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Directed by | |||
| Ridley Scott | |||
Writing credits | ||
| Hampton Fancher | (screenplay) and | |
| David Webb Peoples | (screenplay) (as David Peoples) | |
| Philip K. Dick | (novel "Do Androids Dream of Electric Sheep?") | |
Produced by | |||
| Charles de Lauzirika | .... | producer (2007 Final Cut version) | |
| Michael Deeley | .... | producer | |
| Hampton Fancher | .... | executive producer | |
| Brian Kelly | .... | executive producer | |
| Ivor Powell | .... | associate producer | |
| Paul Prischman | .... | associate producer (2007 Final Cut version) | |
| Jerry Perenchio | .... | co-executive producer (uncredited) | |
| Ridley Scott | .... | co-producer (uncredited) | |
| Run Run Shaw | .... | co-executive producer (uncredited) | |
| Bud Yorkin | .... | co-executive producer (uncredited) | |
Original Music by | |||
| Vangelis | |||
Cinematography by | |||
| Jordan Cronenweth | (director of photography) | ||
Film Editing by | |||
| Marsha Nakashima | |||
| Terry Rawlings | (supervising editor) | ||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Marci Liroff | (uncredited) | ||
Production Design by | |||
| Lawrence G. Paull | |||
Art Direction by | |||
| David L. Snyder | (as David Snyder) | ||
Set Decoration by | |||
| Linda DeScenna | |||
| Leslie McCarthy-Frankenheimer | (as Leslie Frankenheimer) | ||
| Thomas L. Roysden | (as Tom Roysden) | ||
| Peg Cummings | (uncredited) | ||
Costume Design by | |||
| Michael Kaplan | |||
| Charles Knode | |||
Makeup Department | |||
| Shirley Padgett | .... | hair stylist (as Shirley L. Padgett) | |
| Marvin G. Westmore | .... | makeup artist | |
| John Chambers | .... | prosthetic makeups (uncredited) | |
| Bridget O'Neill | .... | makeup artist: Joanna Cassidy (2007 Final Cut version) (uncredited) | |
Production Management | |||
| Alan Collis | .... | production manager | |
| C.O. Erickson | .... | executive in charge of production | |
| John W. Rogers | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director (as Newton Arnold) | |
| Morris Chapnick | .... | second assistant director | |
| Peter Cornberg | .... | first assistant director | |
| Donald Hauer | .... | second assistant director (as Don Hauer) | |
| Victoria E. Rhodes | .... | dga trainee (as Victoria Rhodes) | |
| Richard Peter Schroer | .... | second assistant director (as Richard Schroer) | |
Sound Department | |||
| Bud Alper | .... | sound mixer | |
| Gene Ashbrook | .... | boom operator (as Eugene Byron Ashbrook) | |
| Christopher Assells | .... | sound effects editor (2007 Final Cut version) | |
| Brydon Baker III | .... | cable person (as Beau Baker) | |
| Karen Baker Landers | .... | supervising sound editor (2007 Final Cut version) | |
| Peter Baldock | .... | assistant dialogue editor | |
| Ron Bartlett | .... | sound re-recording mixer (2007 Final Cut version) | |
| Dino Dimuro | .... | sound effects editor (2007 Final Cut version) (as Dino R. Dimuro) | |
| Joe Gallagher | .... | assistant sound editor | |
| Per Hallberg | .... | supervising sound editor (2007 Final Cut version) | |
| Graham V. Hartstone | .... | chief dubbing mixer | |
| Doug Hemphill | .... | sound re-recording mixer (2007 Final Cut version) (as D.M. Hemphill) | |
| Mike Hopkins | .... | dialogue editor (as Michael Hopkins) | |
| Gerry Humphreys | .... | chief dubbing mixer | |
| Mary Jo Lang | .... | foley mixer (2007 Final Cut version) (as Maryjo Lang) | |
| Alyson Dee Moore | .... | foley artist (2007 Final Cut version) (as Alyson Moore) | |
| Scott Morgan | .... | foley recordist (2007 Final Cut version) | |
| Philip D. Morrill | .... | assistant sound editor (2007 Final Cut version) | |
| Tony Negrete | .... | assistant sound editor (2007 Final Cut version) (as Tony R. Negrete) | |
| Peter Pennell | .... | sound editor | |
| John Roesch | .... | foley artist (2007 Final Cut version) | |
| Jon Title | .... | sound effects editor (2007 Final Cut version) | |
| Matt Vowles | .... | sound re-recording mixer: foreign language versions (foreign language versions) | |
| Joel Fein | .... | sound recording mixer (uncredited) | |
| John Hayward | .... | sound re-recording mixer (uncredited) | |
| Nicolas Le Messurier | .... | sound re-recording mixer (uncredited) | |
| Gordon K. McCallum | .... | sound mixer (uncredited) | |
Special Effects by | |||
| Greg Curtis | .... | special effects technician (as William G. Curtis) | |
| Logan Frazee | .... | special effects technician | |
| Terry D. Frazee | .... | special floor effects supervisor (as Terry Frazee) | |
| Steve Galich | .... | special effects technician | |
| Donald Myers | .... | special effects technician | |
| Robert Cole | .... | special effects action property foreman (uncredited) | |
| Robert DeVine | .... | special effects (uncredited) | |
| Ken Estes | .... | special effects foreman (uncredited) | |
| Scott Forbes | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Tim Angulo | .... | additional green screen photography: New Deal Studios (2007 Final Cut version) (as Timothy E. Angulo) | |
| Michael Backauskas | .... | assistant effects editor: EEG (as Michael Bakauskas) | |
| Robert D. Bailey | .... | matte photography: EEG (as Robert Bailey) | |
| Don Baker | .... | camera operator: EEG | |
| Philip Barberio | .... | optical line-up: EEG | |
| Jill Bogdanowicz | .... | digital restoration: Technicolor Digital Intermediates (2007 Final Cut version) | |
| Christian Boudman | .... | visual effects enhancement: SPI (2007 Final Cut version) | |
| Tom Burton | .... | digital restoration: Technicolor Digital Intermediates (2007 Final Cut version) | |
| Diane Caliva | .... | visual effects enhancement: The Orphanage (2007 Final Cut version) | |
| Charles Cowles | .... | camera operator: EEG | |
| Tom Cranham | .... | effects illustrator: EEG | |
| Lisa Deaner | .... | visual effects enhancement: SPI (2007 Final Cut version) | |
| Debbie Denise | .... | visual effects enhancement: SPI (2007 Final Cut version) | |
| David Dryer | .... | special photographic effects supervisor | |
| Syd Dutton | .... | visual effects enhancement: Illusion Arts (2007 Final Cut version) | |
| Bud Elam | .... | special engineering consultant: EEG | |
| Michael L. Fink | .... | action prop supervisor (as Mike Fink) | |
| Linda Fleisher | .... | action prop consultant | |
| Collin Fowler | .... | visual effects enhancement: Illusion Arts (2007 Final Cut version) | |
| Joyce Goldberg | .... | production office manager: EEG | |
| David Grafton | .... | special engineering consultant: EEG | |
| Robert Hall | .... | optical photography supervisor: EEG | |
| David R. Hardberger | .... | camera operator: EEG (as David Hardberger) | |
| Alan Harding | .... | special camera technician: EEG | |
| Jack Hinkle | .... | film coordinator: EEG | |
| Richard E. Hollander | .... | computer engineering: EEG (as Richard Hollander) | |
| Richard R. Hoover | .... | visual effects enhancement: SPI (2007 Final Cut version) | |
| Karen Krause | .... | digital restoration: Technicolor Digital Intermediates (2007 Final Cut version) | |
| Ronald Longo | .... | camera operator: EEG | |
| Fumi Mashimo | .... | visual effects enhancement: Illusion Arts (2007 Final Cut version) | |
| Tim McHugh | .... | camera operator: EEG (as Timothy McHugh) | |
| Kelvin McIlwain | .... | visual effects enhancement: Illusion Arts (2007 Final Cut version) | |
| Gregory L. McMurry | .... | electronic engineering: EEG (as Greg McMurray) | |
| Virgil Mirano | .... | still lab: EEG | |
| Thomas Nittmann | .... | visual effects enhancement: Lola Visual Effects (2007 Final Cut version) | |
| Luke O'Byrne | .... | visual effects enhancement: The Orphanage (2007 Final Cut version) | |
| Joshua Pines | .... | digital restoration: Technicolor Digital Intermediates (2007 Final Cut version) | |
| Thomas R. Polizzi | .... | digital restoration: Technicolor Digital Intermediates (2007 Final Cut version) (as Thom Polizzi) | |
| George Polkinghorne | .... | cinetechnician: EEG | |
| Gary Randall | .... | gaffer: EEG | |
| Richard Rippel | .... | optical line-up: EEG (as Richard Ripple) | |
| Jonathan Rothbart | .... | visual effects enhancement: The Orphanage (2007 Final Cut version) | |
| David Sanger | .... | additional green screen photography: New Deal Studios (2007 Final Cut version) | |
| Georgia Scheele | .... | visual effects coordinator (2007 Final Cut version) | |
| John Scheele | .... | visual effects supervisor (2007 Final Cut version) | |
| Robert Spurlock | .... | miniature technician: EEG (as Bob Spurlock) | |
| Mark Stetson | .... | chief model maker: EEG | |
| David K. Stewart | .... | director of photography: EEG (as Dave Stewart) | |
| Diana Stulic | .... | visual effects enhancement: SPI (2007 Final Cut version) (as Diana Stulic Ibanez) | |
| Catherine Sudolcan | .... | visual effects enhancement: Illusion Arts (2007 Final Cut version) | |
| Tama Takahashi | .... | matte photography: EEG | |
| David Takayama | .... | visual effects enhancement: SPI (2007 Final Cut version) | |
| Bill Taylor | .... | visual effects enhancement: Illusion Arts (2007 Final Cut version) | |
| Douglas Trumbull | .... | special photographic effects supervisor | |
| Patrick Van Auken | .... | key grip: EEG (as Pat Van Auken) | |
| James Warren | .... | digital restoration: Technicolor Digital Intermediates (2007 Final Cut version) | |
| John C. Wash | .... | animation and graphics: EEG (as John Wash) | |
| Evans Wetmore | .... | electronic and mechanical design: EEG | |
| Edson Williams | .... | visual effects enhancement: Lola Visual Effects (2007 Final Cut version) | |
| Matthew Yuricich | .... | matte artist: EEG | |
| Richard Yuricich | .... | special photographic effects supervisor | |
| Ryan Zuttermeister | .... | visual effects enhancement: Lola Visual Effects (2007 Final Cut version) | |
| Daphne Apellanes-Ackerson | .... | rotoscope artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| Thomas Baker | .... | motion control camera (uncredited) | |
| Dana Basinger | .... | film I/O coordinator: The Orphanage (2007 Final Cut version) (uncredited) | |
| Jerry Castro | .... | editorial supervisor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Craig Chandler | .... | optical effects (uncredited) | |
| Steve Cho | .... | lead compositor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Trent Claus | .... | digital compositor (2007 Final Cut version) (uncredited) | |
| Joe C. D'Amato | .... | resource manager: The Orphanage (2007 Final Cut version) (uncredited) | |
| Tim Dobbert | .... | matchmove supervisor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Rama Dunayevich | .... | public relations: The Orphanage (2007 Final Cut version) (uncredited) | |
| Leslie Ekker | .... | model maker (uncredited) | |
| Bill George | .... | miniature design and construction (uncredited) | |
| Rocco Gioffre | .... | matte artist (uncredited) | |
| Julieta Gleiser | .... | digital production manager: The Orphanage (2007 Final Cut version) (uncredited) | |
| Daniel Gloates | .... | senior staff: The Orphanage (2007 Final Cut version) (uncredited) | |
| Joanna Goldfarb | .... | post production supervisor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Monique Gougeon | .... | human resources: The Orphanage (2007 Final Cut version) (uncredited) | |
| Rich Grande | .... | rotoscope artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| Timothy Gross | .... | systems administration: The Orphanage (2007 Final Cut version) (uncredited) | |
| Martyn Hall | .... | visual effects (uncredited) | |
| Sunghwan Hong | .... | rotoscope artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| Jeffrey Jasper | .... | digital artist: New Deal Studios (2007 Final Cut version) (uncredited) | |
| Michelle Kater | .... | rotoscope artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| Bill Kent | .... | camera operator: special photographic effects (uncredited) | |
| Benjamin Kutsko | .... | Flame artist (2007 Final Cut version) (uncredited) | |
| Ivan Landau | .... | visual effects editor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Diana K. Lee | .... | roto/matchmove coordinator: The Orphanage (2007 Final Cut version) (uncredited) | |
| Soyoun Lee | .... | rotoscope artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| Stuart T. Maschwitz | .... | senior staff: The Orphanage (2007 Final Cut version) (uncredited) | |
| Michael McMillen | .... | model maker (uncredited) | |
| Dan McNamara | .... | senior staff: The Orphanage (2007 Final Cut version) (uncredited) | |
| Michele Moen | .... | matte artist: EEG (uncredited) | |
| Jarrod Nesbit | .... | visual effects coordinator: SPI (2007 Final Cut version) (uncredited) | |
| Brian Nugent | .... | Flame artist (2007 Final Cut version) (uncredited) | |
| Tom Pahk | .... | model maker (uncredited) | |
| Christine Peterson | .... | roto/paint artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| Aaron Rhodes | .... | compositing supervisor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Christopher S. Ross | .... | miniature design and construction (uncredited) | |
| Marc Sadeghi | .... | executive visual effects producer: The Orphanage (2007 Final Cut version) (uncredited) | |
| Jonathan Seay | .... | visual effects camera (uncredited) | |
| Scott Squires | .... | visual displays: DQI (uncredited) | |
| Scott Stewart | .... | senior staff: The Orphanage (2007 Final Cut version) (uncredited) | |
| Carsten Sørensen | .... | senior staff: The Orphanage (2007 Final Cut version) (uncredited) | |
| Bee Jin Tan | .... | rotoscope artist: The Orphanage (2007 Final Cut version) (uncredited) | |
| George Trimmer | .... | model maker (uncredited) | |
| Ryan Tudhope | .... | compositor: The Orphanage (2007 Final Cut version) (uncredited) | |
| Sean Wallitsch | .... | Flame artist (2007 Final Cut version) (uncredited) | |
| Tiffany Wu | .... | roto/matchmove coordinator: The Orphanage (2007 Final Cut version) (uncredited) | |
| Hoyt Yeatman | .... | visual displays: DQI (uncredited) | |
| Gene Young | .... | model construction (uncredited) | |
Costume and Wardrobe Department | |||
| Winnie D. Brown | .... | costumer: women (as Winnie Brown) | |
| Bob E. Horn | .... | costumer: men (as Bobby E. Horn) | |
| James Lapidus | .... | costumer: men | |
| Linda Matthews | .... | costumer: women (as Linda A. Matthews) | |
| Jan Ferris | .... | designer/sculptor: jewelry and metalwork for costumes (uncredited) | |
| Jerry Herrin | .... | costumer supervisor: day crew (uncredited) | |
Editorial Department | |||
| Les Healey | .... | first assistant editor | |
| Gillian L. Hutshing | .... | editor (2007 final cut version) (as Gillian Hutshing) | |
| Karen Rasch | .... | assistant editor (2007 final cut version) | |
| R. William Zabala | .... | assistant editor (as William Zabala) | |
| Peter Hollywood | .... | additional editing (uncredited) | |
Music Department | |||
| Gail Laughton | .... | composer: additional music | |
| Stephanie Lowry | .... | music editor (2007 Final Cut version) | |
| Vangelis | .... | music arranger | |
| Vangelis | .... | music producer | |
| Vangelis | .... | musician | |
Transportation Department | |||
| Howard Brady Davidson | .... | transportation captain (as Howard Davidson) | |
| Mario Simon | .... | transportation (uncredited) | |
Other crew | |||
| Vickie Alper | .... | production coordinator | |
| Katherine Haber | .... | production executive | |
| Linda Hess | .... | production assistant | |
| Saul Kahan | .... | publicist | |
| Michael Knutsen | .... | craft service | |
| Jerry Perenchio | .... | presenter | |
| Ana Maria Quintana | .... | script supervisor (as Anna Maria Quintana) | |
| David Scharf | .... | electron microscope photography | |
| Run Run Shaw | .... | presenter (as Sir Run Run Shaw) | |
| Steve Warner | .... | production controller | |
| Bud Yorkin | .... | presenter | |
| Susan Bliss | .... | post script services (uncredited) | |
| Brian O. Haynes | .... | production assistant (uncredited) | |
| Jeffrey A. Humphreys | .... | studio utility (uncredited) | |
| Roland Kibbee | .... | voice-over engineer (uncredited) | |
| Michael Neale | .... | location manager (uncredited) | |
| Nancy Ramey | .... | assistant accountant (uncredited) | |
| Jasmine Sabu | .... | horse trainer (uncredited) | |
| Charles A. Tamburro | .... | helicopter pilot (uncredited) | |
Thanks | |||
| William S. Burroughs | .... | thanks: for the use of the title "Blade Runner" | |
| Philip K. Dick | .... | dedicated to the memory of | |
| Ben Ford | .... | special thanks (2007 Final Cut version) (as Benjamin Ford) | |
| Rob Hummel | .... | special thanks (2007 Final Cut version) | |
| Jeffrey Jasper | .... | special thanks (2007 Final Cut version) | |
| Teresa Kelly | .... | special thanks (2007 Final Cut version) | |
| Alan Nourse | .... | thanks: for the use of the title "Blade Runner" (as Alan E. Nourse) | |
| John Yanez | .... | special thanks (2007 Final Cut version) | |
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What can be said about this film that hasn't already been covered in preceding decennia? Blade Runner (either version) stands the test of time as an epic story which transcends a disparity of genres, as well as the seminal "dark" sci-fi film which has been mimicked so frequently (to varying degrees of success) since its original release. The interplay of film noir, sci-fi, and what is one of the most philosophically symbolic and academically analyzed narratives of the modern era holds its ground on both visual and cerebral levels even in the face of today's CGI laden blockbusters. The new director's cut, contrary to many cinematic re-hashings, actually serves to clarify many of the more nebulous aspects of the plot and makes a great film even better, arguably allowing it to be modernized and polished for a new generation of viewers who are more picky and yet simultaneously less idealistic. All while sustaining the feeling and flavor of the original. Call it restorative work if you will. The tinny and meandering score by Vangelis is pure 1980s at its most brooding and fits the texture and mood of the film beautifully. Indeed, for many reasons, finding this film in someone's DVD collection makes a true statement about their discriminating and refined taste in movies, and equally their appreciation of film as an artistic medium. I would suggest picking up a reader by someone like Nietzsche, Foucualt, Descartes, Kierkegaard, or any of the great existentialist philosophers after viewing this film in order to appreciate the story & its concepts at a whole new level, regardless if you're watching it for either the 1st, or the 100th time. An enduring classic and an intrepid piece of film-making with rich & often haunting visuals designed to entertain and promote introspection amongst its viewers. 9/10.