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Blade Runner (1982)

A blade runner must pursue and try to terminate four replicants who stole a ship in space and have returned to Earth to find their creator.

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(screenplay), (screenplay) (as David Peoples) | 1 more credit »
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Check out our side-by-side comparison of the Blade Runner 2049 trailer with scenes from the original Blade Runner. Plus, take a look at Harrison Ford's career in photos.

Top Rated Movies #139 | Nominated for 2 Oscars. Another 11 wins & 16 nominations. See more awards »

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Cast

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John Edward Allen ...
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Storyline

In the futuristic year of 2019, Los Angeles has become a dark and depressing metropolis, filled with urban decay. Rick Deckard, an ex-cop, is a "Blade Runner". Blade runners are people assigned to assassinate "replicants". The replicants are androids that look like real human beings. When four replicants commit a bloody mutiny on the Off World colony, Deckard is called out of retirement to track down the androids. As he tracks the replicants, eliminating them one by one, he soon comes across another replicant, Rachel, who evokes human emotion, despite the fact that she's a replicant herself. As Deckard closes in on the leader of the replicant group, his true hatred toward artificial intelligence makes him question his own identity in this future world, including what's human and what's not human. Written by blazesnakes9

Plot Summary | Plot Synopsis

Taglines:

A Futuristic Vision Perfected [2007 Final Cut] See more »

Genres:

Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

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Details

Country:

| |

Release Date:

25 June 1982 (USA)  »

Also Known As:

Dangerous Days  »

Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend:

$6,150,002 (USA) (25 June 1982)

Gross:

$27,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Workprint Version)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Although for many years Harrison Ford refused to talk about the film, he did contribute to the 2007 DVD documentary Dangerous Days: Making Blade Runner (2007), claiming he has reconciled with Ridley Scott and made his peace with the film. In fact, Ford says the thing he remembers most is not the grueling shoot or the arguments with his director, but being forced to record the voiceover which executive producers Jerry Perenchio and Bud Yorkin insisted be in the film. Ford doesn't actually mention any names, but in discussing the voiceover which was used in the theatrical cut, he says it was written by "clowns". In actual fact, Darryl Ponicsan was initially hired to write it, but his version was tossed out. Then Roland Kibbee was hired and his version is the one that was used. According to David Peoples and Hampton Fancher, who had become close friends, when they first saw the film, they each thought the other had written it, and despite the fact that they both hated it, they told one another they loved it for fear of insulting the other's feelings. See more »

Goofs

During the interview with Leon at the start, Holden says to Leon, "Shall we continue?" Later on, when Deckard is listening to the playback, you hear Holden saying, "Let's continue, shall we?" See more »

Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »

Crazy Credits

The opening credits sequence features a detailed, dictionary-style definition of the word Replicant. See more »

Connections

Referenced in Red Cockroaches (2003) See more »

Soundtracks

Search For Clues
(uncredited)
By James Horner
[Workprint Cut only)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A glorious, timeless nightmare
25 July 2006 | by (Sweden) – See all my reviews

Dark, deep, uncertain, unsettling – imagine the most beautiful nightmare you've ever had – this is Blade Runner (1982).

Ridley Scott's Blade Runner is a brilliantly crafted science fiction film that not only touches upon, but bravely plunges into deep philosophical questions, making it simply ten times more important than any film of its genre. I love it not only for the initial feeling it gives, but because of its perseverance – none of the visuals, themes or technology feel dated but as deep, gripping and current as ever. It is timeless beauty with huge doses of emotion.

Set in 2019 Los Angeles, Blade Runner zooms in on the eerily-lit, urban streets of the city and follows Richard Deckard – superbly played by Harrison Ford who brings an exquisite moral ambiguity to his character – a special policeman who tracks down and terminates artificially-created humans called replicants, who have escaped from an Off-World colony and made their way to earth and need to be stopped. The things Deckard encounters on his detective journey raise many philosophical questions like: Who is really a replicant? Are replicants really bad? If replicants are bad, when why did we go to such lengths with our technology to create them? Are replicants really humans? Is Deckard a hero? This truly is a film that demands subsequent discussion and its ambiguous ending leave a haunting and eerie feeling.

In spite of a rich glaze of science fiction and futurism coating this adventure, there are distinct film noir elements present – primarily in the bluish haze that the film is seen through and its gritty urban atmosphere. Whoever thought of this combination is a genius. Since it is all about technology, it fits then that Blade Runner features a ridiculous amount of product placement, especially from Atari. In any other film, this would have felt out-of-place but here it is simply perfect. The score by Vangelis is strangely gripping when combined with the striking cinematography of the film.

Blade Runner deserves credit, celebration and remembrance for it is simply an excellent film.

10 out of 10 (and I don't just throw this grade out like SOME people)


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