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Blade Runner (1982)

R  |   |  Sci-Fi, Thriller  |  25 June 1982 (USA)
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Ratings: 8.2/10 from 430,431 users   Metascore: 88/100
Reviews: 1,144 user | 292 critic | 10 from Metacritic.com

A blade runner must pursue and try to terminate four replicants who stole a ship in space and have returned to Earth to find their creator.



(screenplay), (screenplay) (as David Peoples) , 1 more credit »
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Top Rated Movies #133 | Nominated for 2 Oscars. Another 10 wins & 16 nominations. See more awards »



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Cast overview, first billed only:
Kevin Thompson ...
John Edward Allen ...
Hy Pyke ...


In a cyberpunk vision of the future, man has developed the technology to create replicants, human clones used to serve in the colonies outside Earth but with fixed lifespans. In Los Angeles, 2019, Deckard is a Blade Runner, a cop who specializes in terminating replicants. Originally in retirement, he is forced to re-enter the force when four replicants escape from an off-world colony to Earth. Written by Graeme Roy <gsr@cbmamiga.demon.co.uk>

Plot Summary | Plot Synopsis


A chilling, bold, mesmerizing, futuristic detective thriller. See more »


Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:




| |

Release Date:

25 June 1982 (USA)  »

Also Known As:

Dangerous Days  »

Box Office


$28,000,000 (estimated)

Opening Weekend:

$6,150,002 (USA) (25 June 1982)


$27,000,000 (USA)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(70 mm prints)| (35 mm prints)



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


When we first see Deckard driving his sedan, it's raining but the windscreen wipers are not switched on. This was because the wipers on the stage prop were not working. See more »


When Deckard and Bryant are reviewing the video from Leon's VK empathy test, the dialogue between Leon and Holden is not as fast as it was in the original scene. In addition, Leon is heard to say "Uh..." prior to identifying his hotel room number, which he does not do in the earlier version of the scene. See more »


[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »

Crazy Credits

The opening credits sequence features a detailed, dictionary-style definition of the word Replicant. See more »


Spoofed in Space Quest 6: The Spinal Frontier (1995) See more »


One More Kiss Dear
Written by Peter Skellern
Performed by Vangelis
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The Last Great Noir
10 February 2007 | by (Phoenix, AZ, United States) – See all my reviews

This is a film that is so deep, rich, and multi-layered, it may require more than one viewing to fully absorb the brilliance of what you've just seen. At first glance, it can be a bit slow. It's told in a classic film noir fashion, so this is to be expected. Director Ridley Scott seems to want to savor every shot, and an astute audience will be able to sense this.

Now, I say the film is told in a classic Noir style, but this can be misleading. There is no Humphrey Bogart in Blade Runner, snapping off brilliant one-liners once a second. Only hopeless people, in many ways victims of the merciless world of which they are all a part. Deckard is a typically downbeat protagonist, a hard-boiled cynical leading man with a weakness for heavy drinking. The plot is a mystery in name only, as the audience is allowed to know what Roy Batty, Pris and Leon are all up to before Deckard ever finds out. This only lends to the dread and inevitability of the film, lending further to its pervasive gloom. There is no final scene at the end where the bold detective puts all the pieces together and says "Ah-Ha!". Instead, we find Rick Deckard questioning his own existence and drinking away his constant doubts, all the while embroiled in a romantic relationship with someone he's sworn to kill.

Blade Runner requires audience participation, particularly in the Director's Cut, which is entirely devoid of some rather necessary exposition provided by the Original Cut's much-maligned voice-over. Certain facts will not be clear even at the end of the film, requiring personal interpretation in order to be appreciated fully. Other facts will be given away in much more subtle ways than in most modern cinema, such as through visual cues and tenuous dialogue.

Finally, visually, this movie is quite simply a science fiction triumph. It looks better than modern computer effects in every way that counts. Superimposed special effect objects don't give off that unnatural, clearly computer-generated "Lord of the Rings" sheen common in today's effects-driven blockbusters. This, of course, is because Blade Runner - while a gorgeous movie - is not effects driven in the least. Rather, it is a visually driven story that doesn't rely on special effects. This is an important distinction to make in today's Hollywood.

"Touch of Evil" really wasn't the last of the Great Film Noirs!

155 of 218 people found this review helpful.  Was this review helpful to you?

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