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Directed by | |||
| Ridley Scott | |||
Writing credits | ||
| Hampton Fancher | (screenplay) and | |
| David Webb Peoples | (screenplay) (as David Peoples) | |
| Philip K. Dick | (novel "Do Androids Dream of Electric Sheep?") | |
| Roland Kibbee | (voiceovers) uncredited | |
Produced by | |||
| Michael Deeley | .... | producer | |
| Charles de Lauzirika | .... | producer (final cut version) | |
| Hampton Fancher | .... | executive producer | |
| Brian Kelly | .... | executive producer | |
| Jerry Perenchio | .... | co-executive producer | |
| Ivor Powell | .... | associate producer | |
| Paul Prischman | .... | associate producer (final cut version) | |
| Run Run Shaw | .... | associate producer | |
| Bud Yorkin | .... | co-executive producer | |
| Ridley Scott | .... | co-producer (uncredited) | |
Original Music by | |||
| Vangelis | |||
Cinematography by | |||
| Jordan Cronenweth | (director of photography) | ||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Marci Liroff | |||
Production Design by | |||
| Lawrence G. Paull | |||
Art Direction by | |||
| David L. Snyder | (as David Snyder) | ||
Set Decoration by | |||
| Linda DeScenna | |||
| Leslie McCarthy-Frankenheimer | (as Leslie Frankenheimer) | ||
| Thomas L. Roysden | (as Tom Roysden) | ||
| Peg Cummings | (uncredited) | ||
Costume Design by | |||
| Michael Kaplan | |||
| Charles Knode | |||
| Jean Giraud | (uncredited) | ||
Makeup Department | |||
| Bridget O'Neill | .... | makeup artist: Joanna Cassidy (final cut version) | |
| Shirley Padgett | .... | hair stylist (as Shirley L. Padgett) | |
| Marvin G. Westmore | .... | makeup artist | |
| John Chambers | .... | prosthetic makeups (uncredited) | |
Production Management | |||
| C.O. Erickson | .... | executive in charge of production | |
| John W. Rogers | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director (as Newton Arnold) | |
| Morris Chapnick | .... | second assistant director | |
| Peter Cornberg | .... | first assistant director | |
| Donald Hauer | .... | second assistant director (as Don Hauer) | |
| Victoria E. Rhodes | .... | dga trainee (as Victoria Rhodes) | |
| Richard Peter Schroer | .... | second assistant director (as Richard Schroer) | |
Sound Department | |||
| Bud Alper | .... | sound mixer | |
| Gene Ashbrook | .... | boom operator (as Eugene Byron Ashbrook) | |
| Christopher Assells | .... | sound editor | |
| Brydon Baker III | .... | cable person (as Beau Baker) | |
| Peter Baldock | .... | assistant dialogue editor | |
| Joe Gallagher | .... | assistant sound editor | |
| Graham V. Hartstone | .... | chief dubbing mixer | |
| Mike Hopkins | .... | dialogue editor (as Michael Hopkins) | |
| Gerry Humphreys | .... | dubbing mixer | |
| Peter Pennell | .... | sound editor | |
| Joel Fein | .... | sound recording mixer (uncredited) | |
| John Hayward | .... | sound re-recording mixer (uncredited) | |
| Nicolas Le Messurier | .... | sound re-recording mixer (uncredited) | |
| Gordon K. McCallum | .... | sound mixer (uncredited) | |
Special Effects by | |||
| William Curtis | .... | special effects technician (as William G. Curtis) | |
| David Dryer | .... | special photographic effects supervisor | |
| Logan Frazee | .... | special effects technician | |
| Terry D. Frazee | .... | special floor effects supervisor (as Terry Frazee) | |
| Steve Galich | .... | special effects technician | |
| Douglas Trumbull | .... | special photographic effects supervisor | |
| Richard Yuricich | .... | special photographic effects supervisor | |
| Robert Cole | .... | special effects action property foreman (uncredited) | |
| Robert DeVine | .... | special effects (uncredited) | |
| Ken Estes | .... | special effects foreman (uncredited) | |
| Scott Forbes | .... | special effects technician (uncredited) | |
| Gene Young | .... | model construction (uncredited) | |
Visual Effects by | |||
| Michael Backauskas | .... | visual effects assistant editor (as Michael Bakauskas) | |
| Robert D. Bailey | .... | matte photographer (as Robert Bailey) | |
| Don Baker | .... | camera operator: special photographic effects | |
| Philip Barberio | .... | optical line-up | |
| Jill Bogdanowicz | .... | digital intermediate colorist (2007 restorated version) | |
| Christian Boudman | .... | compositing supervisor: SPI (final cut version) | |
| Diane Caliva | .... | visual effects producer: The Orphanage (The Final Cut version) | |
| Trent Claus | .... | digital compositor (final cut version) | |
| Charles Cowles | .... | camera operator: special photographic effects | |
| Lisa Deaner | .... | lead artist (final cut version) | |
| Leslie Ekker | .... | model maker | |
| Collin Fowler | .... | visual effects coordinator: Illusion Arts Arts (final cut version) | |
| Robert Hall | .... | optical photography supervisor | |
| David R. Hardberger | .... | camera operator: special photographic effects (as David Hardberger) | |
| Jeffrey Jasper | .... | digital artist: New Deal Studios (final cut version) | |
| Benjamin Kutsko | .... | Flame artist (final cut version) | |
| Ronald Longo | .... | camera operator: special photographic effects | |
| Tim McHugh | .... | camera operator: special photographic effects (as Timothy McHugh) | |
| Gregory L. McMurry | .... | electronic engineer (as Greg McMurray) | |
| Syd Mead | .... | visual futurist | |
| Jarrod Nesbit | .... | visual effects coordinator: SPI (final cut version) | |
| Thomas Nittmann | .... | visual effects producer: Lola Visual Effects (final cut version) | |
| Brian Nugent | .... | Flame artist (final cut) | |
| Luke O'Byrne | .... | visual effects executive producer: The Orphanage (The Final Cut version) | |
| Richard Ripple | .... | optical line-up | |
| Jonathan Rothbart | .... | visual effects supervisor: The Orphanage (The Final Cut version) | |
| Marc Sadeghi | .... | executive visual effects producer: The Orphanage (final cut version) | |
| Georgia Scheele | .... | visual effects coordinator (final cut version) | |
| John Scheele | .... | visual effects supervisor (final cut version) | |
| Robert Spurlock | .... | miniature technician (as Bob Spurlock) | |
| Mark Stetson | .... | chief model maker | |
| David K. Stewart | .... | cinematographer: special photographic effects (as Dave Stewart) | |
| Tama Takahashi | .... | matte photography | |
| Sean Wallitsch | .... | Flame artist (final cut version) | |
| Edson Williams | .... | visual effects supervisor: Lola Visual Effects (final cut version) | |
| Matthew Yuricich | .... | matte artist | |
| Ryan Zuttermeister | .... | associate visual effects producer: Lola Visual Effects (final cut version) | |
| Daphne Apellanes-Ackerson | .... | rotoscope artist: The Orphanage (The Final Cut version) (uncredited) | |
| Dana Basinger | .... | film I/O coordinator: The Orphanage (The Final Cut version) (uncredited) | |
| Jerry Castro | .... | editorial supervisor: The Orphanage (The Final Cut version) (uncredited) | |
| Craig Chandler | .... | optical effects (uncredited) | |
| Steve Cho | .... | lead compositor: The Orphanage (The Final Cut version) (uncredited) | |
| Joe C. D'Amato | .... | resource manager: The Orphanage (The Final Cut version) (uncredited) | |
| Tim Dobbert | .... | matchmove supervisor: The Orphanage (The Final Cut version) (uncredited) | |
| Rama Dunayevich | .... | public relations: The Orphanage (The Final Cut version) (uncredited) | |
| Bill George | .... | miniature design and construction (uncredited) | |
| Rocco Gioffre | .... | matte artist (uncredited) | |
| Julieta Gleiser | .... | digital production manager: The Orphanage (The Final Cut version) (uncredited) | |
| Daniel Gloates | .... | senior staff: The Orphanage (The Final Cut version) (uncredited) | |
| Joanna Goldfarb | .... | post production supervisor: The Orphanage (The Final Cut version) (uncredited) | |
| Monique Gougeon | .... | human resources: The Orphanage (The Final Cut version) (uncredited) | |
| Rich Grande | .... | rotoscope artist: The Orphanage (The Final Cut version) (uncredited) | |
| Timothy Gross | .... | systems administration: The Orphanage (uncredited) | |
| Sunghwan Hong | .... | rotoscope artist: The Orphanage (The Final Cut version) (uncredited) | |
| Michelle Kater | .... | rotoscope artist: The Orphanage (The Final Cut version) (uncredited) | |
| Bill Kent | .... | camera operator: special photographic effects (uncredited) | |
| Ivan Landau | .... | visual effects editor: The Orphanage (The Final Cut version) (uncredited) | |
| Diana K. Lee | .... | roto/matchmove coordinator: The Orphanage (The Final Cut version) (uncredited) | |
| Soyoun Lee | .... | rotoscope artist: The Orphanage (The Final Cut version) (uncredited) | |
| Stuart T. Maschwitz | .... | senior staff: The Orphanage (The Final Cut version) (uncredited) | |
| Dan McNamara | .... | senior staff: The Orphanage (The Final Cut version) (uncredited) | |
| Michele Moen | .... | matte artist: EEG (uncredited) | |
| Tom Pahk | .... | model maker (uncredited) | |
| Christine Peterson | .... | roto/paint artist: The Orphanage (final cut version) (uncredited) | |
| Aaron Rhodes | .... | compositing supervisor: The Orphanage (The Final Cut version) (uncredited) | |
| Christopher S. Ross | .... | miniature design and construction (uncredited) | |
| Jonathan Seay | .... | visual effects camera (uncredited) | |
| Carsten Sørensen | .... | senior staff: The Orphanage (The Final Cut version) (uncredited) | |
| Scott Squires | .... | visual displays: DQI (uncredited) | |
| Scott Stewart | .... | senior staff: The Orphanage (The Final Cut version) (uncredited) | |
| Bee Jin Tan | .... | rotoscope artist: The Orphanage (The Final Cut version) (uncredited) | |
| George Trimmer | .... | model maker (uncredited) | |
| Ryan Tudhope | .... | compositor: The Orphanage (The Final Cut version) (uncredited) | |
| Tiffany Wu | .... | roto/matchmove coordinator: The Orphanage (The Final Cut version) (uncredited) | |
| Hoyt Yeatman | .... | visual displays: DQI (uncredited) | |
Stunts | |||
| Gary Combs | .... | stunt coordinator | |
| Ray Bickel | .... | stunts (uncredited) | |
| Janet Brady | .... | stunts (uncredited) | |
| Diane Carter | .... | stunts (uncredited) | |
| Ann Chatterton | .... | stunts (uncredited) | |
| Gilbert B. Combs | .... | stunts (uncredited) | |
| Tony Cox | .... | stunts (uncredited) | |
| Rita Egleston | .... | stunts (uncredited) | |
| Gary Epper | .... | stunts (uncredited) | |
| Jeannie Epper | .... | stunts (uncredited) | |
| James M. Halty | .... | stunts (uncredited) | |
| Jeff Imada | .... | stunts (uncredited) | |
| Gary McLarty | .... | stunts (uncredited) | |
| Karen McLarty | .... | stunts (uncredited) | |
| Beth Nufer | .... | stunts (uncredited) | |
| Roy K. Ogata | .... | stunts (uncredited) | |
| Bobby Porter | .... | stunts (uncredited) | |
| Lee Pulford | .... | stunts (uncredited) | |
| Ruth A. Redfern | .... | stunts (uncredited) | |
| George Sawaya | .... | stunts (uncredited) | |
| Charles A. Tamburro | .... | stunts (uncredited) | |
| Jack Tyree | .... | stunts (uncredited) | |
| Mike Washlake | .... | stunts (uncredited) | |
| Michael Zurich | .... | stunts (uncredited) | |
Animation Department | |||
| John C. Wash | .... | animator (as John Wash) | |
Costume and Wardrobe Department | |||
| Winnie D. Brown | .... | costumer: women (as Winnie Brown) | |
| Bob E. Horn | .... | costumer: men (as Bobby E. Horn) | |
| James Lapidus | .... | costumer: men | |
| Linda Matthews | .... | costumer: women (as Linda A. Matthews) | |
| Jan Ferris | .... | designer/sculptor: jewelry and metalwork for costumes (uncredited) | |
| Jerry Herrin | .... | costumer supervisor: day crew (uncredited) | |
Editorial Department | |||
| Kurt P. Galvao | .... | restoration consultant | |
| Les Healey | .... | editor: Director's cut | |
| Terry Rawlings | .... | supervising editor | |
| R. William Zabala | .... | assistant editor (as William Zabala) | |
Music Department | |||
| Vangelis | .... | music arranger | |
| Vangelis | .... | music producer | |
| Ian Underwood | .... | musician: synthesizers (uncredited) | |
Transportation Department | |||
| Howard Brady Davidson | .... | transportation captain | |
| Mario Simon | .... | transportation (uncredited) | |
Other crew | |||
| Vickie Alper | .... | production coordinator | |
| Tom Cranham | .... | effects illustrator | |
| Bud Elam | .... | special engineering consultant | |
| Joyce Goldberg | .... | production office manager | |
| David Grafton | .... | special engineering consultant | |
| Katherine Haber | .... | production executive | |
| Jack Hinkle | .... | film coordinator | |
| Richard E. Hollander | .... | computer engineer (as Richard Hollander) | |
| Saul Kahan | .... | publicist | |
| Michael Knutsen | .... | craft service | |
| Gregory L. McMurry | .... | electronic engineer (as Greg McMurray) | |
| Virgil Mirano | .... | still lab | |
| Michael Neale | .... | location manager | |
| George Polkinghorne | .... | cinetechnician | |
| Ana Maria Quintana | .... | script supervisor (as Anna Maria Quintana) | |
| David Scharf | .... | electron microscope photography | |
| Charles A. Tamburro | .... | helicopter pilot | |
| Steve Warner | .... | production controller | |
| Evans Wetmore | .... | electronic and mechanical design | |
| Brian O. Haynes | .... | production assistant (uncredited) | |
| Jeffrey A. Humphreys | .... | studio utility (uncredited) | |
| Roland Kibbee | .... | voice-over engineer (uncredited) | |
| Nancy Ramey | .... | assistant accountant (uncredited) | |
| Jasmine Sabu | .... | horse trainer (final cut) (uncredited) | |
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What can be said about this film that hasn't already been covered in preceding decennia? Blade Runner (either version) stands the test of time as an epic story which transcends a disparity of genres, as well as the seminal "dark" sci-fi film which has been mimicked so frequently (to varying degrees of success) since its original release. The interplay of film noir, sci-fi, and what is one of the most philosophically symbolic and academically analyzed narratives of the modern era holds its ground on both visual and cerebral levels even in the face of today's CGI laden blockbusters. The new director's cut, contrary to many cinematic re-hashings, actually serves to clarify many of the more nebulous aspects of the plot and makes a great film even better, arguably allowing it to be modernized and polished for a new generation of viewers who are more picky and yet simultaneously less idealistic. All while sustaining the feeling and flavor of the original. Call it restorative work if you will. The tinny and meandering score by Vangelis is pure 1980s at its most brooding and fits the texture and mood of the film beautifully. Indeed, for many reasons, finding this film in someone's DVD collection makes a true statement about their discriminating and refined taste in movies, and equally their appreciation of film as an artistic medium. I would suggest picking up a reader by someone like Nietzsche, Foucualt, Descartes, Kierkegaard, or any of the great existentialist philosophers after viewing this film in order to appreciate the story & its concepts at a whole new level, regardless if you're watching it for either the 1st, or the 100th time. An enduring classic and an intrepid piece of film-making with rich & often haunting visuals designed to entertain and promote introspection amongst its viewers. 9/10.