Strange doctor secretly experiments with androids on his space station. His assistant is Max, a curious android who wants to see the world and meet a girl. Criminals Maggie and two other hide on their station and soon violence erupts.
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Eccentric scientist Dr.Daniel and his shy, clumsy assistant Max, lead a quiet life on their space station where they carry out illegal research into androids, until they receive an unwelcome visit from three fugitives from justice, one of whom is female. Dr.Daniel and Max are both interested in her, but one of them has rather more sinister intentions than just romance. At first, they all get along, but when one of the criminals becomes psychotic, violence erupts. Meanwhile, the space police is on their trail. Written by
Michael Brooke <email@example.com>
The close-up shot of Max's head is obviously a fake head. See more »
[Max is listening to Huey Lewis while playing with miniature robots and watching a screen showing the very basics of humans kissing and making love]
[over the intercom]
[Max switches from the video to the scanners]
Yes, Dr. Daniel?
Max, what is that noise?
[Max turns off the music]
I was doing some research, Sir.
[...] See more »
Special thanks to the unnamed individuals who contributed to the fabrication and operation of Max 404, without whom this film would not have been possible. See more »
Very much a "mixed bag". The special effects and set design are terribly cheesy, with lots of random flashing lights and odd geometric shapes for no reason (why a trapezoidal water jug? because it's THE FUTURE!) and a defense system based on the classic Vectrex video game system. But the cinematography is generally decent (although typically overlit) and I rather liked the synth score, by Mother of Invention Don Preston. As far as the cast is concerned, Klaus Kinski is of course always a delight, but he's really not in it all that much and it's a rather subdued role for him. Don Keith Opper (credited only under his android name) plays the title character as a rebellious nerd, which is an interesting take but doesn't always work. Brie Howard and Norbert Weisser are barely passable, and Crofton Hardesser is downright awful. The script has some horribly clunky lines in it, but the story is pretty intriguing once you get into it, a kind of BRIDE OF FRANKENSTEIN (or METROPOLIS, which Max 404 actually watches at one point) tale with BLADE RUNNER style commentary on what it is to be human. It doesn't run very deep, but there are some nice angles to it, and a neat ending. If you can overlook a lot of flaws and keep your Kinski expectations low, it's really not a bad watch.
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