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Blade Runner (1982)

 -  Sci-Fi | Thriller  -  25 June 1982 (USA)
8.2
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Ratings: 8.2/10 from 382,467 users   Metascore: 88/100
Reviews: 1,107 user | 261 critic | 10 from Metacritic.com

A blade runner must pursue and try to terminate four replicants who stole a ship in space and have returned to Earth to find their creator.

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(screenplay), (screenplay), 1 more credit »
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Title: Blade Runner (1982)

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Top 250 #137 | Nominated for 2 Oscars. Another 10 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
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John Edward Allen ...
Hy Pyke ...
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Storyline

In a cyberpunk vision of the future, man has developed the technology to create replicants, human clones used to serve in the colonies outside Earth but with fixed lifespans. In Los Angeles, 2019, Deckard is a Blade Runner, a cop who specializes in terminating replicants. Originally in retirement, he is forced to re-enter the force when four replicants escape from an off-world colony to Earth. Written by Graeme Roy <gsr@cbmamiga.demon.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Man Has Made His Match... Now It's His Problem See more »

Genres:

Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Release Date:

25 June 1982 (USA)  »

Also Known As:

Dangerous Days  »

Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend:

$6,150,002 (USA) (25 June 1982)

Gross:

$27,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When we first see Deckard driving his sedan, it's raining but the windscreen wipers are not switched on. This was because the wipers on the stage prop were not working. See more »

Goofs

When we see Zhora getting dressed after her shower, her boots have high heels. However when Deckard is chasing her the heels are flat. This is most obvious when she rolls over after he shoots her. See more »

Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »

Crazy Credits

In the "happy ending" Theatrical/International cuts, the credits play over the gorgeous scenery. In later Director/Final cuts, they play over a normal black background. See more »

Connections

Referenced in Spitfire (1995) See more »

Soundtracks

Harps of the Ancient Temples
Composed by Gail Laughton
Performed by Gail Laughton
Courtesy of Laurel Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Last Great Noir
10 February 2007 | by (Phoenix, AZ, United States) – See all my reviews

This is a film that is so deep, rich, and multi-layered, it may require more than one viewing to fully absorb the brilliance of what you've just seen. At first glance, it can be a bit slow. It's told in a classic film noir fashion, so this is to be expected. Director Ridley Scott seems to want to savor every shot, and an astute audience will be able to sense this.

Now, I say the film is told in a classic Noir style, but this can be misleading. There is no Humphrey Bogart in Blade Runner, snapping off brilliant one-liners once a second. Only hopeless people, in many ways victims of the merciless world of which they are all a part. Deckard is a typically downbeat protagonist, a hard-boiled cynical leading man with a weakness for heavy drinking. The plot is a mystery in name only, as the audience is allowed to know what Roy Batty, Pris and Leon are all up to before Deckard ever finds out. This only lends to the dread and inevitability of the film, lending further to its pervasive gloom. There is no final scene at the end where the bold detective puts all the pieces together and says "Ah-Ha!". Instead, we find Rick Deckard questioning his own existence and drinking away his constant doubts, all the while embroiled in a romantic relationship with someone he's sworn to kill.

Blade Runner requires audience participation, particularly in the Director's Cut, which is entirely devoid of some rather necessary exposition provided by the Original Cut's much-maligned voice-over. Certain facts will not be clear even at the end of the film, requiring personal interpretation in order to be appreciated fully. Other facts will be given away in much more subtle ways than in most modern cinema, such as through visual cues and tenuous dialogue.

Finally, visually, this movie is quite simply a science fiction triumph. It looks better than modern computer effects in every way that counts. Superimposed special effect objects don't give off that unnatural, clearly computer-generated "Lord of the Rings" sheen common in today's effects-driven blockbusters. This, of course, is because Blade Runner - while a gorgeous movie - is not effects driven in the least. Rather, it is a visually driven story that doesn't rely on special effects. This is an important distinction to make in today's Hollywood.

"Touch of Evil" really wasn't the last of the Great Film Noirs!


140 of 192 people found this review helpful.  Was this review helpful to you?

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Anyone else disliked this movie after first watching? DarkKnight93
Interesting Podcast Discussion Zuk-benjamin
I'm seeing it on the big screen on Dec 14th in the U.K. !!!!!!!! JeremyBeadlesHand
confused vrad85
Gaff... cauteruccim1
Whether Deckard is a replicant is irrelevant rooee
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