Wayland Flowers' diva Madame (a retirement age ventriloquist character who all ways spoke her/his mind while wearing fabulously over the top jewel and feather accented designer original ... See full summary »
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1982  

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Cast

Complete series cast summary:
Wayland Flowers ...
 Madame (51 episodes, 1982)
Susan Tolsky ...
 Bernadette Van Gilder / ... (51 episodes, 1982)
Johnny Haymer ...
 Walter Pinkerton / ... (51 episodes, 1982)
...
 Sara Joy Pitts (51 episodes, 1982)
...
 Buzzy St. James (24 episodes, 1982)
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Storyline

Wayland Flowers' diva Madame (a retirement age ventriloquist character who all ways spoke her/his mind while wearing fabulously over the top jewel and feather accented designer original gowns) starred as herself. Similar to "The Larry Sanders Show" (1992), the meat of each episode was in the backstage areas of her life. The primary cast included her three person staff, and a pre-teen Corey Feldman as the latch key neighbor kid who spent most of his days hanging around Madame's house. Most episodes dealt with standard sitcom style dilemmas in Madame's career or home life, peppered with Flower/Madame's biting one liners. Written by Silast

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Genres:

Comedy | Romance

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Release Date:

20 September 1982 (USA)  »

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1.33 : 1
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Did You Know?

Quotes

Cousin Charlie: [as Mae West] Why don't you come up and see me some time? How about Wednesday? That's amateur night.
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Connections

Featured in Tab Hunter Confidential (2015) See more »

Soundtracks

Madame's Place Theme
By Michael K. Miller, Monica Riordan, and Alan Satchwell
Music by Dan Foliart and Howard Pearl
Sung by Denise De Caro
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User Reviews

Sublime
16 January 2002 | by (Los Angeles) – See all my reviews

I can't believe this show has been forgotten. It had (it still has - on the shelf) a sublime, unique brand of humor - ribald and gentle, never insulting. So many people could learn about TRUE humor from it. It also had a great optimism. Memory fades. I don't remember anything specific, except the great style, good cheer and camp, and my never missing an episode and being in awe of it. Why must great things always be relegated to oblivion? Kent Skov's "Mad Movies" also met with public indifference.


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