) (as Gillian Hutshing) | |
| Karen Rasch | .... | assistant editor (2007 final cut version) | |
| R. William Zabala | .... | assistant editor (as William Zabala) | |
| Peter Hollywood | .... | additional editing (uncredited) | |
Music Department | |||
| Gail Laughton | .... | composer: additional music | |
| Stephanie Lowry | .... | music editor (2007 Final Cut version) | |
| Vangelis | .... | music arranger | |
| Vangelis | .... | music producer | |
| Vangelis | .... | musician | |
Transportation Department | |||
| Howard Brady Davidson | .... | transportation captain (as Howard Davidson) | |
| Mario Simon | .... | transportation (uncredited) | |
Other crew | |||
| Vickie Alper | .... | production coordinator | |
| Katherine Haber | .... | production executive | |
| Linda Hess | .... | production assistant | |
| Saul Kahan | .... | publicist | |
| Michael Knutsen | .... | craft service | |
| Jerry Perenchio | .... | presenter | |
| Ana Maria Quintana | .... | script supervisor (as Anna Maria Quintana) | |
| David Scharf | .... | electron microscope photography | |
| Run Run Shaw | .... | presenter (as Sir Run Run Shaw) | |
| Steve Warner | .... | production controller | |
| Bud Yorkin | .... | presenter | |
| Susan Bliss | .... | post script services (uncredited) | |
| Brian O. Haynes | .... | production assistant (uncredited) | |
| Jeffrey A. Humphreys | .... | studio utility (uncredited) | |
| Roland Kibbee | .... | voice-over engineer (uncredited) | |
| Michael Neale | .... | location manager (uncredited) | |
| Nancy Ramey | .... | assistant accountant (uncredited) | |
| Jasmine Sabu | .... | horse trainer (uncredited) | |
| Charles A. Tamburro | .... | helicopter pilot (uncredited) | |
Thanks | |||
| William S. Burroughs | .... | thanks: for the use of the title "Blade Runner" | |
| Philip K. Dick | .... | dedicated to the memory of | |
| Ben Ford | .... | special thanks (2007 Final Cut version) (as Benjamin Ford) | |
| Rob Hummel | .... | special thanks (2007 Final Cut version) | |
| Jeffrey Jasper | .... | special thanks (2007 Final Cut version) | |
| Teresa Kelly | .... | special thanks (2007 Final Cut version) | |
| Alan Nourse | .... | thanks: for the use of the title "Blade Runner" (as Alan E. Nourse) | |
| John Yanez | .... | special thanks (2007 Final Cut version) | |
|
|
|
|
|
| The Terminator | Terminator 2: Judgment Day | Repo Men | I, Robot | Beverly Hills Cop |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section |
Blade Runner, directed by Ridley Scott and based on Philip K. Dick's novel Do Androids Dream of Electric Sheep, is a Sci-fi slash Noir film about a cop named Rick Deckard (Harrison Ford) in a decrepit 2019 Los Angeles whose job it is to "retire" four genetically engineered syborgues, known as "Replicants". The four fugitives, Pris (Daryl Hannah), Zhora (Joanna Cassidy), Leon (Brion James), and their leader, Roy Batty (Rutger Hauer), have escaped from an off-world colony in order to find their creator and bully him into expanding their pre-determined four year life span. This film originally flopped when it came out in 1982, but since has become a widely acclaimed cult classic with a director's cut to boot. A large part of the success that this movie has received can be attributed to its ability to operate on many different levels.
Ridley Scott's hauntingly possible depiction of what might become of Los Angeles down the line is absolutely brilliant. It captures elements of Noir with its urban atmosphere of decadence, lighting, and characters neither clearly defined as good nor evil. Corruption is everywhere. The garbage-littered streets and permanence of dark and rain give us the sense that we've seriously screwed up the atmosphere, and the impression that all respectable human beings have fled to the off-world colonies, leaving only the scum of the earth behind.
There is a hint of style from the 40's, especially with respect to cars, costumes, and music. Rachael's entire outfit, including her hair, screams the 40's.
The soundtrack, arranged by Vangelis (who won an Oscar for his Chariots of Fire score), consisted mainly of Jazz and Blues. This functioned to represent a dark, moody world of uncertainty and pessimism.
The special effects were exceptional. Much of the set was pulled off using models. In my opinion, sets made by hand require leagues more of skill and are much more impressive and realistic than those computer generated. These guys really knew what they were doing. I was especially fond of the pyramidesque Tyrell Corporation building, which hinted at the god-like presence of Eldon Tyrell (Joe Turkell), the creator.
The script (Hampton Fancher, David Peoples, and of course Phil Dick) worked for me, as well as the actors who gave voice to it. Harrison Ford was well...Harrison Ford. I thought he did a tremendous job down-playing the role. His voice-over narration helped you along, and was yet another feature conducive to Film Noir (apparently this was taken out of the Director's Cut). Rutger Hauer's performance was intense. His lines at the end were intriguingly philosophical. Daryl Hannah's chilling robotic expressions were quite impressive. Joanna Cassidy was just plain hot.
There is more to this film than just pulp. It works on so many remarkable levels. The movie itself is a detective noir quest for the meaning of life in a science fiction environment, but the story is a commentary on what it means to be human and the questions each one of us have about life, like: How long have I to live? Why do I have to die? What happens when I die? Doesn't my maker care? Is this all merely an illusion? At the end of the film we are left to wonder if these Replicants are human, and if Deckard himself is in fact a Replicant. Scott raises more questions here than he answers, and as a result, critics are still debating the mysteries of this film today. In a sense, the ambiguity of Blade Runner is the culprit of its success.