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Annie (1982) Poster

(1982)

Trivia

This movie took two years to produce, had a budget over US $35 million and utilized over 1,900 production personnel.
Jump to: Cameo (1) | Director Cameo (1)
Steve Martin was offered the role of Rooster. He turned it down when he heard he would be working alongside Bernadette Peters. They were breaking up at the time, and Steve felt it would be too painful to work with her for several months.
Drew Barrymore auditioned for the role of Annie.
The lines "Goddamn it!" and "Come back here ya Goddamned kid!" were included specifically to get a PG rating. The studio believed only parents with small children would see a G-rated live-action movie.
Kristin Chenoweth auditioned for Annie, but was turned down because of her thick Southern accent. She later went on to play Lilly St. Regis in Annie (1999).
Production designer Dale Hennesy died in the middle of production. Gene Callahan agreed to finish the film, but refused to have his name listed in the credits, giving the credit to the late Dale Hennesy.
Aileen Quinn's red curly wig was so itchy that the producers gave her a special comb for scratching her head.
Bette Midler was offered the role of Miss Hannigan. She declined .
In the play, Grace Farrell brought the adoption papers to the orphanage. After the film script had Daddy Warbucks do it, Carol Burnett and Albert Finney lobbied the songwriters for a song to sing together to flesh out the only meeting between Warbucks and Hannigan. Their duet, "Sign," was written in two days.
A young Elizabeth Berkley auditioned for the role of Annie, but was told that she was too tall.
Reportedly, Mick Jagger keenly sought the role of Rooster Hannigan.
Amanda Peterson auditioned for Annie, and made the top seven, but was ultimately offered a smaller role. In the reprise of "Dumb Dog", she sings "Rover, why not think it over."
Daddy Warbucks' mansion was built in 1929 by Hubert Parson, the president of F.W. Woolworth. He called it Shadow Lawn. It is now Woodrow Wilson Hall, owned by Monmouth University in West Long Branch, NJ.
Despite being the 10th biggest grossing film of 1982, the film didn't make a profit because of its exorbitant production costs.
Jack Nicholson signed on to play Daddy Warbucks, but dropped out after the original producer left.
Carol Burnett got a chin implant after principal filming was completed, believing her work on the film was done. Two months later, the cast was called back to do re-shoots of certain scenes. In 2003, on the NPR program "Fresh Air," Carol Burnett told interviewer Terry Gross that her Miss Hannigan went into a closet in her office with one chin and emerged, two months later, with a different one.
Tim Curry said he based his performance of Rooster on a stagehand he knew while performing a play in New York City.
The songs "Dumb Dog," "Sandy," "Let's Go To The Movies," "We Got Annie," and "Sign" were written expressly for the film. The songs from the original play that were dropped were "N.Y.C.", "Something Was Missing," "We'd Like To Thank You, Herbert Hoover", "You Won't Be An Orphan For Long," "Annie," and "A New Deal For Christmas". The last four songs are not in either the film or TV adaptations.
The rights to the sequel, "Annie Warbucks" were purchased by Sony Pictures.
In 2003, while on the NPR program "Fresh Air," Carol Burnett told interviewer Terry Gross that after she thought her filming on Annie was all done, she had a plastic surgery procedure on her chin that significantly changed the appearance of her lower face from what it had been during shooting. But after the surgery, the producer Ray Stark called her back in for a re-shoot of part of the "Easy Street" number. Burnett joked to Gross that her Miss Hannigan went into a closet in her office with one chin and emerged, two months later, with a different one.
Aileen Quinn was ten years old when she was cast as Annie. She came from Yardley, Pennsylvania.
Auditions for the title role spanned two years, 22 cities, 8,000 interviews, and 70 actresses. Nine young actresses made it to the second round.
When Miss Hannigan says, "Wrap it up, I'm listening to Helen Trent," she is referring to "The Romance of Helen Trent," a radio soap opera about a middle-aged woman seeking romance. It ran from 1933 to 1960.
Daddy Warbucks was originally intended to have made his fortune through the sale of weapons and ammunition during the Great War. He was originally a temporary character, but he was so popular that Harold Gray brought him back as a recurring character.
The film premiered at Radio City Music Hall.
Annie was created by Chicago Tribune cartoonist Harold Gray. She was originally intended to be a boy, Little Orphan Otto, but her gender was changed at the request of Gray's editor, Captain Joseph Medill Patterson, to create a reference to the 1885 James Whitcomb Riley poem "Little Orphan Annie".
The stage version of Annie ends at Christmas. The film changed it to the 4th of July because it was shot during the summer, and getting enough fake snow to cover the grounds of the New York mansion was far too expensive.
One deleted scene, in which Annie confronts Miss Hannigan in her room, appeared in promotional lobby cards for the film, and on the box of the video release.
Supervising editor Margaret Booth was also the original editor of Camille (1936).
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Sandy was played by two dogs. "Bingo", did most of the dramatic scenes; the other did the stunt work, such as jumping into the pool.
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A more elaborate sequence for the song "Easy Street" was planned and shot, involving Miss Hannigan and Rooster's fantasies of a privileged life, but it was replaced with the less elaborate version set entirely in the orphanage. Lights, Camera, Annie! (1982) revealed that the first verse of the song was recorded and presumably filmed, but cut from the final version to keep the running time down. The documentary also reveals a new verse to the final reprise of "Maybe" that is in no other version, but was ultimately cut.
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The original stage play premiered at the Alvin Theatre in April 1977, ran for 2,377 performances, and closed January 2, 1983. It won 7 Tony Awards, including Best Musical and Best Book of a Musical, on which the screenplay was based.
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The woman who ran Annie's orphanage in the original strip was called Miss Asthma. This name was initially used in the musical for the woman who runs Annie's orphanage, but it was changed to Miss Hannigan (leading to the popular assumption that "Miss Hannigan" was the name used in the original strip).
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The scene featuring "Maybe" was the last one to be shot. It replaced the original opening sequence, which was too long. The reprise later on, by the orphans, was left in the film.
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Pop singer Martika is one of the dancing orphans in the film.
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Albert Finney shaved his head to play Daddy Warbucks.
The top three candidates for the title role were Aileen Quinn, Robin Ignico, who played Duffy, and Angela Lee, who was told she looked too much like Aileen Quinn to play a lead orphan, but was offered a smaller role. In "Hard-Knock Life", Angela is a sleeping orphan.
The song "We Got Annie" was included in an early draft of the stage musical, but it was dropped as several revisions were made before the show ever reached the stage. "We Got Annie" was meant to be sung by the downtrodden customers at a local coffee shop where Annie worked cleaning tables.
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The address of the Warbucks mansion is 987 Fifth Avenue, which does not exist. If it did exist, it would be at the corner of 80th Street and Fifth Avenue. Across the street, at 1000 Fifth Avenue, is the Metropolitan Museum of Art.
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The only characters in the film that were in the "Little Orphan Annie" strip were Annie, Daddy Warbucks, Sandy, Punjab, and the Asp. The last two were not in the play. When Martin Charnin began work on the musical, the characters were cut because he didn't wasn't any fantasy or magic. They were reinstated in order to incorporate more elements from the strip.
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To make Sandy kiss Aileen Quinn, Alpo was rubbed on her face.
Additional/alternate scenes from many of the film's musical numbers (including "Easy Street," "Let's Go to the Movies," "I Don't Need Anything But You" and the final reprise of "Maybe") were featured in the making-of TV special Lights, Camera, Annie! (1982).
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Aileen Quinn receives an "introducing" credit.
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The story for the musical 'Annie' is an original one. Nothing from the original comic strip could have been used in the musical. The story written for the musical caused some confusion about Annie's origin in the original comic strip. The storybooks that came out at the time of the movie's premiere are all sequels to the plot of the film.
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The melody for "Tomorrow" was based on a melody that Charles Strouse wrote for a song called "The Way We Live Now Is Different", for the short film Replay (1970).
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Even though Charles Strouse and Martin Charnin were hired to write new songs, they and Thomas Meehan were not allowed on set or to talk to any of the cast members until they threatened to tell the New York Times.
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Screen rights for the stage show were sold in 1978 for $9.5 million (approximately $34.4 million in 2014 dollars), breaking the record set when Warner Bros. paid $5.5 million for the screen rights to My Fair Lady (1964). Paramount Pictures made Popeye (1980) to make up for being outbid.
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John Huston's only musical as a director. He was asked to direct Doctor Dolittle (1967) but turned it down. At one point, he was considered for the role of Daddy Warbucks. He was turned down because he was too old.
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David Begelman, who brought the stage show to Columbia Pictures' attention, was originally intended to produce the film. After Begelman forged Cliff Robertson's signature on a check, the creators of the stage show refused to sell the rights to the studio if Begelman was producer. Ray Stark took the job, even though he didn't like the original Broadway show.
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Before Ray Stark became producer, stage librettist Thomas Meehan wrote an early draft of the screenplay, and stage choreographer Peter Gennaro was to have recreated his Broadway choreography. It was Stark's idea to hire Carol Sobieski to restructure the film's plot.
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The original opening had Sandy running around the city while the stage song "We'd Like to Thank You, Herbert Hoover" played over the radio.
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Ray Stark said of the film, "This is the film I want on my tombstone." In his negative review of the film, Time Magazine's Richard Corliss wrote "Funeral services are being held at a theater near you." Stark died four days after Sony Pictures Home Entertainment released a pan-and-scan DVD of the film in Region 1, although they had released a widescreen version in 2000.
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Theoni V. Aldredge was also the costume designer of the original stage production.
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John Huston was considered an outsider. According to Carol Sobieski, producer Ray Stark loved that kind of high-risk situation.
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Harold Gray's comic strip was strongly opposed to Franklin D. Roosevelt.
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In a 2013 interview, Martin Charnin admitted he didn't like this film or the 1999 TV remake because of changes to the original show.
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Shirley Temple, who died on February 10, 2014, was the last surviving film star mentioned in the song "Let's Go to the Movies".
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Linzi Hateley was considered for the title role.
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Randal Kleiser was considered as a director for the film after the commercial success of Grease (1978).
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Cameo 

Ray Bolger:  uncredited as the sound effects man during the radio show broadcast.

Director Cameo 

John Huston:  The voice on Miss Hannigan's radio saying, "I love you, I love you, I love you" just before "Little Girls".
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See also

Goofs | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks

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