Slightly offbeat television police comedy/drama. Tony Scali is the police commissioner in a small town, where solutions to difficult situations often require considerable creativity. Tony's... See full summary »
After a serial killer imitates the plots of his novels, successful mystery novelist Richard "Rick" Castle gets permission from the Mayor of New York City to tag along with an NYPD homicide investigation team for research purposes.
In order to make ends meet, and to stop a local teenage runaway from becoming a juvenile delinquent, Hetty Wainthropp, a sprightly and intelligent 60-year-old pensioner looking for a new ... See full summary »
Private eye Laura Holt grudgingly accepts a new partner when a mystery man assumes the identity of her fictitious boss, Remington Steele. Together, the two battle crime as their feelings for each other. Written by
Melissa Jones <firstname.lastname@example.org>
Originally, the character of Remington Steele was supposed to be a mere figurehead, comic relief to be used in support of star Stephanie Zimbalist. Bronsnan became so popular and had such presence, that his part became more significant. See more »
Who are you?
Just a happy go lucky tourist out to see a bit of the world.
Is that why you've got five passports, from five different countries, in five different names?
Kept trying for a good picture.
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At the end of the credits,the MTM kitten wears a Sherlock Holmes deerstalker cap and meerschaum pipe. While meowing, the pipe drops out of its mouth and falls in front of the word "Productions". See more »
Of all the man-woman detective adversaries that came up in the '80s - and yes, I'm including the "Moonlighting" team - Remington Steele was the best, the best written, the best acted, with the best chemistry. Unfortunately for Pierce Brosnan, there aren't a lot the debonair, light comedy Cary Grant roles being written today - this was Brosnan's milieu and his role as "Mr. Steele" deservedly made him a star. That Stephanie Zimbalist, because she committed the unforgiveable crime of turning 40, is no longer considered a star is pathetic. Where Moonlighting suffered from writer changes, problems on the set and a certain amount of disorganization and had to depend more and more on ad libs, techniques like talking to the camera and often started filming without a script, Remington Steele delivered a tight, well acted script week after week and, as the years went on, only got better and better. Glad to see it in re-runs and probably garnering more and more new fans but I miss the show. As Mr. Steele said to his secretary when he began his biography, "It was the best of times, it was the worst of times." She then interrupts him and says, "Excuse me, Mr. Steele, don't you think it's better to say 'it was the best and worst of times'"? Whatever it was, Remington Steele was a part of it.
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