Westphall befriends a well-respected Irish author who turns out to be a raging alcoholic; Craig attends the hearing to allow his housekeeper's husband into the country; Ehrlich takes an interest in ...
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (5 card draw) is ... See full summary »
This hour-long dramatic series featured life at St. Eligius Hospital, headed by Drs. Donald Westphall and Daniel Auschlander. Every year, new residents would walk down the halls of St. Eligius; learning to deal with perfectionist Cardiovascular Surgeon Mark Craig was only the beginning of the way the hospital and its interesting patients would change their lives forever. Written by
The writers of this show shared a building and a copy machine at MTM with the writers from Hill Street Blues (1981). Whenever they needed inspiration, they would look at a script from "Hill St." and that always pushed them to do better. See more »
After the credits, they show the MTM kitten wearing a surgical mask and smock to match the show. In final episode, the MTM kitten is shown underneath the credits, hooked up to life-support. At the end of the credits, the kitten flatlines. See more »
There is much to be said about St Elsewhere and its immense importance in defining the modern Television drama. The series set the formula for how future medical dramas would be produced. Physicians were not perfect individuals, and patients died. Doctors and nurses were "real people", and they, as did the patients, cope with day to day life inside and outside the confines of St Eligious hospital.
St Elswehere would bring the viewer into a drama filled hospital, where both doctors and patients interacted. The writers while giving us a look into the lives of both the Physician and patient, mercifully avoided a soap opera like atmosphere. They were instead disciplined in the intercourse between doctor and patient, and everything in between. They explored issues that TV had previously considered taboo, and handled those subjects in a mature, responsible manner, while never disregarding the intellect of the audience, and their ability to hold attention to dialogue.
Comparatively St Elsewhere moved on a slower pace than it's modern counterpart, "ER". The writers gave you scenes and story-lines that would cause the viewer to slow down and think, and avoided fast paced vacuous imagery and verbiage. Rarely did their ER blow-up, or the hospital fall victim to a helicopter crash. While there were expeditious Emergency Room exhibits in the St Elsewhere series, they did not bounce back and forth the camera like a ping-pong in an attempt to keep us amused. Instead, they focused on dialogue, the characters, and most imortant the plot.
Its drama along with real and diverse characters, will ensure its place in history, as one of televisions best series. St. Elsewhere is a prime example of how big ratings mean very little in defining a shows value or place in Televisions hierarchy.
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