Before he died, Dar's father gave a mysterious amulet to Tal, Dar's younger brother who is now king. Dar, while wandering with his animal companions, chances to meet and rescue a family who... See full summary »
A mercenary with a three-bladed sword rediscovers his royal heritage's dangerous future when he is recruited to help a princess foil the designs of a brutal tyrant and a powerful sorcerer in conquering a land.
Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for ... See full summary »
Dar, the son of a king, is hunted by a priest after his birth, so he is sent to grow up in another family. When he becomes a grown man, his new father is murdered by savages. He discovers that he has the ability to communicate with the animals, and after that, Dar begins his quest for revenge in this Conan-like movie. Written by
Chris Makrozahopoulos <email@example.com>
The film originally started shooting with anamorphic lenses, but cinematographer John Alcott switched to spherical lenses early on because he did not think anamorphic gave him the sharpness and depth of field he wanted. The anamorphic footage - young Dar's encounter with the bear in the forest - was later cropped to match the 1.85:1 final aspect ratio of the spherical footage. See more »
In the river-ferry sequence when Kiri is wrapping the rope around the water filled jugs, the rope is on the outside of her body "trapping" her between it and the water. In the next shot, the rope is behind her so that she is no longer "trapped" See more »
Will you help us to free my father?
Send your cousin over to ask me.
[Tal whispers to Kiri, who smiles knowingly before going to Dar]
What can I do to convince you to help us?
I'm very busy. The rescue will take some time. I...
[Kiri smiles and leans over, kissing Dar]
I think he's gonna help us.
I have a feeling he might.
See more »
If you want action, excitement, and tons of fun; look no further!
Come on, its BEASTMASTER! How can you deny that this movie is one of the top movies in the eighties pantheon of excellent trash. I mean so much stuff happens in this movie and you are never left wondering what is going on. Every move is perfectly placed and paced. Marc Singer is perfectly cast as Dar. He has a legendary physique in this move, and some shots look like a Boris Vallejo painting. Tanya Roberts is perfect as his feminine foil. Jon Amos, bad ass. Rip Torn does a magnificent job as MAAX. The Deathguards, those guys running around like gorillas with spiked gloves, truly frightening. Then you have the tree people, the acid bat guys, come on what could be cooler. Though above all I have to give it up for the animals in this picture. The animals take the cake, the ferrets, the tiger, and falcon, are majestic creatures of beauty that often surpass the actors in finding moments of true beauty and comedy. Better than Conan, Beastmaster taps the main vein of the seventies fantasy feel in every way imaginable.
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