Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ...
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This is the story of Magnus Pym, from his childhood to the end of his career in middle age. As a young man, there is little doubt that his father Rick was the most influential character in ... See full summary »
Taken from the book by John le Carre, George Smiley rallies to the aid of his former intelligence colleague, Ailsa Brimley, to investigate a mysterious letter from a junion master's wife at... See full summary »
The mysterious murder of an environmental activist leads her straight-laced father, an Inspector of the local police force, through a haunting revelation of the murkiness of the British ... See full summary »
Francis Urquhart is too experienced a politician not to know that everything must end, even his long career as British prime minister. In order to secure his retirement and establish ... See full summary »
Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what happened. He begins to follow up the clues of his friends past days, discovering that the clues lead to a high person in the Russian Secret service, and a secret important enough to kill for. Smiley continues to put together the pieces a step ahead or a step behind the Russian killers. Written by
John Vogel <firstname.lastname@example.org>
I ask him, "Vladimir, who knows I do this for you?" "Only Mikhel, a very little," he said. "Mikhel is my friend. But even to friends, we cannot trust." "Enemies I do not fear," he said, "but friends, I fear greatly."
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The wooden planks in the opening credits are those of park benches. See more »
More problematic than Tinker Tailor, but still wonderful.
The merits of Alec Guinness's Smiley are familiar to anyone who has seen this wonderful BBC adaptation of LeCarré's great 'Karla' trilogy of books..well, two of the books anyway. Sadly they skipped over 'The Honourable Schoolboy' arguably the most exciting of the three.
Both 'Tinker Tailor' and 'Smiley's People' have their casting mishaps but nothing that detracts in any important way. I found Eileen Atkins' Ostrakova to be wildly miscast, physically, but masterfully acted, so she gets a pass. Michael Byrne's Guillam is an improvement over his predecessor in 'Tinker Tailor' but his part is so small that it hardly registers. Beryl Reid's scene as Connie Sachs is longer than her scene in 'Tinker Tailor' but still woefully short of the involved and fascinating scene in the book. It is in regards to Sachs and Jerry Westerby that I deeply regret the BBC not making 'The Honourable Schoolboy.' Reid would have been fabulous in that role, though still not nearly fat or tall enough to wear the original Connie's shoes.
Generally the actors are superb. There is an especially moving and unforgettable performance from Tulle Silberg as Alexandra Ostrakova. Her scene with Smiley is deeply touching and it is easy to understand why Smiley does what he does in the end. I won't say any more to avoid a spoiler.
'Smiley's People' is not as riveting as 'Tinker Tailor' I think because I found the first mini- series, focusing on the inner workings of the Circus, to be far more interesting than the foreign "outside" locations in 'Smiley's People.' But that's just me. I still love this film and watch it often.
Don't miss the Smiley series! The BBC will never make anything like it again, on the evidence of the mediocre bilge they've been catting up in recent years.
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