| Isabelle Adjani | ... | Antonieta Rivas Mercado | |
| Hanna Schygulla | ... | Anna | |
| Ignacio López Tarso | ... | Vargas | |
| Carlos Bracho | ... | José Vasconcelos | |
| Gonzalo Vega | ... | Manuel Rodriguez Lozano | |
| Bruno Rey | ... | Alvaro Obregon | |
| Fernando Balzaretti | ... | Secretario Vasconcelos | |
| Víctor Junco | ... | Portirio Diaz | |
| Víctor Alcocer | ... | Orado | |
| Narciso Busquets | ... | Arq, Rivas Mercado | |
| José Lavat | ... | Esposo, Antonieta's Husband | |
| Héctor Alterio | ... | Leon | |
| María Montaño | ... | Carmen Mondragon | |
| Fernando Palavicini | ... | Amigo Vasconcelos | |
| Enrique Beraza | ... | Assistente Vasconcelos | |
| Hector Noe | ... | Assistente Vasconcelos | |
| Martín Brek | ... | Assistente Vasconcelos (as Martin Breck) | |
| Gerardo Moscoso | ... | Cura Cistero | |
| Gustavo Ganem | ... | Leon Toral | |
| Miguel Ángel Rodríguez | ... | Official (as Miguel Angel Rodriguez) | |
| Oliverio Ortega | ... | Vargar Joven | |
| Erika Carlsson | ... | Norteamericana | |
| Sebastian Ligarde | ... | Esposo Norteamericano | |
| George Belanger | ... | Lloyd | |
| Jorge Fegán | ... | Gerente Hotel (as Jorge Fegan) | |
| Gerardo Vigil | ... | Actor Obra | |
| Tere Cornejo | ... | Madre Conchita (as Teresa Cornejo) | |
| Sabina Riva | ... | Institutriz | |
| Alfredo Rosas | ... | Empleado | |
| Roberto Ruy | ... | Hombre Ascensor | |
| Sandra Ivette Sanchez Parra | ... | Antonieta Niona | |
| Miguel Rosas | ... | Campesino | |
| José Luis Trejo | ... | Campesino (as Jose Luis Trejo) | |
| Inés Murillo | ... | Campesina (as Ines Murillo) | |
| Jaime Puga | ... | Secretario | |
| Surya MacGregor | ... | Tangueria (as Suria MacGregor) | |
| Fernando Manzano | ... | Empleado | |
| Isabel Murillo | ... | Srvicia | |
| rest of cast listed alphabetically: | |||
| Carina Barone | ... | (uncredited) | |
| Diana Bracho | ... | Juana (uncredited) | |
| Edward Clark | ... | (uncredited) | |
| Sylvie Favre | ... | (uncredited) | |
| Jorge G. Hahn | ... | Extra (uncredited) | |
| Harry Kopoian | ... | Dinner Member (uncredited) | |
| Guy Louret | ... | (uncredited) | |
| Diego Luna | ... | (uncredited) | |
| Martha Luna | ... | (uncredited) | |
| Berenice Manjarrez | ... | Antonieta's sister (uncredited) | |
| François Marthouret | ... | (uncredited) | |
| Claude Merlin | ... | (uncredited) | |
| Guylène Péan | ... | (uncredited) | |
| Cecilia Toussaint | ... | (uncredited) | |
| Eugenio Zavala | ... | (uncredited) | |
| Enrique Esteban Zepeda V. | ... | Extra (uncredited) | |
Directed by | |||
| Carlos Saura | |||
Writing credits(in alphabetical order) | ||
| Jean-Claude Carrière | screenplay | |
| Jean-Claude Carrière | story | |
| Andrés Henestrosa | novel | |
| Antonieta Rivas Mercado | book | |
| Carlos Saura | story | |
Produced by | |||
| Pablo Buelna | .... | producer | |
| Benjamin Kruk | .... | producer | |
| Samuel Menkes | .... | producer | |
| Alain Poiré | .... | producer | |
| Nicolas Seydoux | .... | producer | |
Original Music by | |||
| José Antonio Zavala | |||
Cinematography by | |||
| Teo Escamilla | |||
Film Editing by | |||
| Pablo González del Amo | |||
Casting by | |||
| Miguel Ángel Garrido | (as Miguel Angel Garrido) | ||
Art Direction by | |||
| Kleomenes Stamatiades | |||
Set Decoration by | |||
| Bénédict Beaugé | (as Benedict Beauge) | ||
| José Tirado | (as Jose Tirado) | ||
Costume Design by | |||
| Fiona Alexander | |||
Makeup Department | |||
| Jean-Max Guérin | .... | wig maker (as Jean Max Guerin) | |
| Esperanza Gómez | .... | hair stylist (as Esperanza Gomez) | |
| Francisco Jaramillo | .... | wig maker | |
| Elda Loza | .... | makeup artist | |
| Éliane Marcus | .... | makeup artist (as Eliane Marcus) | |
Production Management | |||
| Ricardo Bonilla | .... | production manager | |
| Thierry Nahon | .... | production manager | |
| Armando Solís | .... | production manager (as Armando Solis) | |
Second Unit Director or Assistant Director | |||
| Víctor Albarrán | .... | first assistant director (as Victor Manuel Albarran) | |
| Javier Carreño | .... | assistant director | |
| Jean-Louis Piel | .... | assistant director (as Jean Louis Piel) | |
Sound Department | |||
| Roberto Camacho | .... | sound operator | |
| Jesús Carrasco | .... | boom operator (as Jesus Carrasco) | |
| Jesús Sánchez | .... | sound assistant (as Jesus Sanchez) | |
Special Effects by | |||
| Federico Farfán | .... | special effects (as Federico Farfan) | |
| André Trielli | .... | special effects (as Andre Trielli) | |
Camera and Electrical Department | |||
| Damián Beltrán | .... | assistant camera (as Damian Beltran) | |
| Gabriel Castro | .... | gaffer | |
| Teo Escamilla | .... | camera operator | |
| Jean-Yves Freess | .... | grip | |
| Alfredo Ruvalcaba | .... | still photographer (as Alfredo Ruvalcaba) | |
| Pablo Ríos | .... | assistant camera (as Pablo Rios) | |
| Manuel Santaella | .... | camera operator | |
Costume and Wardrobe Department | |||
| Enedina Bernal | .... | wardrobe | |
Other crew | |||
| Danièle Desouches | .... | script supervisor (as Danielle Desouches) | |
| Luis Gaytán | .... | script supervisor (as Luis Gaytan) | |
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| Isadora | The Best of Youth | Munich | Little Ashes | Sunshine |
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| Full cast and crew | Company credits | IMDb Biography section |
| IMDb France section |
A rare dud by Saura. A French psychologist (Fassbinder regular Hanna Schygulla) is researching female suicide and travels to Mexico to study the life of Antonieta Rivas Mercado (Isabella Adjani), a writer and political activist who shot herself in Notre Dame. This wasn't Saura's project, he basically did it as a director-for-hire, and there's little to no passion in it. Very uneventful and dull, a lot of political information but not much insight into Antonieta's interior life. We get a sense of why she's important to Mexican culture, but not why she's a character worth spending time with. The few interesting moments (particularly when Schygulla "meets" Adjani) are overwhelmed by dry biographical data, with Adjani pretty much sleepwalking through the role. It didn't help that the DVD was wretched, clearly transferred from a VHS source, and a poor one at that.