|
| Michael Gleason | .... | executive producer (94 episodes, 1982-1987) |
| Gareth Davies | .... | co-executive producer / producer (88 episodes, 1982-1987) |
| Kevin Inch | .... | producer / associate producer / ... (82 episodes, 1982-1987) |
| Jack Mongan | .... | associate producer (37 episodes, 1985-1987) |
| Robert C. Bailey | .... | associate producer (26 episodes, 1983-1985) |
| Lee David Zlotoff | .... | supervising producer (19 episodes, 1983) |
| Richard De Roy | .... | supervising producer (13 episodes, 1984-1985) |
| Jeff Melvoin | .... | supervising producer (13 episodes, 1985-1986) |
| Glenn Gordon Caron | .... | supervising producer (12 episodes, 1982-1983) |
| Carl Vitale | .... | associate producer (7 episodes, 1982) |
| Brad Kern | .... | supervising producer (5 episodes, 1987) |
| Christopher Hibler | .... | co-producer (3 episodes, 1987) |
| |
|
| Ted Rich | .... | post-production supervisor / executive in charge of post-production (87 episodes, 1982-1987) |
| Bernard Oseransky | .... | executive in charge of production / unit production manager (69 episodes, 1983-1987) |
| Robert Enrietto | .... | unit production manager (58 episodes, 1983-1986) |
| Abby Singer | .... | executive in charge of production / production consultant (23 episodes, 1982-1985) |
| John Slosser | .... | unit production manager (23 episodes, 1982-1983) |
| Daniel Franklin | .... | production supervisor (20 episodes, 1985-1987) |
| Dennis Lanning | .... | european production manager / production manager: Europe (4 episodes, 1984) |
| Edward K. Dodds | .... | unit production manager (4 episodes, 1987) |
| Dara Caomnanch | .... | production manager: Europe / production manager (3 episodes, 1987) |
| Ted Morley | .... | production manager: England (2 episodes, 1985) |
| Peter Schindler | .... | unit production manager (2 episodes, 1985) |
| |
|
| Irwin Marcus | .... | second assistant director / first assistant director (41 episodes, 1983-1987) |
| Sara Fischer | .... | second assistant director (28 episodes, 1985-1987) |
| Kevin Inch | .... | second unit director (27 episodes, 1984-1987) |
| Janet Davidson | .... | first assistant director / second assistant director (26 episodes, 1982-1984) |
| Paul Chavez | .... | second assistant director / first assistant director (25 episodes, 1984-1986) |
| Christopher Hibler | .... | first assistant director (23 episodes, 1982-1985) |
| Buck Edwards | .... | second assistant director (14 episodes, 1985-1986) |
| Peter Schindler | .... | first assistant director (12 episodes, 1984-1985) |
| Ron Kinwald | .... | second assistant director (9 episodes, 1983) |
| Peter Bogart | .... | first assistant director (5 episodes, 1982-1983) |
| Bruce Solow | .... | second assistant director (4 episodes, 1984) |
| Thompson O'Sullivan | .... | second assistant director (3 episodes, 1987) |
| Michael Rowland | .... | second assistant director (3 episodes, 1987) |
| Armando M. Huerta | .... | first assistant director (2 episodes, 1983) |
| Andrew Wood | .... | second assistant director: England (2 episodes, 1985) |
| Kenneth D. Collins | .... | first assistant director (2 episodes, 1987) |
| Miguel Lima | .... | second assistant director: Mexico (2 episodes, 1987) |
| Jerram A. Swartz | .... | first assistant director (2 episodes, 1987) |
|
| Matthew Hintlian | .... | second assistant director: 1985 (unknown episodes) |
| Martin O'Malley | .... | first assistant director: second unit (unknown episodes) |
| John G. Phelan | .... | second assistant director (unknown episodes) |
| |
|
| Ken S. Polk | .... | sound re-recording mixer (76 episodes, 1982-1986) |
| Tom Ruff | .... | adr mixer (66 episodes, 1982-1985) |
| Norman Webster | .... | production sound mixer / sound mixer (58 episodes, 1983-1987) |
| Sam Horta | .... | sound editor (37 episodes, 1983-1985) |
| Ron Horwitz | .... | sound editor (28 episodes, 1984-1986) |
| Ron Clark | .... | sound editor (11 episodes, 1982-1983) |
| Pat Hayes | .... | production sound mixer (7 episodes, 1984-1987) |
| Petra Bach | .... | sound editor (6 episodes, 1987) |
| Dale Johnston | .... | sound editor (4 episodes, 1982) |
| Jeff Clark | .... | sound editor (4 episodes, 1983) |
| Allan R. Potter | .... | sound editor (3 episodes, 1982) |
| John Midgley | .... | production sound mixer (2 episodes, 1985) |
| Kirk Francis | .... | production sound mixer (2 episodes, 1987) |
|
| John Asman | .... | sound re-recording mixer (unknown episodes) |
| Paul J. Diller | .... | sound effects editor (unknown episodes) |
| Michael Gollom | .... | sound effects editor (unknown episodes) |
| Eileen Horta | .... | supervising sound editor (unknown episodes) |
| Jeffrey A. Humphreys | .... | sound recordist (unknown episodes) |
| Scott D. Jackson | .... | foley editor (unknown episodes) |
| William Jacobs | .... | sound editor (unknown episodes) |
| Peter Reale | .... | sound re-recording mixer (unknown episodes) |
| |
|
| Dennis Matsuda | .... | camera operator (33 episodes, 1983-1985) |
| Jack Courtland | .... | camera operator (25 episodes, 1984-1986) |
| Anthony Pistone | .... | gaffer (18 episodes, 1983-1985) |
| Bill Whitman | .... | camera operator (14 episodes, 1986-1987) |
| John C. Moulds | .... | second assistant camera (12 episodes, 1982-1983) |
| Larry J. Aube | .... | key grip (9 episodes, 1983-1984) |
| Robert A. Petzoldt III | .... | gaffer (9 episodes, 1985-1986) |
| Louis Conroy | .... | gaffer (7 episodes, 1984-1987) |
| Russell Nordstedt | .... | key grip (7 episodes, 1984-1985) |
| Frank Keever | .... | key grip (6 episodes, 1985-1986) |
| Alan Butler | .... | first assistant camera (4 episodes, 1984-1987) |
| Kenneth J. Withers | .... | camera operator (4 episodes, 1984) |
| Lloyd Barcroft | .... | key grip (4 episodes, 1985) |
| Paddy Keogh | .... | key grip (3 episodes, 1984) |
| Jack Conroy | .... | second unit photographer (3 episodes, 1987) |
| Seamus Corcoran | .... | second unit photographer (3 episodes, 1987) |
| John Donoghue | .... | gaffer (2 episodes, 1985) |
| Ginger Gemmel | .... | camera operator (2 episodes, 1985) |
| Dennis McBride | .... | camera operator (2 episodes, 1985) |
| Gabriel Torres | .... | camera operator: Mexico (2 episodes, 1987) |
|
| John Burnett | .... | first assistant camera: "a" camera, second unit, additional photography (unknown episodes, 1982-1987) |
| Vincent Contarino | .... | electrician (unknown episodes) |
| |
|
| Carole Little | .... | wardrobe provider: Stephanie Zimbalist / wardrobe furnisher: Stephanie Zimbalist / ... (70 episodes, 1983-1987) |
| Molly Harris Campbell | .... | costumer: women / costumer (39 episodes, 1983-1985) |
| Shelly Levine | .... | costumer: men (39 episodes, 1984-1986) |
| Sanford Slepak | .... | costumer: men / costume supervisor / ... (36 episodes, 1982-1984) |
| Paula Giokaris | .... | costumer: women (22 episodes, 1982-1983) |
| Jerry Sklar | .... | costumer: men (19 episodes, 1983-1984) |
| Loree Parral | .... | costumer: women (16 episodes, 1985-1986) |
| Emma Trenchard | .... | costumer: women (5 episodes, 1983) |
| Rita Salazar | .... | costumer: women (4 episodes, 1985) |
| George Marc Gagnon | .... | costumer: men (3 episodes, 1983) |
| Jesse Fields | .... | costumer: men / men's costumer (3 episodes, 1987) |
| Andrea E. Weaver | .... | costumer: women (3 episodes, 1987) |
| Maeve Paterson | .... | costumer (2 episodes, 1987) |
| Christa von Humboldt | .... | wardrobe supervisor: Mexico (2 episodes, 1987) |
| |
|
| Susan Becton | .... | production coordinator (55 episodes, 1983-1985) |
| Elliott Lewis | .... | executive script consultant / executive story editor (49 episodes, 1983-1986) |
| Abby Singer | .... | production consultant (49 episodes, 1983-1985) |
| Jeff Melvoin | .... | executive story editor / story editor (44 episodes, 1983-1985) |
| John Wirth | .... | story editor / executive story editor (42 episodes, 1984-1986) |
| Brad Kern | .... | story editor / executive story editor (36 episodes, 1984-1986) |
| Richard De Roy | .... | executive script consultant (22 episodes, 1983-1984) |
| Robert Butler | .... | executive consultant (21 episodes, 1982-1983) |
| George Rutter | .... | script supervisor (19 episodes, 1983-1985) |
| Doris Chisholm | .... | script supervisor (19 episodes, 1984-1986) |
| Kerry Lenhart | .... | story editor (17 episodes, 1985-1986) |
| John J. Sakmar | .... | story editor (17 episodes, 1985-1986) |
| Lee David Zlotoff | .... | executive story consultant (13 episodes, 1982-1983) |
| Victoria Gail Weisbart | .... | script supervisor (10 episodes, 1985-1987) |
| Brian Alan Lane | .... | story editor (9 episodes, 1984) |
| R.J. Stewart | .... | story editor (7 episodes, 1983) |
| Rick Mittleman | .... | executive script consultant / executive story consultant (7 episodes, 1986) |
| Robin Bernheim | .... | executive story editor (6 episodes, 1987) |
| John Vaughan | .... | location auditor (5 episodes, 1984-1985) |
| John Vaughan | .... | location auditor (5 episodes, 1987) |
| Paul Wolff | .... | executive story editor (4 episodes, 1983) |
| Jill Bender | .... | script supervisor (4 episodes, 1985-1986) |
| Lois Thurman | .... | script supervisor (3 episodes, 1983) |
| Laerke Sigfred Pedersen | .... | script supervisor (3 episodes, 1984) |
| Joanna Yearsley | .... | script supervisor (3 episodes, 1984) |
| Jean Skinner | .... | script supervisor (3 episodes, 1987) |
| Tom Moore | .... | script supervisor (2 episodes, 1984) |
|
| Jim Carberry | .... | location manager (unknown episodes) |
| Adam Hill | .... | shophand/set detail caster: CBS/MTM Studios (unknown episodes) |
| |
Of all the man-woman detective adversaries that came up in the '80s - and yes, I'm including the "Moonlighting" team - Remington Steele was the best, the best written, the best acted, with the best chemistry. Unfortunately for Pierce Brosnan, there aren't a lot the debonair, light comedy Cary Grant roles being written today - this was Brosnan's milieu and his role as "Mr. Steele" deservedly made him a star. That Stephanie Zimbalist, because she committed the unforgiveable crime of turning 40, is no longer considered a star is pathetic. Where Moonlighting suffered from writer changes, problems on the set and a certain amount of disorganization and had to depend more and more on ad libs, techniques like talking to the camera and often started filming without a script, Remington Steele delivered a tight, well acted script week after week and, as the years went on, only got better and better. Glad to see it in re-runs and probably garnering more and more new fans but I miss the show. As Mr. Steele said to his secretary when he began his biography, "It was the best of times, it was the worst of times." She then interrupts him and says, "Excuse me, Mr. Steele, don't you think it's better to say 'it was the best and worst of times'"? Whatever it was, Remington Steele was a part of it.