Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
Oddball cop and tough guy, Jack Cates is the only survivor of a cop shooting and in hunting down the murderer collects Reggie Hammond from jail for 48 hours. Hammond is oddly motivated to help. The killer is searching for his stash of cash. Cates and Hammond who have the Black-white, cop-crook thing to work out make surprisingly good partners as they navigate through the city looking for their suspect. Written by
John Vogel <firstname.lastname@example.org>
The boys are back in town. Nick Nolte is a cop. Eddie Murphy is a convict. They couldn't have liked each other less. They couldn't have needed each other more. And the last place they ever expected to be is on the same side. Even for... 48 HRS See more »
The broken taillight on the Cadillac switches sides and both are working between shots. See more »
This is a police matter and I'm looking for an Indian named Billy Bear. I know everyone in here wants to cooperate with me...
[a guy runs and Cates tackles him]
Hey that's not even necessary, alright man? I got the situation in hand.
[fake southern drawl]
Some of us citizens are behind you all the way, officer.
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A seriously edgy and explosive thriller about an untidy yet tenacious San Francisco cop, Jack Cates (Nick Nolte), who must take Reggie Hammond (Eddie Murphy), an ultra-cocky convict with him and search around the city for a brutish cop-killer, Ganz (James Remar)and his nearly out-spoken Indian accomplice, Billy Bear (Sonny Landham) and take them down in less than forty-eight hours. What made me enjoy the movie is the trust and respect that the Murphy and Nolte characters begin to show, even there are moments where they want to pound each other's head in. In addition to Nolte and Murphy (who's in his film debut), Remar is pretty good here despite having a limited amount of screen time. The photography of the city by Ric Waite is well, excellent and the skillful direction by Walter Hill can't go unnoticed. "48 Hrs." may not look as well-crafted as "The French Connection", but Hill sure knows how to make something memorable out of nothing.
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