Directed by | |||
| Jack Sholder | |||
Writing credits | ||
| Jack Sholder | (story) & | |
| Robert Shaye | (story) & | |
| Michael Harrpster | (story) | |
| Jack Sholder | ||
Produced by | |||
| Benni Korzen | .... | executive producer | |
| Sara Risher | .... | associate producer | |
| Robert Shaye | .... | producer | |
Original Music by | |||
| Renato Serio | |||
Cinematography by | |||
| Joseph Mangine | |||
Film Editing by | |||
| Arline Garson | |||
Casting by | |||
| Dee Dee Wehle | |||
Art Direction by | |||
| Henry Shrady | (as Peter Monroe) | ||
Costume Design by | |||
| Alexandra De Marande | |||
Makeup Department | |||
| Tom Brumberger | .... | special makeup effects | |
| Lyzanne Goodson | .... | hair stylist | |
| Lyzanne Goodson | .... | makeup artist | |
| Anthony Hughes | .... | assistant makeup artist | |
| Don Lumpkin | .... | special makeup effects | |
| Tom Savini | .... | additional makeup effects: Toni's apparition | |
Production Management | |||
| Robert Maier | .... | production manager | |
| Stephen Marro | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Jim Bigham | .... | first assistant director (as James Bigham) | |
| Matthew Malachi | .... | second assistant director | |
Art Department | |||
| Joan Brockschmidt | .... | art department staff | |
| Amy Diaz | .... | art department staff | |
| Jill Frank | .... | stand-by props | |
| Josh Harrison | .... | outside props | |
| William Neumann | .... | carpenter | |
| David Reale | .... | outside props | |
Sound Department | |||
| Elisha Birnbaum | .... | foley artist | |
| Allan Byer | .... | location sound mixer | |
| Lou Kleinman | .... | dialogue editor | |
| Joe Masefield | .... | supervising sound editor | |
| Steven Visscher | .... | assistant sound editor | |
| Richard Williams | .... | boom operator | |
| Mel Zelniker | .... | sound re-recordist | |
Special Effects by | |||
| Matt Vogel | .... | fire effects | |
Stunts | |||
| Mike Christopher | .... | stunts (as Michael Christopher) | |
| Cliff Cudney | .... | stunt coordinator | |
| Michael Estler | .... | stunts | |
| Tony Farentino | .... | stunts | |
| Scott MacQueen | .... | stunts | |
| Webster Whinery | .... | stunts | |
| Greg Zoll | .... | stunts | |
Camera and Electrical Department | |||
| Tom Anderson | .... | key grip | |
| Gilles Arnaud | .... | third electrician | |
| David Beckerman | .... | second electric | |
| Richard Eliano | .... | camera loader | |
| John Foster | .... | gaffer | |
| William Klayer | .... | best boy | |
| Alex Livesey | .... | camera loader | |
| Peter Spera | .... | second grip | |
| Barry Wetcher | .... | still photographer | |
| Robert Zimmerman | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Star Gabrielle | .... | costume assistant | |
| Wendy Hubschman | .... | costume assistant | |
| Suzanne O'Sullivan | .... | wardrobe | |
Editorial Department | |||
| Carole Penner | .... | assistant editor | |
| Neil Eric Wenger | .... | apprentice editor | |
Music Department | |||
| Pino Bernardini | .... | music recording engineer | |
| David Franco | .... | music supervisor | |
| Joan Standish | .... | assistant music editor | |
Other crew | |||
| Stephen Abramson | .... | production controller | |
| William Bellettiere | .... | production assistant | |
| Nera Bendor | .... | script intern | |
| Stanley Dudelson | .... | worldwide sales | |
| Conrad Fink | .... | production assistant | |
| Gale Goldberg | .... | location manager | |
| David Goodman | .... | production assistant | |
| Bill Hale | .... | production assistant | |
| Adrienne Hamalian-Mangine | .... | script supervisor (as Adrienne Hamalian) | |
| Linda Laias | .... | production coordinator | |
| Scott MacQueen | .... | production assistant | |
| Marjorie Phillips | .... | production assistant | |
| Todd Rankin | .... | production assistant | |
| Rachel Talalay | .... | production accountant | |
| John A. Gallagher | .... | location scout (uncredited) | |
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| Freeway | The Funhouse | The Slumber Party Massacre | The Butterfly Effect | Torso |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
That is an actual quote by Jack Palance in this film when he's chatting with Dwight Schultz. First off, this movie is underrated. No way does it deserve a bomb like it got from Leonard Maltin. Since it's low budget and focuses on nuts escaping from an asylum, it automatically gets stereotyped as being without credence. Forget all that. You'll be surprised how intelligent the dialouge is in this movie, especially the first half hour where Schultz and Donald Pleasance talk about psychiatry and how to treat insane people. Watching Pleasance after all these years just reminds me once again what a great actor this he was. I always enjoyed listening to him talk. It didn't matter what he would say, just listening to him sounded melancholy and nostalgic. As expected, there are a few plot holes and the movie is not really that frightening, except for the a few scenes towards the end. It's interesting watching Schultz play such a normal character because most of us remember him from THE A-TEAM as a kooked out Vietnam vet playing alongside Mr. T All in all, it's a decent early 80's horror flick with a good cast that has a neat surprise ending. Check it out just for curiosities sake.
Score, 6 out of 10 Stars