Three vietnam veterans (Nick Ryder, Cody Allen and Murray Bozinsky) now work as private eyes in sunny southern California. Nick and Cody are the muscles and Murray is a computer wizard of ... See full summary »
Private eye Laura Holt grudgingly accepts a new partner when a mystery man assumes the identity of her fictitious boss, Remington Steele. Together, the two battle crime as their feelings for each other. Written by
Melissa Jones <email@example.com>
Robert Butler originally pitched the show to MTM as detective Laura Holt running a detective agency belonging to a male superior who she invented for business purposes. MTM put Butler in contact with Michael Gleason, who suggested the chaos that would ensue if the invented superior turned up one day, and the character of Remington Steele was created. See more »
What are you doing?
I'll tell you what I'm *not* doing! I'm not driving in circles trying to elude people I don't know, who want to kill a nice little nebbish, for reasons I don't even understand. I'm also not about to sit in that car while Sheldon looks at me like I'm Babe Ruth and George Washington all rolled into...
... yes, information? I'd like the number of the Central Intelligence Agency... No, that is not a residence.
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At the end of the credits,the MTM kitten wears a Sherlock Holmes deerstalker cap and meerschaum pipe. While meowing, the pipe drops out of its mouth and falls in front of the word "Productions". See more »
Of all the man-woman detective adversaries that came up in the '80s - and yes, I'm including the "Moonlighting" team - Remington Steele was the best, the best written, the best acted, with the best chemistry. Unfortunately for Pierce Brosnan, there aren't a lot the debonair, light comedy Cary Grant roles being written today - this was Brosnan's milieu and his role as "Mr. Steele" deservedly made him a star. That Stephanie Zimbalist, because she committed the unforgiveable crime of turning 40, is no longer considered a star is pathetic. Where Moonlighting suffered from writer changes, problems on the set and a certain amount of disorganization and had to depend more and more on ad libs, techniques like talking to the camera and often started filming without a script, Remington Steele delivered a tight, well acted script week after week and, as the years went on, only got better and better. Glad to see it in re-runs and probably garnering more and more new fans but I miss the show. As Mr. Steele said to his secretary when he began his biography, "It was the best of times, it was the worst of times." She then interrupts him and says, "Excuse me, Mr. Steele, don't you think it's better to say 'it was the best and worst of times'"? Whatever it was, Remington Steele was a part of it.
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