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After a space merchant vessel perceives an unknown transmission as distress call, their landing on the source moon finds one of the crew attacked by a mysterious lifeform. Continuing their journey back to Earth with the attacked crew having recovered and the critter deceased, they soon realize that its life cycle has merely begun.
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
In future Britain, Alex DeLarge, a charismatic and psycopath delinquent, who likes to practice crimes and ultra-violence with his gang, is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the galaxy from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
In the futuristic year of 2019, Los Angeles has become a dark and depressing metropolis, filled with urban decay. Rick Deckard, an ex-cop, is a "Blade Runner". Blade runners are people assigned to assassinate "replicants". The replicants are androids that look like real human beings. When four replicants commit a bloody mutiny on the Off World colony, Deckard is called out of retirement to track down the androids. As he tracks the replicants, eliminating them one by one, he soon comes across another replicant, Rachel, who evokes human emotion, despite the fact that she's a replicant herself. As Deckard closes in on the leader of the replicant group, his true hatred toward artificial intelligence makes him question his own identity in this future world, including what's human and what's not human. Written by
It is often claimed by fans that the moves Roy plays to checkmate Tyrell are from a famous game played in 1851 between Adolf Anderssen and Lionel Kieseritzky, known as "The Immortal Game". In the real game, Anderssen did actually sacrifice his Queen in order to force checkmate in very next move. However, Ridley Scott has stated that any similarities to the real game in the movie game were purely coincidental. In any case, the position of the pieces on Sebastian's board do not correspond with the positions on Tyrell's board. See more »
When Deckard finds Zhora in the back room of the photograph, and zooms in on her face, the person he sees is clearly not Joanna Cassidy (the actress who plays Zhora). Additionally, when he prints out the close up of her face, the hard copy is at a completely different angle to the image on screen. The first goof was corrected in the 2007 Final Cut; the image on screen is now that of Cassidy. The second goof however remains. See more »
Female announcer over intercom:
Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
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The opening credits sequence features a detailed, dictionary-style definition of the word Replicant. See more »
I have an interest in science fiction films and TV programmes. I like shows like (the original) Star Wars trilogy, (most of) the Star Trek films, as well as Star Trek TV series (Voyager for modern times,preferably, as it had the least number of useless episodes), etc. In my experience, most SF material turns out to be distilled garbage. Kubrick's '2001: A Space Odyssey' was a masterpiece. I am not hesitant to say that I blatantly dislike Spielberg's definition of SF- ET, Close Encounters, & (worst of all) War Of The Worlds. Neither do I appreciate any 'Alien' film apart from R Scott's 1979 original (although Alien2 was OK)-Alien vs Pred is a disgrace not only to all genres, but to the film industry itself. So when I heard of Blade Runner on the net, I wondered; what could be so good about this film? I have HBO,Cinemax, Star Movies- yet this film has never been shown. So, I got myself the Director's Cut at the local video store. I watched it once. Then I re-watched it two days later. My verdict: This film is fantastic.
It is one of the greatest films ever made, on par with 2001: A Space Odyssey. Upon 1st viewing, new audiences may be bewildered. One anticipates a futuristic run-of-the-mill 80's shoot-em-up (in the like of Outland,say). What you get is a film so deep that it is difficult to grasp the 1st time. There is so much symbolism, introverts and questions that I was left stunned. The film is hauntingly beautiful, and I doubt that these screen landscapes could be reproduced today as well as they were here. The plot centres around the question of humanity- something we take for granted. It is not an auctioneer, which was probably what audiences expected when they walked into theatres in the 80s, causing the film to fail commercially. Blade Runner is not for the adrenaline junkie, nor for those who like flashy gadgets and bright explosions, with a healthy Hollywood-made dose of convincing storyline spoon-fed for their satisfaction.
The film is set in the apocalyptic, suggestively post-war future Earth, where there seems to be a lag in technology. Perhaps there was a war which ravaged the world, forcing humans to migrate (the cramped cultural richness of LA), and rebuild, explaining the retro technology. 6 'Criminal' Nexus 6 replicates (genetically engineered humanoids), hijack a ship and come to Earth seeking their maker. These slaves(machines/automatons// regard them as anything which has been created by Man to lessen his burden) have developed emotions, and they fear death for they cherish their memories (Think robots weeping over photographs). Their cause: They want a longer life, they want to experience more, they want to be... human.
Enter Rick Deckard, Blade Runner. His job: kill trespassing replicates; Kill living, breathing humanoids composed of flesh and blood who only have 4 years to live out their miserable lives, seeking haven on Earth rather than serving as slaves in mining outposts on Mars. Kill? Murder seems more appropriate. But that's his job. replicates which trespass are a hazard. These 6 replicates have killed 23 people and hijacked a ship. They have to be killed, right? If you're planning to take sides in this film, you will be pleasantly if not unnervingly surprised. There are no sides. There is no good and evil. Harrison Ford plays the reluctant, burned out Blade Runner very well. His character is drab and dull, as it was meant to be; look at him in the Spinner on the way to Tyrell corporation- pure boredom. He hates his job. If there were any narration, it Should sound dull and uninteresting, reflecting his character. Rutger Hauer gives the greatest performance of his career (so far) in this film, playing Roy Batty, Replicant 'project manager'. He dominates the later part of the film. He is cold, stiff and evil, but in the end speech, one of the Greatest endings I have ever seen, his performance alone makes this film a Classic. The ending is beautiful, and the score by Vangelis is perfect.
All in all, the film is excellent. Well directed by Ridley Scott, innovative and stunning imagery underlined by Vangelis' superb score, and plenty to think about (on your own- no spoon feeding). Check out the trivia for this film; scientists voted it better than 2001:A Space Odyssey. Is the quest for humanity a crime? Find out for yourself. Blade Runner is a Must-Watch, and a Must-Have film.
My rating: 8.9 / 10 Thank you for your time. Kris
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