Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ... See full summary »
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Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
Director:
Michael Haneke
Stars:
Christian Friedel,
Ernst Jacobi,
Leonie Benesch
Mr. Neville, a cocksure young artist is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate, a contract which extends ... See full summary »
Director:
Peter Greenaway
Stars:
Anthony Higgins,
Janet Suzman,
Anne-Louise Lambert
After being involved in a car accident in 2006, DCI Sam Tyler (Simm) wakes up to find himself in 1973, the era of 'Sweeney' type policing, Mark III Cortinas, and flared trousers.
As World War II rages around the world, a police inspector fights his own war on the home-front in investigating murder, robbery, and espionage on the south coast of England.
Stars:
Michael Kitchen,
Honeysuckle Weeks,
Anthony Howell
Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what happened. He begins to follow up the clues of his friends past days, discovering that the clues lead to a high person in the Russian Secret service, and a secret important enough to kill for. Smiley continues to put together the pieces a step ahead or a step behind the Russian killers. Written by
John Vogel <jlvogel@comcast.net>
Villem Craven:
I ask him, "Vladimir, who knows I do this for you?" "Only Mikhel, a very little," he said. "Mikhel is my friend. But even to friends, we cannot trust." "Enemies I do not fear," he said, "but friends, I fear greatly."
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Crazy Credits
The opening credits feature a set of wooden planks, on which yellow chalk marks (the secret signal used by the spies) are scrawled. See more »
The recent death of Sir Alec Guinness prompted me to wonder which role in his very long career he should be remembered for, and I believe it should be his portrayal of John Le Carre's master spy and inadequate man, George Smiley.
"Smiley's People", like the earlier "Tinker, Tailor, Soldier, Spy", derives much of its fascination from its mundane realism. Le Carre, unlike many espionage authors, really knew the setting, the techniques and many of the people. The TV series follows every detail of the novel and cannot be faulted on any grounds of atmosphere.
The cast list has a plethora of famous names, some so heavily made up and convincingly acted as to be unrecognisable as themselves. Guinness's gelid tones and painstakingly slow gestures manage to put them all, even the bubbly Bernard Hepton and Beryl Reid, in the shade. Especially in the final scene, where all Smiley's friends and supporters are practically dancing with joy, Guinness's studied absence of emotion dominates.
Few corporations other than the BBC would dare drag a 200-page novel out to over 4 hours of TV time, and very few actors other than Sir Alec Guinness could have held the viewer fascinated throughout such a marathon.
35 of 37 people found this review helpful.
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The recent death of Sir Alec Guinness prompted me to wonder which role in his very long career he should be remembered for, and I believe it should be his portrayal of John Le Carre's master spy and inadequate man, George Smiley.
"Smiley's People", like the earlier "Tinker, Tailor, Soldier, Spy", derives much of its fascination from its mundane realism. Le Carre, unlike many espionage authors, really knew the setting, the techniques and many of the people. The TV series follows every detail of the novel and cannot be faulted on any grounds of atmosphere.
The cast list has a plethora of famous names, some so heavily made up and convincingly acted as to be unrecognisable as themselves. Guinness's gelid tones and painstakingly slow gestures manage to put them all, even the bubbly Bernard Hepton and Beryl Reid, in the shade. Especially in the final scene, where all Smiley's friends and supporters are practically dancing with joy, Guinness's studied absence of emotion dominates.
Few corporations other than the BBC would dare drag a 200-page novel out to over 4 hours of TV time, and very few actors other than Sir Alec Guinness could have held the viewer fascinated throughout such a marathon.