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Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father's will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them. Written by
Jim Beaver <firstname.lastname@example.org>
Barbarosa is one of the best westerns ever made. The subject here is myth and the people who become mythic heroes. Barbarosa is, on the one hand, a legendary bandit and, on the other, an ordinary Texan who steals for a living: "Cattle, horses...Anything except sheep. You couldn't give me one of those wooly bastards." A young man on the run becomes Barbarosa's companion, then his acolyte. Both men are looking for a place in the world and the role they find is that of outlaw hero, players in a mythic drama that gives them meaning. The myth is that of the Outlaw Lover ( as in Hughes' The Outlaw or Brando's One-Eyed Jacks ) and both Nelson and Busey play their roles to perfection. The directing is excellent and the dialogue nigh perfect -- a great western! A swell movie!
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