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Blade Runner (1982)

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A blade runner must pursue and try to terminate four replicants who stole a ship in space and have returned to Earth to find their creator.

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(screenplay), (screenplay) (as David Peoples) | 1 more credit »
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487 ( 120)
Top Rated Movies #138 | Nominated for 2 Oscars. Another 11 wins & 16 nominations. See more awards »

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Cast

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John Edward Allen ...
Hy Pyke ...
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Storyline

In the futuristic year of 2019, Los Angeles has become a dark and depressing metropolis, filled with urban decay. Rick Deckard, an ex-cop, is a "Blade Runner". Blade runners are people assigned to assassinate "replicants". The replicants are androids that look like real human beings. When four replicants commit a bloody mutiny on the Off World colony, Deckard is called out of retirement to track down the androids. As he tracks the replicants, eliminating them one by one, he soon comes across another replicant, Rachel, who evokes human emotion, despite the fact that she's a replicant herself. As Deckard closes in on the leader of the replicant group, his true hatred toward artificial intelligence makes him question his own identity in this future world, including what's human and what's not human. Written by blazesnakes9

Plot Summary | Plot Synopsis

Taglines:

The original cut of the futuristic adventure. [Director's Cut] See more »

Genres:

Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

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Details

Country:

| |

Release Date:

25 June 1982 (USA)  »

Also Known As:

Dangerous Days  »

Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend:

$6,150,002 (USA) (25 June 1982)

Gross:

$27,000,000 (USA)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Daryl Hannah's make up was inspired by the titular character in Nosferatu the Vampyre (1979). See more »

Goofs

Support cables for spinner are clearly visible in the shot where Deckard and Gaff take off after Gaff has told Deckard that Bryant wants to see him (corrected in the 2007 "Final Cut" of the movie; the wires have been digitally removed). See more »

Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »

Crazy Credits

In the "happy ending" Theatrical/International cuts, the credits play over the gorgeous scenery. In later Director/Final cuts, they play over a normal black background. See more »

Connections

Referenced in Corey Hart: Boy in the Box (1985) See more »

Soundtracks

Harps of the Ancient Temples
Composed by Gail Laughton
Performed by Gail Laughton
Courtesy of Laurel Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A glorious, timeless nightmare
25 July 2006 | by (Sweden) – See all my reviews

Dark, deep, uncertain, unsettling – imagine the most beautiful nightmare you've ever had – this is Blade Runner (1982).

Ridley Scott's Blade Runner is a brilliantly crafted science fiction film that not only touches upon, but bravely plunges into deep philosophical questions, making it simply ten times more important than any film of its genre. I love it not only for the initial feeling it gives, but because of its perseverance – none of the visuals, themes or technology feel dated but as deep, gripping and current as ever. It is timeless beauty with huge doses of emotion.

Set in 2019 Los Angeles, Blade Runner zooms in on the eerily-lit, urban streets of the city and follows Richard Deckard – superbly played by Harrison Ford who brings an exquisite moral ambiguity to his character – a special policeman who tracks down and terminates artificially-created humans called replicants, who have escaped from an Off-World colony and made their way to earth and need to be stopped. The things Deckard encounters on his detective journey raise many philosophical questions like: Who is really a replicant? Are replicants really bad? If replicants are bad, when why did we go to such lengths with our technology to create them? Are replicants really humans? Is Deckard a hero? This truly is a film that demands subsequent discussion and its ambiguous ending leave a haunting and eerie feeling.

In spite of a rich glaze of science fiction and futurism coating this adventure, there are distinct film noir elements present – primarily in the bluish haze that the film is seen through and its gritty urban atmosphere. Whoever thought of this combination is a genius. Since it is all about technology, it fits then that Blade Runner features a ridiculous amount of product placement, especially from Atari. In any other film, this would have felt out-of-place but here it is simply perfect. The score by Vangelis is strangely gripping when combined with the striking cinematography of the film.

Blade Runner deserves credit, celebration and remembrance for it is simply an excellent film.

10 out of 10 (and I don't just throw this grade out like SOME people)


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