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|Index||30 reviews in total|
One of my favourites! The film has a haunting quirkiness about it. Klaus Kinski is the perfect mad scientist. The MAX404 android really projects his confusion about and desire to understand his emotions. Loved the soundtrack. This movie is not for those who only like those big Hollywood "sci-fi" films. It will appeal to those who enjoy REAL sci-fi though.
This may be low budget... but so was Dark Star!
I have to say that I strangely enjoyed this low budget attempt at a sci-fi movie. Despite its constraints it had plenty of great ideas and one thing I like: A weird atmosphere!
If you don't mind low budgetness and like weird movies (like me) then I strongly suggest this... It could easily be a cult movie!
Take a predictable android sci-fi plot, a coming of age story, some cops &
robbers, and a pinch of "Bride of Frankenstein". Put it all in a low-budget
ensemble film and stir vigorously. What you end up with is interesting,
engaging, and unique in spite of its obvious flaws.
Android Max and his scientist master are living in a remote space station when they are joined by a trio of fugitives - a beauty, a beast, and a brain. The brain figures that they've stumbled onto something valuable seeing as how androids have been outlawed on Earth ever since the uprising. It turns out that at a certain age, the androids become disrespectful, insubordinate, and obsessed with sex. In other words, they turn into adolescents, so we can all sympathize with what Max is going through when he sees a female for the very first time. Meanwhile, the scientist is working on a new and improved replacement for Max, a model which just happens to also be a gorgeous blond woman.
The plot lines are cliche and full of holes, the ending is a bit of a cheat, and the special effects are weak. The film works, however, because it pays close attention to the things which matter, mainly Max and his own isolated world. Although many have criticized the cheap sets, they maintain a coherent mood and atmosphere which is entirely successful in creating a fictional space in which the story can take place. Max himself is one of the most intelligently scripted and well acted android characters to ever appear on screen. You'll be disappointed if you're looking for action or deep meanings, but if you allow yourself to take an interest in Max you may find yourself thinking about him long after the film has ended.
I love eighties films, and I love science fiction. This film is a good
example of both, but I have to say it was a bit 'darker' than it felt like
it should have been.
The music is classic analog synthesized fun, and the setting is very cool-looking, typical of any early eighties sci-fi movie but with a certain complexity and detail that makes it seem solid and believable.
The acting is absolutely phenomenal. I generally complain a lot about bad, hard-to-believe acting in movies but in this case I have no complaints; there was nothing to distract me from the story. I half-believed that Max was played by a real android (he is credited as "Himself". lol)! The acting was overall believable and appropriately restrained.
The story could have used some work... it was a bit slow-moving and somewhat uninteresting, and the resolution wasn't entirely satisfying due to certain characters who were insufficiently developed. Also I felt that there should have been some slight comic relief, and I think the drama of the situations was not emphasized enough. But, to the story's credit, it did have a couple of nice twists and I think I like the ending.
Overall I think it was worth seeing: much better than most of the junk that comes on at 2 AM!
Craggy old Klaus Kinski lives with his awkward assistant Max on a space
station, developing a female android. Max spends his time playing old
arcade games and researching the human condition - (I heard somewhere
that the external shots of the space station were done by creating a
model station from a display case which used to house watches or
jewelry!) Into this scenario comes band of escaped convicts on a space
ship badly damaged during their escape ...
There is humour in this film but it is of a very dark shade. The LACK of special effects ADDS to the "reality" of the film.
A couple of really unexpected plot twists along the way - I rate it a "9" which is the highest I have ever given a film on the IMDb
"Android" is somewhere between a cheesy film and a proper movie. The look isn't exactly on the level of "Star Wars", but those early 80s space films are both visually and plot-wise superior to any (semi-)cheesy 90s or 00s sci-fi movies. The interiors of the space station are quite good, the special effects are okay. There are certainly moments of nonsense, such as the female fugitive not being sure what an android is. If most late-20th-century people knew what an android is, then what are the odds that a relatively young woman from the year 2028 - imprisoned for corporate espionage - would not know this? Still, in spite of some logic holes, the acting isn't bad, the dialogue is okay. The movie's biggest assets are the somewhat unique atmosphere, and the unpredictability of the plot - which early on might appear to be easy to predict. Short and not dull.
1st watched 12/20/2009 - 6 out of 10(Dir-Aaron Lipstadt): Surprisingly interesting yet cheaply made early 80's sci-fi film. This is far from being a perfect film and I still can't believe I ended up liking it, but it appealed to me by the time the movie ended. The story is about an android project in the near future being done in space and being terminated due to a funds issue and the failure of a similar project on Earth that turned into a disaster. The scientist played by Klaus Kinski receives the news but is overheard by his creation Max 404(which the movie never reveals who acts this part--which is definitely strange). Some wanted space criminals then arrive on the scene and Max lets them board the ship and then plans to escape with them back to Earth to avoid his termination. Things don't work out the way he expects them to and I won't give away the ending but it's definitely surprising. Max's replacement is suppose to be a female Android named Claudia, since the scientist really doesn't want the project ending either -- he just wants a different android to play with. The androids in this movie have obvious human feelings that get in the way very often which makes the movie interesting and sways their decisions consistently. There is some titillation added to the movie which doesn't really fit, especially in a PG-rated movie(how it got this rating I'll never know) and it's obviously a low-budget film and for these reasons this is definitely one of my few guilty pleasures. By the end of the movie, I was hoping for a sequel -- which hasn't happened and probably wont but that's how it affected me. So, despite the many reasons I shouldn't like this movie, I did --- I guess you never know, huh?
It is rare to get a movie which has the insight into the human condition
handles it from a totally new perspective.
Max, the android, longs to understand human relationships.
Klaus Kinski is excellent and the twists in the plot are unforseen. There is an underlying darkness throughout the film which in only understood at the end when the secrets of the tale are revealed.
I think most of the budget of this New World sci-fi film probably went toward Klaus Kinski. It's amazing how many low-budget specials this guy has made. Nevertheless, "Android" does have some charms to it. Don Keith Oper does double duty as screenwriter and Max, the android of the title and helps make this somewhat interesting. Neither of the ladies in this film really had much of a career after it and watching them one can see why. They don't really bring much to the party. The director does a decent job considering the budget limitations and went on to a successful career doing TV shows and occasional TV movies. But can you guess which of these performers actually appeared in "Saving Private Ryan"? Yes, tough guy Mendes, Crodton Hardester.
Very much a "mixed bag". The special effects and set design are terribly cheesy, with lots of random flashing lights and odd geometric shapes for no reason (why a trapezoidal water jug? because it's THE FUTURE!) and a defense system based on the classic Vectrex video game system. But the cinematography is generally decent (although typically overlit) and I rather liked the synth score, by Mother of Invention Don Preston. As far as the cast is concerned, Klaus Kinski is of course always a delight, but he's really not in it all that much and it's a rather subdued role for him. Don Keith Opper (credited only under his android name) plays the title character as a rebellious nerd, which is an interesting take but doesn't always work. Brie Howard and Norbert Weisser are barely passable, and Crofton Hardesser is downright awful. The script has some horribly clunky lines in it, but the story is pretty intriguing once you get into it, a kind of BRIDE OF FRANKENSTEIN (or METROPOLIS, which Max 404 actually watches at one point) tale with BLADE RUNNER style commentary on what it is to be human. It doesn't run very deep, but there are some nice angles to it, and a neat ending. If you can overlook a lot of flaws and keep your Kinski expectations low, it's really not a bad watch.
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