Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ... See full summary »
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
Mr. Neville, a cocksure young artist is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends ... See full summary »
Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what happened. He begins to follow up the clues of his friends past days, discovering that the clues lead to a high person in the Russian Secret service, and a secret important enough to kill for. Smiley continues to put together the pieces a step ahead or a step behind the Russian killers. Written by
John Vogel <email@example.com>
John le Carré, author of the novel 'Smiley's People' and screenwriter on the TV series, does a pretty good Alec Guinness impression on the DVD special features interview. See more »
And the safety signal? The signal which says "I am not being followed".
Was Hamburg newspaper from yesterday.
Oh, Bill. Bill, you stupid bloody fool.
[she walks away]
I mean why didn't they just put it in the bloody post, whatever it is, and be done with it?
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The wooden planks in the opening credits are those of park benches. See more »
The recent death of Sir Alec Guinness prompted me to wonder which role in his very long career he should be remembered for, and I believe it should be his portrayal of John Le Carre's master spy and inadequate man, George Smiley.
"Smiley's People", like the earlier "Tinker, Tailor, Soldier, Spy", derives much of its fascination from its mundane realism. Le Carre, unlike many espionage authors, really knew the setting, the techniques and many of the people. The TV series follows every detail of the novel and cannot be faulted on any grounds of atmosphere.
The cast list has a plethora of famous names, some so heavily made up and convincingly acted as to be unrecognisable as themselves. Guinness's gelid tones and painstakingly slow gestures manage to put them all, even the bubbly Bernard Hepton and Beryl Reid, in the shade. Especially in the final scene, where all Smiley's friends and supporters are practically dancing with joy, Guinness's studied absence of emotion dominates.
Few corporations other than the BBC would dare drag a 200-page novel out to over 4 hours of TV time, and very few actors other than Sir Alec Guinness could have held the viewer fascinated throughout such a marathon.
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