| Stephen Collins | ... | Jake Cutter (22 episodes, 1982-1983) | |
| Jeff MacKay | ... | Corky (22 episodes, 1982-1983) | |
| Marta DuBois | ... | Princess Koji / ... (22 episodes, 1982-1983) | |
| John Calvin | ... | Reverend Willie Tenboom (22 episodes, 1982-1983) | |
| John Fujioka | ... | Todo (22 episodes, 1982-1983) | |
| Leo the Dog | ... | Jack (22 episodes, 1982-1983) | |
| Caitlin O'Heaney | ... | Sarah Stickney White (21 episodes, 1982-1983) | |
| Roddy McDowall | ... | Bon Chance Louie (20 episodes, 1982-1983) | |
| Les Jankey | ... | Gushie the Waiter / ... (20 episodes, 1982-1983) | |
| Ahmed Kalane | ... | Bartender / ... (11 episodes, 1982-1983) |
Series Directed by | |||
| Virgil W. Vogel | (4 episodes, 1982-1983) | ||
| James Frawley | (2 episodes, 1982-1983) | ||
| Winrich Kolbe | (2 episodes, 1982-1983) | ||
| Harvey S. Laidman | (2 episodes, 1982-1983) | ||
| Ray Austin | (2 episodes, 1982) | ||
| James Fargo | (2 episodes, 1983) | ||
Series Writing credits | ||
| Donald P. Bellisario | (22 episodes, 1982-1983) | |
| George Geiger | (8 episodes, 1982-1983) | |
| Tom Greene | (6 episodes, 1983) | |
| William Driskill | (3 episodes, 1982-1983) | |
| Jay Huguely | (2 episodes, 1983) | |
| Andrew Schneider | (2 episodes, 1983) | |
Series Produced by | |||
| Donald P. Bellisario | .... | executive producer (22 episodes, 1982-1983) | |
| Donald A. Baer | .... | producer (20 episodes, 1982-1983) | |
| J. Rickley Dumm | .... | co-producer (18 episodes, 1982-1983) | |
| Leon Ortiz-Gil | .... | associate producer (18 episodes, 1982-1983) | |
| Tom Greene | .... | co-producer / producer (10 episodes, 1982-1983) | |
| Rick Weaver | .... | co-producer (4 episodes, 1982) | |
| John G. Stephens | .... | supervising producer (2 episodes, 1982) | |
Series Original Music by | |||
| Frank Denson | (20 episodes, 1982-1983) | ||
| Pete Carpenter | (2 episodes, 1982) | ||
| Mike Post | (2 episodes, 1982) | ||
Series Cinematography by | |||
| Jack Whitman | (18 episodes, 1982-1983) | ||
| Fred J. Koenekamp | (2 episodes, 1982) | ||
| Duke Callaghan | (2 episodes, 1983) | ||
Series Film Editing by | |||
| Mario Di Gregorio | (5 episodes, 1982-1983) | ||
| Bill Luciano | (5 episodes, 1982-1983) | ||
| Greg Wong | (5 episodes, 1982-1983) | ||
| Leon Ortiz-Gil | (3 episodes, 1982) | ||
| Michael Berman | (2 episodes, 1982) | ||
| Robert L. Kimble | (2 episodes, 1983) | ||
Series Production Design by | |||
| John W. Corso | (2 episodes, 1982) | ||
Series Art Direction by | |||
| William H. Tuntke | (20 episodes, 1982-1983) | ||
| Frank Grieco Jr. | (2 episodes, 1982) | ||
Series Set Decoration by | |||
| Richard B. Goddard | (19 episodes, 1982-1983) | ||
| Robert George Freer | (3 episodes, 1982) | ||
Series Costume Design by | |||
| Jean-Pierre Dorléac | (20 episodes, 1982-1983) | ||
| Al Lehman | (2 episodes, 1982) | ||
Series Makeup Department | |||
| Dorothy Andre | .... | hair stylist (2 episodes, 1982) | |
| Albert Jeyte | .... | makeup artist (2 episodes, 1982) | |
| Michael McCracken | .... | makeup artist (2 episodes, 1982) | |
Series Production Management | |||
| Mitchell L. Gamson | .... | unit production manager (11 episodes, 1983) | |
| Gilles de Turenne | .... | unit production manager (9 episodes, 1982) | |
| Bill Carroll | .... | unit production manager (2 episodes, 1982) | |
| Joseph M. Ellis | .... | unit production manager (2 episodes, 1982) | |
Series Second Unit Director or Assistant Director | |||
| Ryan Gordon | .... | second assistant director / first assistant director (20 episodes, 1982-1983) | |
| Nick Marck | .... | first assistant director (9 episodes, 1982-1983) | |
| Richard T. Schor | .... | first assistant director (4 episodes, 1982-1983) | |
| Anthony Brand | .... | first assistant director (2 episodes, 1982) | |
| Paul Cajero | .... | second assistant director (2 episodes, 1982) | |
| Jim Gardner | .... | first assistant director (2 episodes, 1982) | |
| David Jones | .... | second unit director (2 episodes, 1982) | |
| Norman Stevens | .... | first assistant director (2 episodes, 1983) | |
Series Sound Department | |||
| John K. Kean | .... | sound (22 episodes, 1982-1983) | |
| Sam F. Shaw | .... | sound effects editor (14 episodes, 1982-1983) | |
| Sam Gemette | .... | sound effects editor (5 episodes, 1983) | |
| Jerry Jacobson | .... | adr editor (4 episodes, 1982-1983) | |
Series Special Effects by | |||
| Johnny Borgese | .... | special effects supervisor (22 episodes, 1982-1983) | |
Series Visual Effects by | |||
| Syd Dutton | .... | matte artist (17 episodes, 1982-1983) | |
| Dennis Glouner | .... | matte photography (17 episodes, 1982-1983) | |
Series Stunts | |||
| Louie Elias | .... | stunt coordinator (2 episodes, 1982) | |
Series Casting Department | |||
| Mark Malis | .... | casting (21 episodes, 1982-1983) | |
Series Costume and Wardrobe Department | |||
| Robert Chase | .... | costume supervisor (22 episodes, 1982-1983) | |
| Denita Del Signore | .... | costume supervisor (2 episodes, 1982) | |
Series Music Department | |||
| Mike Post | .... | composer: theme music (22 episodes, 1982-1983) | |
| Pete Carpenter | .... | composer: theme music (20 episodes, 1982-1983) | |
| Donald Woods | .... | music editor (20 episodes, 1982-1983) | |
| Morrie McNaughton | .... | music editor (2 episodes, 1982) | |
Series Other crew | |||
| Carol Gillson | .... | assistant to the executive producer / assistant to executive producer (22 episodes, 1982-1983) | |
| George Geiger | .... | executive script consultant (20 episodes, 1982-1983) | |
| J. David Jones | .... | aerial coordinator (20 episodes, 1982-1983) | |
| Carl Miller Lewis | .... | animal supervisor (13 episodes, 1982-1983) | |
| Karl Lewis Miller | .... | animal supervisor / animal supervision (7 episodes, 1982-1983) | |
| Michael Hamilton | .... | production consultant (2 episodes, 1982) | |
| Harriet Margulies | .... | assistant to director (1 episode, 1982) | |
Series Thanks | |||
| Lawrence Doheny | .... | dedicated to the memory of (1 episode, 1982) | |
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| "TaleSpin" | Sky Patrol | The Galloping Ghost | Amelia | Mystery Plane |
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Contrary to popular consensus, TotGM was not an Indiana Jones knockoff, although the popularity of those movies was probably responsible for Gold Monkey getting its shot on television. No, Gold Monkey was much more in line with many older adventure movies, and creator Donald Bellisario insisted it was inspired mostly by the 1939 movie Only Angels Have Wings.
Regardless of where it came from, though, this was a very enjoyable series. As a boy of 9 at the time it originally aired, I was absolutely enamored with it (so much so, in fact, that my father still calls me "Jake" to this day). Now, as a man of 30, I have managed to find copies of all the episodes, and I find that I still love it. I may love it even more now that I'm older and more able to appreciate the historical references in the show, which is set in the Pacific in 1938. Spies and political intrigues abound in every single episode, and provide the perfect backdrop for an adventure story.
This series is clearly a product of early 80s American television, showing quite a bit of similarity in structure and production values with nearly every other series produced at the time. Gold Monkey, though, was far from formulaic, and very original. How many shows can you name that had an intelligent one-eyed dog that was regarded in every respect as an equal member of the cast?
I will never understand why it didn't last more than a single season, but at least I can enjoy what little there is. "Tales of the Gold Monkey" will always have a special place in my heart and on my video shelf.